Australian Country

The playwright George Bernard Shaw wrote: “There are those who look at things the way they are and ask why … I dream of things that never were and ask why not?” This issue, it's my pleasure to introduce you to a bunch of why-not people. We start with

Ross has been a photographer for 30-plus years, shooting food, wine and commercial and residential architecture, as well as travelling overseas to photograph everything from mining projects to aircraft. He relishes the challenge of arriving at a prev

Australia's longest-running cultural festival will radiate with stories from WA and across the globe in 2024, celebrating our shared humanity. With the collective theme of Ngaangk, the Noongar term for our star, our sun and our mother, the Perth Fest

This beautiful catalogue, $35, accompanies the exhibition Wedgwood: Master Potter to the Universe, on display at The David Roche Foundation, Adelaide (now until 27 January 2024). Inside the book are images of more than 240 pieces from a broad range o

LAST ISSUE GENERATED LOTS OF FEEDBACK FROM OUR READERS. I note that many of your letters of appreciation are from females. However, this one is from a male who has been a long-term subscriber and keen reader every issue. I relish the memorabilia and

Greed is a fascinating topic and one that Fiona Lowe explores with great insight in this tale of financial corruption in a small community. On the surface, Izzy Harrington is on the brink of an ideal future, perfectly packaged for a perfect life as t

Editor Kirsty McKenzie email kmckenzie@umco.com.au Contributors Bronte Camilleri, Anastasia Casey, Mandy McKeesick Photography Alan Benson, Ken Brass, Mandy McKeesick, Edwina Moutray, Tryambika Shah, Jen Tighe, Ross Williams Advertising Nicola Fender

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