On this episode, we talk about the 1982 self-titled debut from Marshall Crenshaw. Arriving in New York after a stint with the traveling production of Beatlemania, Detroit born Crenshaw caught the attention of the New York music scenesters by writing and performing tight little pop tunes. Lauded by Critics, making several end of year “best of” lists. The album also stood out at the time. It was markedly different than the big radio anthems getting regular radio airplay. Musicians were also paying attention and several of Crenshaw’ songs were already recorded by other artists by the time he recorded his debut. Marshall Crenshaw is a stellar debut. Channeling of pre-British invasion American roots rock (most obviously Buddy Holly) through the lens of post Beatles jangle pop, its full of hooks, instantly accessible songs, and fantastic guitar work.