"It was a confluence of very fortunate events that this movie was produced, and it is a bit of an anomaly. It's quite unprecedented that, first of all, a major Hollywood film studio has produced a comedy in the year 2022. They don't get made very often anymore at this size or scale. And secondly, that movie centers a minority family of any sort, but specifically of a Filipino-American family with a Filipino-American leading man. All of these things add to the sort of historical nature of the movie, for lack of a better description. And that's not lost upon me, but also adds to the fact that it's such a crazy experience. Now having put the movie out into the world to see reactions and now that it's out of our hands, it's up to the world to receive it."Ken Cheng is a writer/producer who has previously written for Wilfred, Betas, and Sin City Saints. Ken’s feature comedy Easter Sunday, which he co-wrote, and executive produced for Amblin Partners, Rideback, and Universal, is inspired by the life and comedy of standup comedian Jo Koy. Forthcoming projects include writing and executive producing the half-hour comedy series, House of Chow, for HBO, co-writing – along with his creative partners at Crab Club, Inc. - a feature film adaptation of the GQ Magazine article, “The Great Chinese Art Heist”, for Warner Bros., Conde Nast, and director Jon M. Chu, and writing/producing a feature adaptation of the New York Magazine article “Chateau Sucker” for Bound Entertainment.www.crabclubinc.comKen Cheng IMDBwww.creativeprocess.infowww.oneplanetpodcast.org