It’s late August, and for the first time in two years, it looks like the fall art season could be jam-packed with major in-person art-market events––even if some of them don’t normally happen at the same time as Starbucks is trying to coat the globe in pumpkin spice.
But this summer, art-world trends and circumstances way beyond the industry’s control have led to some of the most noteworthy market activity happening in two destinations we’re not so used to seeing make headlines: Monaco and Accra, the capital of Ghana. What’s so interesting about these two places is that, together, they form a kind of art-market yin-yang symbol: the areas where one of them is strong are the areas where the other is weak, and vice versa. So by pairing them up, we can see something close to the full spectrum of forces shaping the global art market today. 
To help us on this expedition, Artnet News’s Art Business Editor, Tim Schneider, is joined on the show by two great guests who recently reported on these destinations firsthand for Artnet News Pro. First up, Kate Brown, European editor at Artnet News, discusses her summer sojourn to Monaco. Then, Rebecca Anne Proctor, the seasoned, globe-trotting art journalist, talks about the art scene bubbling up in Accra.