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72. A Baroque Master and a Romantic Disciple

72. A Baroque Master and a Romantic Disciple

FromThe Concert - Isabella Stewart Gardner Museum


72. A Baroque Master and a Romantic Disciple

FromThe Concert - Isabella Stewart Gardner Museum

ratings:
Length:
20 minutes
Released:
Jun 15, 2009
Format:
Podcast episode

Description

Bach: Partita for solo flute in A minor, BWV 1013 Schumann: Piano Trio No. 3 in G minor, Op. 110The first piece on today’s program is Bach’s Partita in A minor, made up of four movements that constitute a typical baroque dance suite. Because the work is for solo flute, with no accompanying instrument to provide the harmonic bass figures, Bach had to conjure meter, harmony and counterpoint in one solo melodic instrument. The result is a challenging piece, demanding frequent leaps between registers to create the effect of multiple voices in just one instrument. Robert Schumann idolized Bach. Throughout his life he collected and studied Bach’s works, especially the Well-Tempered Clavier, which greatly influenced his own keyboard compositions. Even within Schumann’s lush and romantic Piano Trio No. 3, the flowing lines and densely layered voices mask a carefully refined structure, a rigor of form and development that hints at Bach’s central role in Schumann’s musical world.
Released:
Jun 15, 2009
Format:
Podcast episode

Titles in the series (100)

Classical Music Podcasts from the Isabella Stewart Gardner Museum