Last week, fresh panic spread around the globe as a new COVID variant of unknown power called Omicron came into view, threatening to potentially plunge society back into lockdown just as we were beginning to emerge from pandemic. Also last week, throngs of art loving party animals from 72 countries around the world converged on Miami for a week long bacchanale of art collecting, champagne-soaked soirees, nonstop-socializing, and celebrity-studded VIP events that stretched into the night.
Very weirdly, both of those things are actually true. The latest edition of Art Basel Miami Beach was by all counts of massive success with 60,000 people in attendance, booths selling out in nanoseconds amid boundless enthusiasm about both traditional art (remember that?) and NFTs.
And that's just the main fair. The entire city was lit up with art events from the fairs to incredible museum shows to crypto art conferences galore that were filling the air with revolutionary fervor.
So what was it like to hit Miami art week for this totally surreal discombobulating affair? To answer that question, we're thrilled to be joined on the show by none other than Annie Armstrong, author of Artnet News's beloved gossip column Wet Paint, who tackled the whole party thing down there with an almost alarming degree of gusto.