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96 – Stephen Lloyd and Cutting the Treacle

96 – Stephen Lloyd and Cutting the Treacle

FromTalking Scared


96 – Stephen Lloyd and Cutting the Treacle

FromTalking Scared

ratings:
Length:
59 minutes
Released:
Jun 14, 2022
Format:
Podcast episode

Description

We’re closing out our (very) loose trilogy of episodes devoted to sinister schools and magical children. This week it involves pentagrams and witch-burnings, which are always a good time.Our guest, Stephen Lloyd, is better known for his comedy than his horror. He has spent a career crafting some of the biggest sitcoms of the century (some of which helped my marriage survive lockdown). Now, he has turned his pen to something much less wholesome, in his first novel, Friend of the Devil.We talk about Satanism and D&D and the aftermath of Vietnam – all that stuff that made the 80s such a goddamn fun decade for so many. But we also look at how those tendrils reach into the present set of existential crises. Socio-political shi*tshows aside, Stephen discusses the difference between writing horror and writing comedy, he explains the inner workings   of a TV writer’s room – and how penning a novel in isolation is a whole other thing. I even ask him for advice on screenwriting, because my ill-conceived ambition knows no bounds…Enjoy! Friend of the Devil was published on May 30th by G.P. PutnamOther books discussed in this episode include:The Book of the New Sun (1980-83), by Gene WolfScreenplay: The Foundations of Screenwriting (1979), by Syd FieldAdventures in the Screen Trade (1983), by William GoldmanSupport Talking Scared on Patreon - https://www.patreon.com/TalkingScaredPodCome talk books on Twitter @talkscaredpod, on Instagram, and TikTok or email direct to talkingscaredpod@gmail.com Download Novellic on Google Play or Apple Store.Support the show
Released:
Jun 14, 2022
Format:
Podcast episode

Titles in the series (100)

Conversations with the biggest names in horror fiction. A podcast for horror readers who want to know where their favourite stories came from . . . and what frightens the people who wrote them.