This week, Thea Lenarduzzi and Lucy Dallas are joined by the poet A. E. Stallings to reconsider the ground-breaking work of Edna St Vincent Millay, a modern but not modernist poet, once judged 'the most glamorous, sexually-dangerous since Byron'; Thomas Morris, the author of medical and crime histories, delves into the often-troubling history of medical transplants; plus, a new poem by Ben Wilkinson, ‘What We Were’'Poems and Satires' by Edna St Vincent Millay, edited by Tristram Fane Saunders 'Spare Parts: A surprising history of transplants' by Paul CraddockProduced by Sophia Franklin.
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