It’s no secret that filmmakers copy those other filmmakers in their lives who most inspire them. Whether that’s picking up on some sort of trademark dialogue, production design, pacing, music, performances, editing, or camerawork, many times it's easy to identify and trace a piece of style one director drew influence in from another. With two wildly different, yet eerily similar films under his belt, Nicolas Pesce is mastering the art of adapting his favorite filmmaker’s techniques in a way that serves his own form of storytelling. He describes his first film The Eyes of My Mother as his tribute to 50’s/60’s black and white horror, while he claims his newest project, the stylistically impressive thriller Piercing, is his take on the Giallo crime pictures which peaked in popularity in Italy during the 1970’s. That’s not to say his films are a direct emulation of those pieces that he so dearly loves. As his actor Christopher Abbott puts it, filmmaking is all about “gathering influences to create something of your own.” Clearly, Pesce is a filmmaker who is not only interested in taking risks, but in creating and pushing style as well. Piercing is indeed one of those risky pictures. Abbott plays a man with, well, psychological problems. One night he kisses his wife and baby goodbye, seemingly on his way to a business conference. His real plan, however, is to check into a hotel, call an escort service, and kill an unsuspecting prostitute. That prostitute is played by Mia Wasikowska who ends up providing her captor with a little bit more trouble than he initially imagined. No Film School's Jon Fusco sat down with Pesce, Abbot, and their producer Jacob Wasserman back at Sundance to discuss, cultivating tone and style in your picture, maintaining your vision through intensely detailed pre-production and how to create screenplays that will attract both actors and producers to your project.
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