We return to the dawn of the millennium to discuss Greta Gerwig’s new solo directorial debut LADY BIRD, and how it echoes the sardonic coming-of-age comedy that characterizes Terry Zwigoff’s GHOST WORLD. After parsing our individual reactions to and readings of LADY BIRD, we look at how the two films compare in terms of their view of nostalgia and mainstream culture, as well as the respective family dynamics that affect each protagonist’s view of the world. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.Please share your comments, thoughts, and questions about GHOST WORLD, LADY BIRD, or both by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Your Next Picture Show: • Genevieve: Taika Waititi’s BOY• Tasha: Caroline Labreche and Steeve Leonard’s RADIUS• Scott: Switchblade Sisters podcastShow Notes:Articles cited:• “How Greta Gerwig Turned the Personal ‘Lady Bird’ Into a Perfect Movie,” by Esther Zuckerman (RollingStone.com)• Interview with RADIUS’ Caroline Labreche and Steeve Leonard, by Tasha Robinson (TheVerge.com)Outro Music: Dave Matthews Band, “Crash Into Me”Learn more about your ad choices. Visit megaphone.fm/adchoices