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After Kanders: Critics, Reporters, and Editors Reflect on the 2019 Whitney Tear Gas Biennial
FromHyperallergic
After Kanders: Critics, Reporters, and Editors Reflect on the 2019 Whitney Tear Gas Biennial
FromHyperallergic
ratings:
Length:
40 minutes
Released:
Oct 7, 2019
Format:
Podcast episode
Description
From nine weeks of protests to an exhibition that was more ethnically and racially diverse than previous years, this year’s Whitney Biennial has a lot to unpack.I asked our associate news editor Jasmine Weber, editor and critic Seph Rodney, and reporter Hakim Bishara to join me to reflect on months of controversy and offer their opinions on the exhibition itself. We discuss favorite works, what may have been accomplished, and duds. You’ll want to hear this.A special thanks to Wanderraven, who provided the music to this week’s episode. The song is called “Here Into The Dark”. Listen to more at wanderraven.com.
Released:
Oct 7, 2019
Format:
Podcast episode
Titles in the series (96)
Women of Abstract Expressionism: Why were women excluded from the art movement that has come to represent some of the best of 20th century American art? The answer may be rather complicated and Hyperallergic’s editor-in-chief Hrag Vartanian interviews “Women Of Abstract Expressionism” exhibition curator Gwen Chanzit, Abstract Expressionism artist Judith Godwin, feminist art historian Linda Nochlin, and critic/curator Karen Wilkin to understand the issue. by Hyperallergic