The Off Camera Call-In Show #3

FromOff Camera with Sam Jones

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The Off Camera Call-In Show #3

FromOff Camera with Sam Jones

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Length:

92 minutes

Released:

Jan 10, 2020

Format:

Podcast episode

Description

Sam Jones does it again. Listen in as he fields some burning questions from Off Camera fans.

Released:

Jan 10, 2020

Format:

Podcast episode

Titles in the series (94)

Off Camera is a podcast hosted by photographer/director Sam Jones, who created the show out of his passion for the long form conversational interview, and as a way to share his conversations with a myriad of artists, actors, musicians, directors, skateboarders, photographers, and writers that pique his interest. Because the best conversations happen Off Camera.

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175. D'Arcy Carden: You may know D’Arcy Carden as the lovable, all-knowing, not-quite-robot-not-quite-human entity Janet on The Good Place, and while she may not know everything in real life, she certainly knew she wanted to act from the moment she saw her father in a local by Off Camera with Sam Jones
66 min listen
182. Ray Romano: Before Ray Romano graced our television sets with Everybody Loves Raymond, he was a hustling stand-up comedian, hoping to break into television like his peers Jerry Seinfeld, Tim Allen, and Rosanne. He followed all the proper steps—performing on late nigh by Off Camera with Sam Jones
65 min listen
194. Fred Armisen: Fred Armisen is known as one of the funniest and most memorable Saturday Night Live cast members, but surprisingly, a career in comedy wasn’t something he originally envisioned. As a kid, he was obsessed with becoming a musician. Punk—his first love—was p by Off Camera with Sam Jones
70 min listen
179. Daniel Radcliffe: Before Daniel Radcliffe became the face of the global phenomenon that was Harry Potter, he was just a typical kid struggling to get through his schoolwork and get along with his teachers. Back then, his only acting credential was the BBC miniseries David by Off Camera with Sam Jones
60 min listen
177. Regina Hall: Ever since Regina Hall showed up on screen as the hilarious, sex-craven Brenda in Scary Movie, she’s never had to worry about getting work. But what she did struggle with was getting the right kind of work, especially after discovering the flip side to su by Off Camera with Sam Jones
63 min listen
181. Patton Oswalt: I was excited to have Patton Oswalt on the show, because I have been following his career ever since I first saw him on stage at the legendary Los Angeles club, The Largo in the mid-nineties, where he made me laugh harder than perhaps I have ever laughed by Off Camera with Sam Jones
62 min listen
183. Lauren Cohan: If you look at Lauren Cohan’s acting career, it’s clear she has a knack for playing strong and feisty women. She’s played a zombie killing badass in The Walking Dead, a secret agent in Peter Berg’s thriller Mile 22, and now, she’s chasing down internation by Off Camera with Sam Jones
68 min listen
189. 'Weird Al' Yankovic: For years, Weird Al Yankovic was dismissed as a novelty musician—here today, gone tomorrow—but it’s been 40 years, and his weird and wonderful career shows no signs of slowing down. “People often think that if something is funny, it has lesser value and d by Off Camera with Sam Jones
64 min listen
199. Scoot McNairy: If Scoot McNairy hadn’t found acting, it’s possible he’d be mowing lawns for a living. Scoot grew up relishing the outdoors of his native Texas, and started his own landscaping company at age 13 to make some spending money. Towards the end of high school, by Off Camera with Sam Jones
67 min listen
195. Olivia Wilde 2: It’s been four years since Olivia Wilde last visited Off Camera, and a lot has changed—she’s had another child, taken a step back from acting, and embarked on a completely different career path as a director. “I almost feel like someone who’s come out of by Off Camera with Sam Jones
72 min listen
Constance Wu: Before she became a household name from her work in projects like Fresh Off the Boat and Crazy Rich Asians, Constance Wu was a full-time waitress in credit card debt who was trying to break into the TV and film industry.Despite her BFA in acting, Constance struggled to get steady acting work for nearly a decade. Her love of the craft never wavered—no matter how tough it was to deal with the rejection. But times got so tough she finally had to ask herself, “Are you okay if you’re still waiting tables at 50 in order to supplement your income so you can do one or two plays a year?” Wholeheartedly, her answer was, “Yes.”Finally, when the creditors were stalking her, she got her big break. In 2015, she was cast opposite Randall Park in the groundbreaking and popular ABC sitcom Fresh Off the Boat, a hilarious look at life as an Asian immigrant in America. Another historic role followed with the film Crazy Rich Asians, which featured an entirely Asian cast. Most recently, she’s by Off Camera with Sam Jones
72 min listen
Robert Downey Jr. 2: Good old Robert Downey Jr. is back for a second time, and his career has gone quite well since his last appearance, on episode 5 of Off Camera. It is now our 200th episode, and Robert is here to remind us that great conversations should be unconventional, surprising, and sometimes just downright weird. Check, check, and check.Since the last time he was here, Robert’s Iron Man legend has grown exponentially—thanks to the massive success of Marvel’s Avengers franchise and the recent release of the final installment, Avengers: Endgame. But if we rewind the tape, Robert’s journey on the project, like director Jon Favreau’s, started at a low point. “We were two people who had a film we were passionate about come out on the same weekend and bomb. His was Zathura, and mine was Kiss Kiss Bang Bang.” Their mutual comeuppance led to a creative bond, a big brother relationship. As Robert explains, “If that kind of synergy happens when you’re doing a movie, it’s going to be g by Off Camera with Sam Jones
65 min listen
184. Brit Marling: Brit Marling has created one of the most original, mind-bending, and creative shows on television with Netflix’s The OA; an exploration of near death experiences, inter-dimensional travel, modern dance, and much, much more. But the thing the sticks with y by Off Camera with Sam Jones
68 min listen
185. Joey King: When Joey King went to the premiere of her upcoming Hulu show The Act, she didn’t anticipate watching the entire thing through her fingers, but the role was so personally and professionally momentous that she couldn’t bear to watch herself with clear, ope by Off Camera with Sam Jones
69 min listen
198. Ramy Youssef: As the child of first-generation Muslim immigrants, Ramy Youssef grew up with a sense of practicality about his future. He was drawn to comedy and performing, but he saw no one who looked like him on TV. Add to that the fact that acting isn’t exactly a pr by Off Camera with Sam Jones
69 min listen
188. Seth Rogen: Believe it or not, the origin of Seth Rogen’s incredible acting, writing, and producing career traces all the way back to Bar Mitzvah class in Vancouver. That’s where twelve-year-old Seth met Evan Goldberg, a fellow movie enthusiast who loved writing just by Off Camera with Sam Jones
72 min listen
180. Norman Reedus: Over the last ten years, Norman Reedus has been kicking zombie butt and endearing himself to audiences around the world in the massively successful AMC series The Walking Dead. Ten years is a long time for someone who grew up with a serious case of wander by Off Camera with Sam Jones
61 min listen
187. Busy Philipps: For over 20 years, Busy Philipps has been navigating the highs and lows of a being an actress in Hollywood. With unrivaled determination and a strong belief in herself, Busy left her home in Arizona at 18 years old for Los Angeles to pursue acting and bri by Off Camera with Sam Jones
65 min listen
192. Andrew Bird: Andrew Bird grew up no stranger to music, and he started playing the violin was he was four, using the Suzuki method. But Andrew argues he wasn’t “prodigy material.” Yes, he was naturally musical, but classical training requires strict adherence to rules by Off Camera with Sam Jones
62 min listen
176. Dax Shepard: It’s been 140 episodes since Dax Shepard last sat down with me, and a lot has changed since—he directed a film (ChiPs), started Armchair Expert, which is one of the best and most popular podcasts of 2018 (after stealing all of my secrets, of course), and by Off Camera with Sam Jones
63 min listen
178. Stephen Merchant: When Stephen Merchant grew to 6’7” as a teenager, he had a hard time blending in with the crowd, which was something he longed for. “Lots of kids in school would dye their hair pink, get lots of piercings, or do things to stand out, whereas I spent all my by Off Camera with Sam Jones
64 min listen
191. Jason Mantzoukas: Growing up on a little island off the coast of Massachusetts didn’t afford Jason Mantzoukas, an aspiring performer, much room to interact with the outside world, but it was a good place for Jason to hone his comedic skills. “I was a little Greek kid in a by Off Camera with Sam Jones
66 min listen
196. Sienna Miller: When Sienna Miller got her first big acting job on the short-lived FOX television show Keen Eddie, she had no grand plans for her career. Surrounded by a bustling crew and a shiny, big-budget production, she was simply happy to be there, and as a 19-year- by Off Camera with Sam Jones
62 min listen
Andrea Savage: If you haven’t seen Andrea Savage’s comedy series I’m Sorry, you should…just be prepared to laugh your butt off. As the creator, writer, and star of the series, Andrea does it all—which makes sense since the show is based on her own experiences being a comedian, wife and mom. But it is also a show about us. Andrea has found the universal truths of being a parent while being a working artist, and her observational powers reveal the absurdity and pathos in our own lives.For years, Andrea was stuck in development hell. She had a stable acting career with roles in Step Brothers, Episodes, and Veep, but true to her improv and Groundlings background, Andrea wanted to write and create as well. She was pumping out pilot scripts and selling them, but they weren’t getting made. As she says, “It was heartbreak after heartbreak of putting your all into a project, getting good notes, and then nothing. It was always the bridesmaid, never the bride.” When Andrea turned 40, the self-des by Off Camera with Sam Jones
73 min listen
Adam Devine: When Adam Devine was in fourth grade, a bully turned the entire class against him, and it took Adam nailing his performance in that year’s school play for his social prospects to start looking up. One great scene made the entire audience laugh, and after the play, he was greeted by praise. “From that moment on, I realized that no matter what was happening in my life, I could be good at acting and that can be my thing.”The following year, Adam suffered a near fatal collision with a cement truck which broke most of the bones in his body. When he wasn’t relearning how to walk, he had plenty of time to himself to watch TV, movies, and old SNL clips. He began writing his own sketches and regularly calling in to the local radio station as his idol Chris Farley. By the time he recovered from the accident, Adam had taught himself how to write and had a natural instinct for comedy.When college came around, Adam opted to go to community college in California to pursue comedy instead by Off Camera with Sam Jones
69 min listen
Scott Aukerman: Writer, director, comedian and podcast host Scott Aukerman is a very busy man. He is perhaps best known for his hit podcast Comedy Bang! Bang! which has been introducing audiences to the most talented comedians and improv artists for the last ten years. And that’s just Scott’s “side gig.” He’s written for movies and television shows, like Mr. Show, and more recently, Between Two Ferns, a wonderfully awkward talk show hosted by Zach Galifianakis which is now a full length Netflix movie. Even with all of his success, Scott still marvels at the fact that he gets to be silly and make other people laugh for a living. He wonders, “At what point will people figure out it’s all a scam?”He grew up with comedy in his bones and an affinity for David Letterman. In high school, he hosted a Letterman-inspired news show on his town’s public access channel. And in college he frequently turned serious, academic assignments into sketches, including a particularly memorable ballet perform by Off Camera with Sam Jones
73 min listen
197. David Tennant: When David Tennant was a child in Scotland, he spent his free time running around the back garden pretending to be characters from the TV shows he loved. In honor of his favorite show, Doctor Who, his grandmother knit him a multi-colored scarf to wear, ju by Off Camera with Sam Jones
70 min listen
190. Sarah Goldberg: All it took for Canadian-born actress Sarah Goldberg to realize she wanted to become an actor was a preschool production of The Owl and the Pussycat. And as she got older, the joy of acting in plays only intensified: “I discovered that being on stage is t by Off Camera with Sam Jones
67 min listen
Josh Gad: Josh Gad was drawn to acting ever since he took the stage as The Simcha Machine in Beth Shalom Academy’s kindergarten play. Onstage, Josh felt euphoria, but at home, he struggled with his parents’ divorce. Luckily, he found an escape through watching and performing in theater. Josh vividly remembers the first time he saw a professional play, sitting in the nosebleeds, and watching breathlessly. “What finally took me over the edge was going to New York City and seeing Topol in Fiddler on the Roof. I was sold. Sold. ‘I’ve got to do this.’”In addition to his dream of performing, Josh had an innate talent for making people laugh. Humor was how eased his mother’s pain after divorce, and it also helped him diffuse social tension. Josh explains, “One time a kid called me fat in front of a group of people, and instead of kowtowing, I started reciting a monologue from My Cousin Vinny to the point where the guy was like, ‘What is happening right now?’ Everybody was laughing at him, and by Off Camera with Sam Jones
66 min listen
Wyatt Russell: Wyatt Russell was born into the film business as the son of Kurt Russell and Goldie Hawn, which can be a difficult way to grow up. But despite their massive success, Wyatt’s parents were a grounding presence who emphasized hard work. “They did a really good job of making us understand that what you get is earned, not given, and that there’s reward in earning it,” Wyatt told me. In light of that lesson and after an eye-opening trip to a hockey rink, Wyatt decided to deviate from the family way and forge his own path—he was going to be a professional hockey player.As Wyatt grew up, his NHL dream seemed more and more like a distinct possibility. He was a talented goalie, and his parents moved to Vancouver so Wyatt could compete with Canada’s best. Unfortunately, being born into a famous family brings its own unique challenges. “People were like, ‘Here comes this circus act from California. Kurt Russell and Goldie Hawn’s kid wants to be a hockey player in British Columbia.’ by Off Camera with Sam Jones
67 min listen

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Ep 5. Robert Downey Jr - 1: “Moral certainty is always a sign of cultural inferiority. The more uncivilized the man, the surer he is that he knows precisely what is right and what is wrong. The truly civilized man is always skeptical and tolerant, in this field as in all others. His culture is based on ‘I am not too sure.’” -H.L. Mencken Henry Louis Mencken and Robert Downey Jr. did not cross paths in life (though it’s fun to imagine that conversation), but the essayist’s quote is an apt description of the actor’s approach to life. Downey’s restless intelligence is reflected in his ability to express several contradictory points of view simultaneously, making sense all the while. He can be direct one moment and elusive the next, often spinning off on seemingly unrelated tangents. But like watching a juggler on a wire, being in Downey’s presence is a riveting experience. For someone who almost from the outset was deemed “the greatest actor of his generation”, the majority of Robert Do by Off Camera with Sam Jones
75 min listen
Ep 133. Danai Gurira: The talented and worldly Danai Gurira has been bridging the gap between disparate worlds ever since her family moved from Grinnell, IA to Africa when she was a toddler. In school, the self-described Zimerican (Zimbabwean-American) was the “African kid with a twangy American accent” who got along with everybody regardless of race and class. That ability to cross borders both artistic and geographic has defined Danai’s career. On the blockbuster side, Danai inhabits the character of Okoye in the highly anticipated Marvel film Black Panther and the character of Michonne, the butt-kicking zombie killer in AMC’s hit series The Walking Dead. On the literary side, she’s a playwright with Broadway success who mingles with the high-brow theatre crowd. But don’t get caught up in Western delineations between actor and writer because at her core, Danai is a storyteller—a woman who uses her unique perspective and artistic talent to reveal the shared humanity between seemingl by Off Camera with Sam Jones
65 min listen
Ep 7. Dave Grohl: Being a bona fide badass is the price of entry for a career in rock and roll; and if you ask Dave Grohl, it’s the key ingredient for just about anything worth doing. His approach to life has fueled the Foo Fighters’ 20 year,11 album career and garnered him a following of very stoked rock fans, many of who gathered at this year’s SXSW music conference to hear Grohl’s keynote address. The hipsters, rockers, start-uppers and next-big-thing developers packing the room were no doubt curious to hear how one goes about dropping out of high school, rising to fame as the drummer in Nirvana (a small Northwest act you may have heard of), and then go on to lead one today’s few remaining true rock bands? For Grohl, the answer’s pretty simple: figure out who you are and what inspires you and don’t look back – develop that individuality by working as hard as you can at what you love. That clarity of approach drove not only his Nirvana/Foo Fighters trajectory, but numerous musical by Off Camera with Sam Jones
61 min listen
Ep 156. Awkwafina: Awkwafina (also known as Nora Lum) is having quite a moment. She’s a part of the impressive cast of female icons (Sandra Bullock, Rihanna, Cate Blanchett, and more) in Ocean’s 8, and she’s so hilarious in Crazy Rich Asians that you’ll barely hear her next line over the sound of your own laughter. What does this moment in the spotlight feel like? Awkwafina likens it to this: “I compare it to a wall opening up and transporting you to an alternate dimension where there is no gravity, and everything is weird.” Her initial shock isn’t so strange when you consider the fact that she never allowed herself to dream of a career in the arts, and there weren’t exactly any female Asian-American actress/rapper hybrids to pave the road to possibility. Awkwafina tried to follow the path that her friends took after college, but living the buttoned-up office life of a publicity assistant in Manhattan wasn’t really her thing. When her boss made her choose between her music and her unf by Off Camera with Sam Jones
63 min listen
Ep 140. John Goodman: John Goodman wasn’t always the imposing presence he is today, but he’s always had his charisma. As an eighth grader in Missouri, John charmed the “hard guys” in school with a spot-on Gomer Pyle impression so they would protect him. As he explains, “I was a little fat kid. I had the glasses with the tape in the middle. I was nerdy, man.” Heavily influenced by Marlon Brando and captivated by the language of Shakespeare, John discovered his dream to become an actor and left the Midwest to make it happen. After a stint as Thomas Jefferson in a dinner theater rendition of 1776, John found commercial success in New York City, but his career really took off when Roseanne came along in the late ‘80s. He’s also been a fixture in Coen brothers’ movies (Raising Arizona, Barton Fink, The Big Lebowski, and more), bringing his characteristic physicality to roles that simmer with an explosive energy. Exhibit A—screaming obscenities and beating the bejesus out of a Corvette with by Off Camera with Sam Jones
61 min listen
Ep 50. Aubrey Plaza: When the notoriously poker-faced Aubrey Plaza says that she’s wanted to be an actor since she was 13 and thus isn’t surprised it’s happening, or that perhaps the universe responded to her acting daydreams, you have to wonder, does she really mean that? Understandably, Aubrey Plaza used to hate the word “deadpan,” as associated as it’s become with the detached, almost unreadable delivery she’s cultivated as characters like Julie Powers in Scott Pilgrim vs. the World, Darius in Safety Not Guaranteed and perhaps most famously, Parks and Recreation’s wryly impassive April Ludgate. Then her Ned Rifle director Hal Hartley cast the term in a different light: maybe it occasionally serves a character to drop lines with a certain lack of personal involvement. Though no one expects much from a zombie in the way of emoting, The Guardian said of Life After Beth, “…Plaza steals the show with one foot in the grave, her rotting heroine ricocheting between adolescent snarkiness an by Off Camera with Sam Jones
65 min listen
Ep 134. Common: Common is a man who is anything but, and he’s been evolving as an artist since the start of his three-decade-and-counting career when he was a young musician rapping about his love for hip-hop. These days, in addition to being a Grammy-winning artist, Common is an established actor, known for his work on AMC’s Hell on Wheels and films like American Gangster, Selma, and Just Wright. Common is what you’d call a conscious artist—someone who uses his platform to encourage social and political change. He believes it’s the responsibility of an artist to say, “I see what you’re going through, and I’m going to stand up and use my voice, my talents, and my energy towards making your world better.” In his song “Black America Again,” he uses the power of music to show us the problems that arise from systemic racism and what we can do to resolve them. Despite his success, he’s not living a life disassociated from the, er, common people. You might even catch him writing a new song by Off Camera with Sam Jones
60 min listen
Ep 25. Jessica Chastain: What does it take to feel confident that you’ve made it in Hollywood? “Coming from nowhere with no connections” and going almost overnight to A-list status with leads in a string of the most highly acclaimed films in recent history would do the trick. So would a modest but steely belief that acting is what you’re meant to do, and always will do. Jessica Chastain wasn’t always certain of her path, but she never questioned her destination. That helps when you find yourself going to audition after audition with zero film work to show casting directors. Though daunting, it allowed her the rare opportunity to enter wide public and industry consciousness with a series of performances as revelatory as they were different in Jolene, Tree of Life, The Help and Zero Dark Thirty. While deeply appreciative of the experiences those films earned her to work with some of the most innovative and talented directors and cinematographers in the business, Chastain says she still by Off Camera with Sam Jones
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Ep 46. Joseph Gordon-Levitt: One of best ways to enter and appreciate the original, prolific brain of Joseph Gordon-Levitt is through the lens of hitRECord, the open, collaborative production company he founded in 2005, and one of the most creative and inspiring uses of the Internet ever. Its nearly 100,000 members submit projects – films, stories, songs, drawings, you name it – for other members to edit, build on and evolve. Gordon-Levitt credits directing short films on hitRECord with teaching him what he needed to know to make Don Jon, his first feature film as a writer, director and star. It was a darkly comic but ultimately hopeful tale about what happens when we become too connected to our devices, consuming people as things and communicating at versus with each other. His effort was rewarded with critical acclaim rare for actors who have the audacity to become auteurs; more importantly, audiences dug it. A lot of artists might find hitting it out of the park on their first time by Off Camera with Sam Jones
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Ep 72. Mindy Kaling: Much has been made–justifiably so–about the anemic diversity represented in film and television, most problematically when roles originally written for people of color are rewritten for white actors. So consider if you will the concept of a 5’ 4” woman of Indian descent writing and playing the part of a famously strapping white male actor – in 2002, no less. The off-Broadway play (that would be Matt & Ben, in case you were wondering) hardly seems like the breakout opportunity of a lifetime for anyone. But Vera Mindy Chokalingam, 23 years old and barely out of college at the time, is about as un-anyone as they come. Matt & Ben was named one of Time magazine’s “Top Ten Theatrical Events of the Year,” and its co-writer/co-star (better known these days as Mindy Kaling) praised by The New York Times for her fine, deadpan sense of the absurd and the vicious. As fateful showbiz stories often go, in the audience one night was producer Greg Daniels, who was working on an A by Off Camera with Sam Jones
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Ep 96. Courteney Cox: So no one told her life was going to be this way. Except Friends director Jimmy Burrows, who took Courteney Cox and her fellow cast members to dinner in Vegas, telling them to enjoy the last time they'd ever be able to go out together in public without causing total pandemonium. For Cox, who never had a master plan, it was the start of what was arguably the most successful 18-year run on series television, after which some actors might welcome a break and a margarita or two. Others might freak out just a bit. You probably know what camp she falls in. We talk to Cox about her meteoric acting career, what it's like to simultaneously finance and direct an independent film, learning her craft on the fly, and how none of it would have ever happened if Brian De Palma had actually listened to her back in 1984. by Off Camera with Sam Jones
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Ep 168. Matt Damon 2: For those of you watching this week’s Off Camera episode, do not adjust your sets…that is me sitting across from Matt, humiliatingly dressed head to toe in a Red Sox uniform, having lost a bet to Matt when my beloved Dodgers lost in the world series for the second year in a row. And for those of you listening or reading, well, just imagine my shame. For as long as Matt Damon can remember, he wanted to be an actor. So much so that he started his college essay with those very words. But before all the accolades and success, Matt was just a kid from Cambridge, MA who loved playing sports and watching movies. His chances of becoming a pro athlete came up short (both literally and figuratively), but he was determined to make a career out of acting after the seed was planted by an influential theater teacher and nurtured by his best friend and fellow cinephile Ben Affleck. They had no road map for success, but Matt and Ben had an advantage over their teenage peers—the by Off Camera with Sam Jones
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Ep 164. Mary Elizabeth Winstead: Mary Elizabeth Winstead’s first true love was the ballet, but her body had other plans, and she grew a bit too tall for the grande jeté. Luckily, her favorite parts about ballet—performing, telling a story, playing different characters—are all essential tenets of acting, and Mary found herself in love anew. Her early experiences acting reinforced her love of the craft, but as she got older, she struggled to find her artistic place in an industry where women are often saddled with objectification and unwanted sexual attention. But it was when Mary faced the prospect of quitting that she found her voice, and became willing to say no. She also started choosing roles that weren’t based on her beauty or desirability. “I’d always prefer to take a great role in a weird horror film over playing somebody’s girlfriend in another actor’s big vanity piece.” Her dedication is evident in her work. She’s turned in incredible performances in films like Smashed, Alex by Off Camera with Sam Jones
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Ep 89. David Oyelowo: David Oyelowo has a favorite phrase from St. Francis of Assisi. “Preach the gospel, and every now and again use words.” You could see why. One of the most remarkably talented film and stage actors working today, he employs words to stunning effect, but it’s between syllables that one sees his real power. There’s something in his being that telegraphs a certain dignity, a deep human awareness and an underlying joy that he seems incapable of turning off, on screen or in person. “He’s kind of an amazing balance of import and also a kind of levity and light,” said J. J. Abrams, producer of Oyelowo’s upcoming film The God Particle. He’s best known for his acclaimed portrayal of Martin Luther King Jr. in Selma, in which his embodiment of a man raised to sainthood status as one also troubled by fear and doubt was praised most widely for its authenticity. That lack of hagiography may be partly due to an outsider’s perspective. Race played a significant, but different rol by Off Camera with Sam Jones
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Ep 138. Bill Hader: As a high school kid growing up in Oklahoma, Bill Hader received a progress report from his French teacher that had remarkable foresight: “Bill is very funny in class. He’ll probably be on Saturday Night Live one day. He has a 37% in class though. He will not be speaking French.” Bill had a natural gift for doing voices and impressions, and years later, he would indeed join SNL. For eight years, he brought memorable characters to life, including fan-favorites like his exasperated Vincent Price, the lecherous Italian Vinny Veducci, and Weekend Update correspondent Stefon. As one of the most talented cast members on the show, it’s hard to believe Bill when he tells me that it was never his dream to be on Saturday Night Live. After his eight-year stint on SNL and roles in a number of films (The Skeleton Twins, Trainwreck, Inside Out), Bill’s finally realizing his dream with Barry, his upcoming HBO show about a hitman who really wants to be an actor. Bill directs, wri by Off Camera with Sam Jones
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Ep 160. Elizabeth Olsen: It’s safe to say that Elizabeth Olsen didn’t have a normal childhood. As the other sister to the Olsen twins, Elizabeth Olsen had a front row seat to her sisters’ experience in the spotlight, media circus included, and she also witnessed what it was like to be a working actor—something she wanted to be but was embarrassed to admit. “I had this fear that people would think I didn’t earn or deserve the things I worked for because of who I was naturally associated with.” The nepotism critique motivated her to prove her worth, but that turned out to be the easy part. Elizabeth’s a hard worker by nature. After all, you don’t get dubbed NYU’s notorious “Rehearsal Nazi” for nothing. And very soon, people started taking notice, and Elizabeth started getting roles, including the one that led to her breakout performance in Martha Marcy May Marlene. Since then, Elizabeth has conquered the world of independent film (Wind River, Kodachrome, Ingrid Goes West) and the blockb by Off Camera with Sam Jones
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Ep 76. Mark Duplass: Our talk with Mark Duplass will take you about an hour to absorb, and we sincerely hope you will. But say you only have about seven minutes, 13 seconds, and access to YouTube. Watch his 2003 short This Is John and you’ll have the CliffsNotes on who he is as a filmmaker: A genius at distilling our most towering personal fears, frustrations and joys into one seemingly inconsequential or silly event. The simple task of recording an outgoing phone message becomes a study of existential loneliness and self-doubt. The cold fingers-on-your-neck sensation comes when you realize you know exactly how he’s feeling. Another early Duplass trademark? The entire cost of the wholly improvised film was about three bucks. Duplass, along with his brother and producing partner Jay, became known for making studies of the human condition that masquerade as movies; and for making movies that fit whatever budget, props and actors were available. Two years later, Mark wrote, produced and by Off Camera with Sam Jones
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Ep 127. Octavia Spencer: You can almost time it. When a hometown kid arrives, the “we knew her when” pieces aren’t far behind. Shortly after The Help made Octavia Spencer famous, The Birmingham News interviewed Jefferson Davis High School guidance counselor Mrs. Evelyn Moore. “Whatever she did, she did it well and she was never shy. You knew she just had it…there was something about Octavia that stood out and everyone knew she would be something.” Evelyn Moore knew it. The Help writer/director Tate Taylor knew it. What took the rest of us so long? Octavia Spencer graduated ol’ Jefferson Davis in 1988. She was one of seven kids raised by her mom Dellsena Spencer, who worked as a maid and died when Spencer was a teenager. She went on to Auburn University, where you might be surprised to learn she did not study to become an RN, considering it’s a job she’s done between 30 and 40 times on screen, along with an almost equal number of largely nameless cashiers and security guards. Spencer by Off Camera with Sam Jones
63 min listen
Ep 167. Rosamund Pike: Early on, the stage was set for Rosamund Pike to pursue a career in the performing arts. Born to two opera singers, Rosamund had a front row seat to familial emoting. She tried her hand at both music and acting, but a bout of stage fright while playing the cello forced Rosamund to recognize that she really didn’t want to play herself on stage—she was much more interested in playing other people, where her imagination was free to roam and explore. “Acting was like diving into a place where you actually felt alive, where things felt real.” Soon after finishing college, Rosamund got her first break as a Bond girl opposite Pierce Brosnan in 2002’s Die Another Day. But playing Miranda Frost—the “epitome of icy English blondness”—in your breakout role has its drawbacks. For years, Rosamund was cast in similarly cold and confident roles, and she longed for the opportunity to do more. Enter director David Fincher, who saw something unique in Rosamund. He offered her the by Off Camera with Sam Jones
55 min listen
Ep 51. Tim Robbins: At 6’ 5”, Tim Robbins is the tallest actor ever to win an Academy Award, but until they start handing out statuettes for height alone, he’ll have to be content with a regular old Oscar and slew of Golden Globes recognizing his talent. Cutting such an imposing figure could’ve made it easy for Hollywood to serve him up time and again as the loveable, lumbering galoot he played so successfully in his breakout role as Bull Durham’s “Nuke” LaLoosh. But even a passing glance at his long filmography is a startling reminder that Robbins is an artist whose physicality is completely overshadowed by his versatility. He plays innocent and shrewd, hero and scoundrel, with such careful shadings and intelligence that watching him, we’re kept tantalizingly off balance. His boyish, wide-open countenance can conceal a menace that’s all the more disturbing because it’s felt more than seen. In other words, Robbins is a master manipulator – he’s playing us, but gleefully and with the be by Off Camera with Sam Jones
58 min listen
Ep 65. Kathryn Hahn: Who is my character? Why does she say this line? What’s my motivation? These are valid, if not typical, Acting 101 probings. But as a certain actor so simply puts it, “Sometimes, you just need to walk in the door.” That actor is Kathryn Hahn, who is a great example of someone who does just that; she steps into frame and before she utters a line, you’re watching, just waiting for what she’s going to say or do. That takes a rare kind of presence, one that for too long seemed to be hiding in plain sight. Hahn got her first real TV break when Crossing Jordan producer Tim Kring created the role of Lily Lebowski for her in 2001. A string of small but brilliant supporting appearances in comedy features like How to Lose a Guy in 10 Days, Win a Date with Tad Hamilton!, Anchorman: The Legend of Ron Burgundy, and Step Brothers followed. Luckily, a few sharp-eyed observers spied a keg of talent going largely untapped. In 2008, Marcia Shulman, then Fox’s head of casting, signe by Off Camera with Sam Jones
57 min listen
Ep 84. Greta Gerwig: In “No Method to Her Madness,” a review of the Noah Baumbach film Greenberg that could’ve also been titled “Ode to Greta Gerwig,” A.O. Scott wrote that the actress, “most likely without intending to be anything of the kind, may well be the definitive screen actress of her generation.” He goes on (at length) to praise her performance, or lack thereof. “She comes across as pretty, smart, hesitant, insecure, confused, determined — all at once or in no particular order. Which is to say that she is bracingly, winningly and sometimes gratingly real.” He’s still talking about Greenberg, but the same could be said of her work in films like Frances Ha, Mistress America and Maggie’s Plan. Ben Brantley, Scott’s colleague over in the theater department, seemed equally smitten with her stage debut as Becky in The Village Bike: “She registers as guileless because we can detect every confused emotion that crosses her face... She reads as so transparent that her feelings come to by Off Camera with Sam Jones
65 min listen
Ep 64. Keagan-Michael Key: Did you see the 2013 comedy-horror movie Hell Baby? No? Well, film critic Devin Faraci did, and what stood out for him about the otherwise “silly” film was a supporting actor who “walks into Hell Baby, picks it up and walks directly out of the theater with it.” That was Keegan-Michael Key. In his write up, Faraci said, “I’m not sure why this guy isn’t one of the biggest comedy stars in the universe, but we still have time to correct this oversight, and Hell Baby will help.” Maybe, maybe not, but Key & Peele did. The history-making comic duo (Key and partner Jordan Peele) met at MADtv, where they were originally cast against each other so parent network FOX could pick one black actor for the permanent ensemble. Obvious questions about that strategy aside, the network recognized chemistry when they saw it and hired them both. Even “black actor” seems a slightly ridiculous term for two bi-racial comics who refused to see black culture as a monolith and any cult by Off Camera with Sam Jones
63 min listen
Ep 95. Hank Azaria: Hank Azaria’s relationship to the most iconic cartoon of a generation is a question of prepositions. He is indisputably on The Simpsons (his voice work on the show has won him four Emmys); also, he is The Simpsons – or at least a good percentage of the regulars that populate their world: Moe the Bartender, Apu the Kwik-E-Mart proprietor, Chief Wiggum, Comic Book Guy, The Sea Captain, Carl Carlson, as well as a one-man army of walk-ons like Cletus Spuckler, Professor Frink, Dr. Nick Riviera, Lou, Snake Jailbird, Superintendent Chalmers, Disco Stu, Duffman and the Wiseguy. A gifted mimic at five, Azaria had no idea his impressions were an unusual talent. “I just loved Bugs Bunny, Daffy Duck, Foghorn Leghorn,” he told the Los Angeles Times. “Then when I got old enough to realize it was all the same guy, Mel Blanc, I lost my mind.” Memorizing comedy routines he saw and doing funny voices remained a diversion while he was growing up in Queens, NY, but became an obsessio by Off Camera with Sam Jones
67 min listen
Ep 137. Andie MacDowell: When Andie MacDowell was a curious and wide-eyed 8-year-old, a trip to the university theater with her mother planted a seed. The adults on stage were playing make believe, her most favorite game in the world, and she was mesmerized. Add a penchant for prank calls and some improv with unsuspecting barkeeps, and the seed that was planted would later grow into her passion for acting. And Andie is nothing if not passionate. Over 30 years in the industry and she’s still chomping at the bit to stretch and grow despite how challenging it can be for women to find roles of substance. As a model, Andie was often held to an impossible standard of perfection, but she knows her success transcends what people see on the surface: “I’ve always known the real reason people would connect with me would not be for the way I looked, but for how I made them feel.” That is exactly why she feels so rewarded by her most psychologically complex character to date in the film Love Aft by Off Camera with Sam Jones
61 min listen
Ep 61. Glen Hansard: All artists are essentially storytellers, and the Irish are legendary storytellers (if you disagree, go immerse yourself in some Oscar Wilde, Samuel Beckett, Neil Jordan, or Christy Moore, and get back to us). For three decades, musician and sometimes-actor Glen Hansard has told his tales through song: first as a street busker, then as frontman for Irish band The Frames, next as half of folk rock duo The Swell Season, and now as a solo artist. If his early family life was a bit difficult and alcohol-dampened, it was also kind of enchanted. Household gods like Dylan and Van Morrison, a tradition of gathering to sing, and the folks he met on the streets of Dublin gave him as good an education as he’d ever have received in school—if he’d stayed there. Hansard’s ear and general disposition are finely tuned to the tragi-comic, ironic side of life—the Irish seeming to have caught on earlier than most that life doesn’t really offer up an alternate side—and that sensibili by Off Camera with Sam Jones
64 min listen
Ep 36. Dax Shepard: Philip Larkin drolly made parents the scapegoats of our generation with his observation “They f*** you up, your mum and dad…” And true enough, but with a bit of perspective and hard work, you can also come to see they’ve given you some tremendous gifts in the process. Dax Shepard grew up poor in Detroit with an absentee alcoholic father, and several stepfathers who weren’t necessarily an improvement on the original. Dax grew from an often-expelled trouble-making daredevil to become an alcoholic himself, all while pursuing…comedy. After some improv time in the Groundlings, he acted in a few comedies while also writing a few for hire – quite an accomplishment for a dyslexic who couldn’t read until age 11 and firmly believed in his own stupidity. Once in Hollywood, he endured an eight-year stretch of low employment and high self-doubt while he trying hard to find and produce work, and even harder to become sober (he succeeded). Then came marriage, parenthood and Parent by Off Camera with Sam Jones
73 min listen
Ep 34. Rashida Jones: Our news feeds these days are pretty reliably littered with examples of how easily kids of celebrities can be overshadowed, crushed or otherwise damaged by the weight of their parents’ fame. Rashida Jones, daughter of legendary and artistic force Quincy Jones and iconic actress Peggy Lipton rebelled from day one, becoming an avid reader, puzzle geek and serious student who declared her intention to attend Harvard at age six. Her status as a Mathlete also bears mention, just because, “Mathlete”. Once at Harvard (indeed, Ms. Jones does not mess around), her pursuit of the law soon turned to pursuits of a more theatrical nature, thanks to OJ Simpson and an Ivy League version of Mean Girls. If being “daughter of” didn’t make life hard, it didn’t help much, either. She wasn’t great at auditions, she wasn’t white – or black – enough for casting directors, and roles were scarce. She was on the verge of quitting the biz for grad school when her serious, straight-man deme by Off Camera with Sam Jones
69 min listen
Ep 119. Chadwick Boseman: Not much in Chadwick Boseman’s early life would lead you to think he would become an actor. Not his birthplace (Anderson, South Carolina), not his family (his mom was a nurse, his dad an upholstery business owner), not his interests (he was the quiet one who played sports). Not one thing, it seems, except he just decided. A sad incident in his last years of high school prompted him to write and then direct his first play, after which he simply decided that’s what he’d do. He studied at Howard University and later at the British American Drama Academy in Oxford, and in short order, commenced writing plays: His 2006 Deep Azure was nominated for a 2006 Joseph Jefferson Award for New Work, and the Chicago Tribune called it “Fascinating…Especially because the 28-year-old Boseman is a fresh talent – a young, sophisticated African-American writer with all of the flaws that flow from youth and inexperience and all of the excitement that draws from those very same pla by Off Camera with Sam Jones
62 min listen

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The Off Camera Call-In Show #3

The Off Camera Call-In Show #3

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