Liz Steel episode
​​Liz Steel talks about becoming an urban sketcher, journalling her life, and teaching art.
​​Liz’s Online sketching courses
​​Liz Steel’s website and blog
Instagram
​​Danny Gregory
​​Urban Sketchers
Liz Steel talks about becoming an art teacher who journals her life by sketching with ink and watercolour . Liz says “I’m doing it because it’s a very honest response to what I see and where I am and what I do”.​​
​​
##Referenced Art Supply Posse Episodes
​​Episode 2 on watercolours
Episode 4 on fineliners
Episode 18 on fountain pens for drawing
​​
​​
##Questions about art supplies?
###Ask in our forum
Artsupia Forum
There’s a forum app too:
iOS Discourse App for Artsupia Forum
Android Discourse App for Artsupia Forum
​​​​Art Supply Posse Website
##Topic Summaries
​​
​​Comparison to photography
​​Kim compares urban sketching to photography, how they both record a fleeting moment, and Liz explains how sketching has replaced photography for her. She used to take photos and print and bind photo books, but now her sketchbooks serve the same purpose. Liz compares herself to other travel sketchers and describes how she wants to document everywhere she’s been, not just one sketch a day. Sometimes she does up to 20 sketches a day.
​​Move from architecture
​​In architecture, it’s important to keep a kind of “idea book” where you keep sketches of buildings and ideas. Liz says she knew it was important, but just never sketched, until she found Danny Gregory. His work opened up sketching for her to include other subjects and mediums. This also opened up an obsession to document her life which got her into sketching.
Liz didn’t make a clean break with architecture but instead, about five years ago, she took 6 months off work. The reasons were many and she wanted to see if she could do something with her art. Things started moving, and Liz got to do both illustration projects and teaching. Liz felt she had more of a role to fill as an architect turned sketcher than as a pure architect. She enjoyed having more creative freedom than her profession allowed.
​​
​​Becoming a full-time artist and creating online courses
​​The traditional advice for people wanting to work with their creative passion is to balance the time between a “day job” and their passion and transition gradually. Liz did nothing of that, hers was more of a sabbatical turned transition as the demands at her day job were too much to be able to handle a side business too. Liz struggled with gaining recognition locally in the beginning. She was getting more recognition online in the international scene. She also realised she was less into client work and more interested in creating a product, which in her case developed into online courses.
​​Urban sketching in Australia
​​When Liz started out urban sketching, there were just a handful of people in Australia who even knew what it was, but it has definitely grown now. There are groups all over, for example in Sydney, Melbourne, Brisbane, Tasmania, South Australia and Perth.
​​
​​Mediums
​​Liz primarily uses fountain pens with ink and watercolor for her urban sketching. She had been using fountain pens and ink for a long time, but watercolor was her “light bulb moment” and she says “This is what I’ve been looking for all my life”. With watercolor she was able to mix all the colors she wanted.
​​Drawing from observation
​​Liz says she was confident about drawing from her head already, due to her background in architecture, but drawing from observation was trickier. She had to go back to basics and relearn how to apply concepts, like for example perspective, to what she saw and wanted to draw.
Teaching urban sketching
​​Liz didn’t start out wanting to teach, but as she was getting more into the urban sketching community she was encouraged to teach. She now teaches online courses but also do workshops in urban sketching.
​​“The major barrier to art is to change the way your brain thinks, to start thinking visually.”
​​Li