Photography Week

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Sigma has announced three new Contemporary series prime lenses for a range of mounts. Two of the new optics – the 17mm f/4 DG DN and 50mm f/2 DG DN – are full-frame lenses for Sony E and L-Mount, while the 23mm f/1.4 DC DN is an APS-C lens for Sony E

Andrew has more than 20 years’ experience working on photo magazines, and now runs the online photo learning site www.foto-buzz.com, as well as hosting landscape workshops on England’s Norfolk coast. His images have won prestigious photo awards. We m

Andrew’s first job was to make sure Dave was using the right camera settings. He set Dave’s Canon EOS R5 to Aperture Priority mode (Av on the mode dial). This is a semi-automatic mode that allows you to choose the aperture, so that you can achieve th

I met up with Andrew z Happisburgh at 7am, giving us time to get to the location for sunrise and set up our cameras. We headed to the coast, where you’ll find the Happisburgh lighthouse and its iconic red and white stripes. Shooting it at ground leve

We got very lucky with the weather: there was an incredible sunrise at Happisburgh on the day of our shoot. Andrew suggested I use my Canon RF 100-500mm F4.5-7.1L IS USM telephoto lens to zoom in on the shoreline, and include the abstract shapes and

As the sun came up, we walked towards some groynes at the other end of the beach, and we spotted a young seal pup. There’s always potential for overlap between landscapes and wildlife, so if you’re heading out to shoot either, it’s worth carrying the

Further down the beach we arrived at a group of sea defences and groynes. I wanted an image in which the wooden posts were sharp but the water was smooth and blurry. With Andrew’s guidance, I set up my camera on a tripod with my Canon RF 100-500mm F4

After a fantastic morning at Happisburgh, we headed to Cromer to shoot the iconic pier. The lovely weather had seemingly evaporated, and we were left with rainy downpours and dark moody skies. But that’s life, and damp conditions can still make for d

I had a fantastic day shooting with Andrew. I picked up some invaluable advice, and I was able to take some pictures that I was really proud of. I mainly shoot wildlife using my EOS R5 and Canon RF 100-500mm F4.5-7.1L IS USM lens, and landscape photo

Always check the weather as close to your shoot as possible for the most accurate forecast. I use the Met Office website to check the weather in the UK. Don’t be perturbed by inclement weather; most camera kit has some degree of weather sealing, and

DOWNLOAD THE PROJECT FILES https://bit.ly/39mTa1m ON A PC OR MAC WATCH THE VIDEO https://bit.ly/3nu1a6s Photoshop’s Sky Replacement Tool uses machine learning to identify the sky in a landscape image, select it, and replace it with another sky of y

A zoom with a long telephoto reach may sound like an odd choice for seascapes, but Andrew carries a telephoto lens with him whenever he shoots at the coast. Andrew started the morning shooting on his Canon EF 100-400mm f/4.5-5.6L IS II USM, with a fo

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“This is one of a series of images that I called ‘Fun with Blue Jays’, taken at a favourite location in rural West Ottawa, Ontario, Canada. In the winter the jays can be very feisty and competitive, and in this shot one appears to be saying ‘Beat it!

Music photography website So.co has announced the winners of its first Music Photographer of the Year awards, showcasing a stunning selection of images featuring some of the biggest names in rock and pop. Neil Lupin was crowned Music Photographer of

www.panasonic.co.uk £1,999/$1,997 (body only) As someone who’s used the A Lumix S1 since its launch in 2018, and the original Lumix S5 since 2020, I’ve watched Lumix full-frame steadily grow into a system that has rightly become revered among photogr

N-Photo is a monthly magazine for Nikon photographers, and is packed with technique and Photoshop video lessons every month. http://bit.ly/3atHLfO https://apple.co/2TNE26T A monthly magazine that aims to improve your photography with an inspirationa

Photographing the Milky Way can be a tricky pursuit. But when the stars align (literally), the reward is worth it. Your camera can see and capture far more than your own eyes, and I still get excited every time I see my camera’s rear screen light up