Issue 151

New American Paintings

Follow the Evolution of Contemporary Painting

New American Paintings1 min read
New American Paintings
Editor/Publisher: Steven Zevitas Associate Publisher: Andrew Katz Design/Production Manager: Alexandra Simpson Operations Manager: Alexandra Simpson Marketing Manager: Liz Morlock Copy Editor: Lucy Flint Nora Burnett Abrams Museum of Contemporary A
New American Paintings33 min read
Juror’s Selections
Walla Walla, WA 206.624.0770 (Greg Kucera Gallery, Seattle, WA) www.juventinoaranda.com / @juventinoaranda b. 1984 Walla Walla, WA Education 2010 BFA, Eastern Washington University, Cheney, WA Solo Exhibitions 2021 Greg Kucera Gallery, Seattle, WA 2
New American Paintings4 min read
Editor’s Selections
The following section is presented in alphabetical order. Biographical information has been edited. Prices for available work may be found on p182. Los Angeles, CA 323.208.9087 (in lieu) farinkatja@gmail.com / www.katjafarin.com / @katjafarin b. 1996
New American Paintings2 min read
Editor’s Note
One of the most difficult parts of the COVID-19 crisis for me has been the inability to travel; indeed, I have only ventured more than a few hundred miles from Boston a handful of times over the past year. Before March 2020, I was “up in the air” qui
New American Paintings3 min read
Juror’s Comments
It may come as no surprise that throughout the selection of paintings I had the pleasure and honor of choosing for this issue of New American Paintings, there is an abundance of color—bright, garish, dazzling, joyous, irreverent, lovely color. After
New American Paintings2 min read
Pricing
Prices published here, for the most part, represent the current price for a work established by the artist or their gallery. If a work has been sold prior to publication and a price is shown here, it represents the price the work would command if it
New American Paintings4 min read
Spotlight
The sky fades from a deep red-brown down to a dusty pink above an indistinct horizon. Mountains slope down to a valley, their surfaces muted shades of orange and ochre marked by patches of more strident mustard yellow and wine red. Areas of dirty blu
New American Paintings1 min read
Noteworthy:
In Nasim Hantehzadeh’s paintings, I see Odilon Redon, the Nabis, Klee, Hilma af Klint, and numerous decorative and non-Western traditions, such as Aboriginal dot painting, that Europeans appropriated in the course of the so-called “invention” of abst

New American Paintings

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