Above: Christine Molloy in The Future Tense (2022)
This is the first of two episodes we will bring you from the London Film Festival. Dario is joined for both by Savina Petkova as co-host. Savina is published in Film Comment and MUBINotebook and many other places. She is on the editorial board of @photogenie_be, Is a programmer for the upcoming Cambridge Film Festival and and is soon to complete her PhD at Kings College London.
As is our style on The Cinematologists, our festival coverage in not a comprehensive overview of the festival or a breakdown of competition films or sections. We bring you more of a snapshot of our experiences, viewings and conversations.
So, Savina and Dario begin by discussing the place of London on the European festival calendar and four recommendations of films we've seen in person and on the digital platform. These are Blue Jean (Georgia Oakley), Unrest (Cyril Schäublin), All the Beauty and the Bloodshed (Laura Poitras) and The Eternal Daughter (Joanna Hogg).
The centrepiece of this first episode is Dario's interview with Christine Molloy and Joe Lawler, who bring a new Essay Film The Future Tense. Very difference from their last psychological revenge horror Rose Plays Julie, in The Future Tense, they turn the lens back on themselves and specifically the sense of being Irish while living in England during the political and social tumult of the last decade.
Finally, Dario talks to blogger Andrew Pope of Whitlock and Pope website about Alejandro González Iñárritu's latest film Bardo, False Chronicles of a Handful of Truths.
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