Marta Puxan-Oliva’s Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel (Routledge, 2021), engages with the intertwined relationship between narrative studies – centering on narrative reliability – racial conflicts and ideologies. Puxan-Oliva argues that the problem of narrative reliability in fiction, often mirrors and makes use of narrative reliability of historical discourse, and therefore urges literary critics to examine the historical context of a work of fiction to “comprehend technical modulations of narrative reliability.” 
Her book offers a crucial contribution to narrative theory by insisting on a need to historicize the field itself to understand how historical discourses give rise to specific cultural and political discourses. In order to illustrate her methodology, Puxan-Oliva analyzes Joseph Conrad’s Lord Jim, James Weldon Johnson’s The Autobiography of an Ex-Colored Man, William Faulkner’s Absalom, Absalom!, Albert Camus’s L’étranger, and Alejo Carpentier’s El reino de este mundo. In each chapter, Puxan-Oliva grapples with a specific issue on the problem of reliability in connection to historical contexts of each literary work. For example, she discusses in depth the role that the voice of persuasion has in Conrad’s Lord Jim, and the implications this has within the larger discourse of British imperialism. When focusing her keen analysis on Faulkner, Puxan-Oliva considers the degrees of reliability in the narrative, and the way the problem of reliability reflects historical discourses in the New South. In her chapter on Camus, she observes how Meursault’s ‘estranging narrative’ makes use of underreporting, which is an “ideological strategy common in colonial discourse”, thereby connecting narrative voice within a broader condition of discordant reliability within French colonial Algeria. To sum up, each chapter in Puxan-Oliva’s book consists of a necessary intervention in narratology, arguing that the field of narrative studies needs to release narrative from its exclusive engagement with the text, divorced from other forces that exert pressure on its formation; instead, Puxan-Oliva is interested in the interconnectedness of texts with political and historical discourses, and their rootedness within broader patterns of cultural production, which, ultimately, is an argument for a cultural narratology that is interested in the “construction of form” and in the very “politics of form”. Ultimately, this book is an important intervention not only within narrative studies and racial conflicts and ideology, but it has crucial implications during a time when various discourses around the globe pose a major challenge to the nature of truth, and how the latter is affected by narrative, narrative form, and how these are shaped by historical and political discourse.
Marta Puxan-Oliva a is Ramón y Cajal senior researcher at the Universitat de les Illes Balears, Spain. 
Eralda L. Lameborshi is an Assistant Professor in the Department of Literature and Languages at the Texas A&M University – Commerce where she teaches world literature and cinema. Her areas of research are World Literature, the historical novel on the Ottoman Empire, world cinema, postcolonial theory, and film theory. She is the recipient of various fellowships and awards like the Hagler Institute for Advanced Study Fellowship, and the Elizabeth Greenwade Qualls ’89 Endowed Fellowship. She is currently working on her book manuscript titled The Islamic Empire and Southeastern European Literature, and articles on the global novel and literatures of migration, immigration, and exile.
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