Adam Nolly Getgood is a producer and mixer and the co-founder of GetGoodDrums.
On this episode:

What the pandemic changed for Nolly

How much tone experimentation should be done during a recording session

How Dan Weller from Sikth transitioned into becoming a great producer

How Nolly divides his time between production and GetGoodDrums

Mixing in Dolby Atmos - is it the future?

Nolly’s incredible hunt to figure out exactly how to recreate Andy Sneap and Colin Richardson’s signature rhythm tones

What defines quality if everything is pretty good?

How would Queen’s Bohemian Rhapsody turn out if they produced it in Pro Tools?

Why Nolly uses Kai monitors

The groundbreaking game changing effect Sonarworks and Soothe had on audio production

Why the term “practice makes perfect” is a lie

Using ProQ3’s dynamic EQ bands on Devin Townsend and Periphery mixes 

The beauty of the right Mesa cab with the right Vintage 30s

Check out GetGoodDrums.
Follow Nolly on Instagram.
Sponsored by: DistroKid
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Multi-track sessions from some of the biggest names in rock and metal

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