Near the University of Seoul, Colin talks with Bruce Fulton, Young-Bin Min Chair in Korean Literature and Literary Translation in the Department of Asian Studies, University of British Columbia and, with his wife Ju-chan Fulton, half of an acclaimed Korean literary translation team. They discuss when Korean writers get too good at reflecting their own society; his first experience with Korea in the Peace Corps in 1978; his window past the military culture onto the rest of the culture; what he gained by his host family's running a restaurant; how the divide between city and countryside has changed since first he observed it from North Jeolla; when Korea's literature entered his life; how quickly world-class Korean stories started appearing in publication in the 20th century; why authors have had to "check in" with traditional subjects; the extent to which the Peace Corps expected him to learn Korean; why Koreans study english, and why that reason doesn't help them learn English; where you can still spot neo-Confucian tradition in Korean literature; what it means for a writer to "take the stage," and the contests they have to win to do it; what makes a writer like Kim Young-ha an anomaly; how much of a Korean connection Seattle and Vancouver have; the increasing number of non-Koreans he sees in his classes at UBC; whether and how Korean food has come up alongside Korean literature, and how their richness may have made them difficult; the iceberg whose tip current K-pop culture represents; the changes he notices between the Seoul he first saw and the one he sees today (and the things he notices haven't changed); whether Korean literature can help one understand Korea today; and which parts of Korean life Korean literature still captures well today.