Fact: Since 2016, there’s no such thing as an authorized “live Beatles record” without Opie’s involvement.
Sure, “At The Hollywood Bowl” was originally released lo-fi style in 1977, back when Richie Cunningham was chillin’ with Potzie, Mrs. C, and the increasingly insane Chachi. But it wasn’t until Apple slapped Ron Howard’s name on a brand new cover (yuck) that this long-deleted title finally appeared on CD in dramatically improved sound, as a slightly forced tie-in with the “Eight Days A Week” film. So yeah, it was ol’ Winthrop (#TheMusicMan #GaryIndiana) who made a Splash with this Gung Ho re-release that’s Far and Away the only official live Beatles record.
In this episode, Tony and T.J. dive into Giles Martin’s stunning remix, on the 45th anniversary of George Martin’s original presentation of the legendary ’64 and ’65 Hollywood Bowl shows. Along the way, these Beautiful Minds Backdraft themselves into other pertinent topics, like:
  ☎️ Did the Nerk Twins inspire the Jerk Twins, later known as the Jerky Twins, and ultimately known as G.O.A.T. comedy act The Jerky Boys?
 ? Are 8-track tapes the best way to (part 1) listen to your favorite music (concl.)?
 ? Does anyone know the omnipresent, looped, two-note whistler on The Ventures’ live album? And can they sue for royalties?
Replete with bonus tracks and new, incongruously stupid artwork, this reissue is not to be missed; and neither is this episode, which will ensure Sunday, Monday, Happy Days, Tuesday, Wednesday, Happy Days, Thursday, Friday, Happy Days, The Weekend comes, and kinda rips off a-ha’s “Take On Me” with his hit “Blinding Lights”.
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"And now, here they are, the Untitled Beatles Podcast!" - Dick Biondi, probably