Today we’re speaking with Dylan Tichenor, ACE, and Craig Wood, ACE, about their work on the latest Marvel extravaganza, Eternals.
I last spoke with Dylan when he cut Paul Thomas Anderson’s Phantom Thread. Dylan’s work also includes Boogie Nights, Magnolia, the ACE Eddie-nominated The Royal Tenenbaums, the BAFTA/ACE Eddie-nominated Brokeback Mountain, the ACE Eddie/Oscar-nominated There Will be Blood, and the ACE Eddie/BAFTA/Oscar-nominated Zero Dark Thirty.
(And I have no idea where there weren’t nominations for his work on one of my favorite movies, The Assassination of Jesse James by the Coward Robert Ford.)
Craig has also been on Art of the Cut before for Ant-Man and The Wasp and Guardians of the Galaxy. He’s won an ACE Eddie for Pirates of the Caribbean: The Curse of The Black Pearl, and has received nominations for the sequels, Dead Man’s Chest and At World’s End alongside Rango and Guardians of the Galaxy.
Craig has been working as an editor on film, TV, and music projects since the late 1980s, including projects for Peter Gabriel, Tom Petty, and Janet Jackson.
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