Schubert: Octet in F Major, D. 803, Op. 166 Schubert’s Octet in F Major, the centerpiece of today’s program, is an ambitious piece in every way. Its broad instrumentation—string quartet plus double bass, clarinet, bassoon, and French horn—provides a richness of texture and timbre that is unusual in a chamber work. Moreover, Schubert gives each instrument a place of honor within the piece. Melodies are shared and swapped, making the octet a rich and respectful conversation between eight individuals, where the expressive whole is truly greater than the sum of its parts. The octet was commissioned by the Archbishop Rudolph of Olomutz, Beethoven’s former patron, who asked Schubert for a work that would complement Beethoven’s 1799 septet. Schubert followed Beethoven’s model closely in the number and structure of the movements as well as in the instrumentation. And indeed, this octet is marked by the strength and fieriness that we associate with Beethoven. But the elegance and lyricality, as well as the intimacy of emotions expressed, are quintessentially Schubert.