Caterina Corner lived a life that was composed of a mixture of adventure, power, and tragedy. The daughter of a Venetian patrician and merchant, she was married to the king of Cyprus while barely a teenager. Within two years of voyaging to her new home in 1472, she became a mother, a widow, and the ruler of Cyprus, over which she reigned until she was dethroned by her Venetian benefactors in 1489. In Daughter of Venice: Caterina Corner, Queen of Cyprus and Woman of the Renaissance (Yale University Press, 2015), Holly Hurlburt describes the life and artistic legacy of this remarkable woman. As she explains, much of our image of her is shaped by the portraits and other artwork of her, both from her reign and afterward. In combination with the extant documentary record, they reveal how Caterina maintained and projected her authority as queen in a tumultuous time while facing challenges from several Mediterranean powers. Ever after her removal to a community in northern Venice, she maintained her influence and dignity as the lady of Asolo, both as a noble landowner and as a Renaissance patron.
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