63 min listen
How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics
How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics
ratings:
Length:
62 minutes
Released:
Nov 18, 2020
Format:
Podcast episode
Description
After serving as a second unit director of photography on movies like The Matrix Trilogy and Dark City, Ross Emery was tapped to be one of the key cinematographers on the new series Raised By Wolves, where he got to work with one of his all-time film heroes: Ridley Scott. In fact, it was Scott's 1982 classic Blade Runner that made Emery fall in love with movies as visual art. Emery regales us with stories that you don't want to miss, everything from working with the Wachowskis and the incredible team they assembled, to the madness of The Island of Dr. Moreau. (Yes, he was on that set, too.) Emery's style and approach are distinct and he's been around the block, so pull up a chair and listen.
Check out more interviews with great DP's:
David Fincher's Longtime DP Jeff Cronenweth Has Advice, Insight, and Stories
'Lovecraft Country' DP Michael Watson On Shooting During COVID-19
Darren Aronofsky's Rockstar DP Matthew Libatique Talks Career and 'Requiem For a Dream' Anniversary
Please email us any questions or comments at ask@nofilmschool.com!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Check out more interviews with great DP's:
David Fincher's Longtime DP Jeff Cronenweth Has Advice, Insight, and Stories
'Lovecraft Country' DP Michael Watson On Shooting During COVID-19
Darren Aronofsky's Rockstar DP Matthew Libatique Talks Career and 'Requiem For a Dream' Anniversary
Please email us any questions or comments at ask@nofilmschool.com!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Released:
Nov 18, 2020
Format:
Podcast episode
More Episodes from The No Film School Podcast
‘Shōgun’ DPs on Lenses, Looks & How ‘The Descent’ Brought Them Together: Long-time friends and colleagues, Christopher Ross and Sam McCurdy, are two of the cinematographers of FX’s mini-series, Shōgun. Filming this series was an incredible experience full of lessons in Japanese culture, lenses, and shooting with cranes. by The No Film School Podcast