ArtAsiaPacific

EDITOR & PUBLISHER Elaine W. Ng DEPUTY EDITOR & DEPUTY PUBLISHER HG Masters MANAGING EDITOR Chloe Chu SENIOR EDITOR Don J. Cohn ASSOCIATE EDITOR Ophelia Lai NEWS & WEB EDITOR Lauren Long ASSISTANT EDITOR Pamela Wong EDITORIAL ASSISTANT Cassie Liu EDI

Susan Acret is a writer, editor, and art advisor who lives in Sydney. She is a board director of 4A Centre for Contemporary Art and chair of the Power Institute Foundation. She was editor of ArtAsiaPacific magazine from 1997 to 2001, before moving to

Photography is often described as a passive media—a recording of things that happen before the lens. But for many contemporary artists and photojournalists, it is a field of active investigation and exploration. ArtAsiaPacific’s May/June issue spotli

Eugene Delacroix’s dynamic brushwork and dramatic imagery has been in my visual field since childhood, with the artist popping up in school books under the guise of a historical painter. In his iconic works, he often incorporated anachronic allegoric

Small signs are appearing that the world is learning to live normally with Covid-19. One of the few gallerists who flew to the Emirates especially for the opening of Art Dubai was the ever-enthusiastic Emmanuel Perrotin. He was seen checking out the

13th Shanghai Biennale: Bodies of Water Power Station of Art Shanghai Toi Tū Toi Ora: Contemporary Māori Art Auckland Art Gallery Toi o Tāmaki Auckland Age of You: a kaleidoscopic exploration of the extreme self Jameel Arts Centre Dubai proppaNOW: Oc

Interweaving Poetic Code Centre for Heritage, Arts and Textile Hong Kong Pandemic: Catastrophes and Cures National Museum of Modern and Contemporary Art Seoul Curtain Para Site Hong Kong Hosts: Sidsel Meineche Hansen, Jisun Kim, and Rachel Rose Art S

www.nyuad-artgallery.org nyuad.artgallery@nyu.edu New York University Abu Dhabi, Saadiyat Island, Abu Dhabi T +971 2 628 8000 Mon–Sat 12am–8pm An academic museum-gallery presenting exhibitions by internationallyestablished artists, curators, and scho

The National 2021: New Australian Art interrogated a nation disentangling and re-forming its disparate threads of identity. The third in a series of biennials surveying contemporary art across Australia, this iteration underscored the country’s fract

Examining the figurative paintings and mixed-media works of Yun Suknam, one might notice the artist’s particular attention to hands. In the acrylicon-paper Even I Had Ten Hands (1985), a many-limbed mother holding babies and juggling other gendered c