Photography Week

Welcome to the world’s No.1 weekly digital photography magazine. If you’re already a reader, thanks for your continued support and involvement; if you’re new to Photography Week, you’ve come to the right place! In addition to expert advice, brilliant

Newcomer lens manufacturer Thypoch has announced that its first two lenses will now be available in Canon RF, Nikon Z, Fujifilm X and Sony E mounts. Thypoch’s Simera 28mm f/1.4 ASPH and Simera 35mm f/1.4 ASPH are the company’s first-ever products, bu

CAMERA: NIKON Z 6II Nobody is more qualified to teach TankSpace’s unique brand of water-based portrait photography than Halo (@earlgreyhot.images). She works as the Ollerton-based outfit’s studio manager, as well as photographer, but started her crea

Halo says… I tend to keep my shutter speed between 1/80 and 1/200 sec to either extend or freeze the water droplets, while keeping the model sharp. I shoot wide open to add depth to the rain via a mix of sharp and blurry droplets, adjusting the ISO o

Halo says… TankSpace is home to one of the largest dedicated rain-machine studios in the UK. The space measures 7 x 7m and is covered in a thick, non-slip surface. Suspended above the studio is a custom-built rig, which houses a grid system of nozzle

To find out how you can get Photography Week delivered straight to your device every week for just a few pennies, simply search for Photography Week on any of the platforms below AVAILABLE ON YOUR DEVICE NOW! https://apple.co/2RjoI0a http://bit.ly/2

“This is Düsseldorfer Schauspielhaus, a theatre building designed by the German architect Bernhard Pfau. It was built between 1965 and 1969, and opened in 1970.” https://bit.ly/3v1BExW “Taken inside the alpaca shed at Silk Fields Farm in Lexington,

The Comedy Pet Photo Awards has announced the finalists for its 2024 contest, and the shortlist features the usual rib-tickling selection of images of cats, dogs and other animals captured in humourous poses and situations. There are five categories:

Despite the increasingly early starts, spring is the favourite time of year for many landscape photographers. It’s warm, the weather is – in theory – more settled, and the landscape is starting to come back to life with fresh, green leaves on the tre

Local adjustments have long been one of the best features in Adobe Camera Raw and Lightroom, and things moved up a gear with the introduction of Select Sky and Select Subject, two hugely helpful masking tools that sit alongside the existing Adjustmen

There has been so much hype over mirrorless cameras over the past few years, it’s easy to lose sight of just how great Canon DSLR and their companion EF and EF-S lenses have been for the past couple of decades. In short, Canon’s conventional EOS kit

£249/$299 Carrying around additional lenses is no fun when they’re big, heavy and cumbersome. This offering from Canon for APS-C cameras is refreshingly small for a wide-angle zoom and tips the scales at less than half the weight of many competing le

To test real-world performance, we use lenses in all sorts of lighting conditions, for indoor and outdoor shooting scenarios. We check for good build quality and handling, smooth and precise operation of all controls, and we test the speed and accura

£379/$329 You might well think that the EF-S version of this lens is small and light, and you’d be right. But the newer RF-S lens is unfeasibly tiny for a wide-angle zoom, even considering that it’s for APS-C format rather than full-frame cameras. Un

Historically, lenses designed for film cameras and DSLRs were engineered to keep levels of distortion to a minimum. More recently, lenses for mirrorless cameras from all manufacturers, including Canon, tend to rely much more heavily on automatic in-c

£1,389/$1,299 Launched at the same time as the EF-S 10-18mm lens for APS-C format cameras (also on test), this was Canon’s first ultra-wide zoom for full-frame DSLRs to feature optical image stabilisation. The newly designed stabiliser gives a 4-stop

The Canon EF 24-70mm f/2.8L II USM lens has been a favourite of professional and enthusiast photographers since it was launched in 2012, 10 years after the original edition of the lens. There’s no denying that it’s a great lens, but the newer RF 24-7

£1,599/$1,299 This RF lens gives a noticeably wider maximum field of view than the EF 16-35mm, equating to 114 degrees compared with 108 degrees. The difference of 2mm at the short end of the zoom range might not sound much, but it makes a big differ

The EF 70-200mm f/2.8L IS USM III is a world-class ‘trinity’ telephoto zoom, and we’re also big fans of the smaller EF 70-200mm f/4L IS USM II. Both of these constant-aperture telephoto lenses have a fixed physical length, so there’s no inner barrel

£1,389/$1,299 Launched back in 2005, the original version of this lens was available as part of a kit with the first three editions of the EOS 5D, as well as the 6D. However, it wasn’t sharp enough to make it onto the approved list of lenses for use

Colour fringing is generally most visible as lateral chromatic aberration, and most noticeable around high-contrast areas in scenes towards the edges and corners of the image frame. For example, you may spot coloured fringes around the likes of dark

£1,389/$1,299 Various EOS R System full-frame cameras are available as a complete kit with this lens. Typically, it takes full advantage of the revised RF mount, compared with EF lenses for DSLRs. It’s little shorter and lighter than the EF 24-105mm

Canon’s big-money super-telephoto primes are some of the most impressive and imposing lenses in the RF lineup. They include the RF 400mm F2.8L IS USM at £13k/$12k, the RF 600mm F4L IS USM at £14k/$13k and the RF 800mm F5.6L IS USM at £19k/$17k. They’

£2,599/$2,399 Canon’s original 100-400mm IS USM lens was launched all the way back in 1998, with film cameras firmly in mind. It continued to be highly desirable with the advent of digital SLRs, both for full-frame and APS-C format bodies, having an

For sports, wildlife and other shooting scenarios where you need plenty of reach, the undisputed king of Canon’s EF lineup of zoom lenses is the EF 200-400mm f/4L IS USM Extender 1.4x. The built-in 1.4x ‘extender’ gives it a maximum coverage of 560mm

£2,939/$2,599 There’s a wealth of super-tele zooms that you can fit to an EOS R System camera via an EF-EOS R mount adapter but, as an RF lens, the 100-500mm is naturally a perfect fit. It takes cues from the well-established EF 100-400mm also on tes

The EOS R System is still very young, with the first camera and lenses being launched in late 2018. Even so, we’ve seen a wealth of full-frame compatible RF mount lenses being released over the past five years. More recently, there’s been a scatterin

The RF lens mount of EOS R System cameras offers some crucial advantages compared with the older EF mount for DSLRs. The key benefits are a wider flange and a much closer proximity to the camera’s image sensor, and the difference these make in terms

N-Photo is a monthly magazine for Nikon photographers, and is packed with technique and Photoshop video lessons every month. http://bit.ly/3atHLfO https://apple.co/2TNE26T PhotoPlus is a monthly magazine for Canon photographers that features expert