Artist's Palette

By Helene Wild • Arches hot pressed ‘Satine’ 300gsm paper (finished size 28 x 19 cm). • Sable Brushes: Numbers 0, 1 and 2. • Pencils. • Winsor & Newton Watercolours: Cadmium Lemon; Cadmium Yellow; Yellow Ochre; Cadmium Red; Permanent Rose; Cerulean B

Edited by Trevor Lang Glenn Barnett of Port Lincoln in South Australia is a Member of Mouth & Foot Painting Artists Pty Ltd. He delights in painting beautiful landscapes with brushes held in his mouth. Like many artists, Glenn has developed his skill

By Remia Homuk • Pure Cotton Duck Canvas – 18 x 24 inches. Triple Primed with Acrylic Gesso; acid free; staple free edge. • Artists’ Acrylic Paints: White; Yellow Ochre; Cadmium Red; Burnt Sienna; Raw Umber; Cobalt Blue. • Art Spectrum Oil Paints (Pr

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By Trevor Lang Roslyn Barrett believes that her ideal occupation would be writing and illustrating children’s books. Her background as a primary school teacher is doubtless a great asset, together with her talent for dealing with children. She curren

By Jane Greenland Decide on the size of your finished work. Because masking tape is overlapped from the protective cartridge paper onto the working paper, your finished picture will be slightly smaller than the cut-out frame. • Cartridge paper. • Mas

By Maryika Welter This is a simple dynamically created landscape. I call this my ‘rough as guts’ method. Results are not always predictable, but the end product is always legible. I sense spontaneous dribbles going in various directions; then filling

Edited by Trevor Lang Penny Lyras has been painting for over 40 years. She has painted professionally since 1974. Her most preferred medium is oils, and she specialises in traditional landscapes – although she has been commissioned for portraits and

By Roslyn Barrett • Paper: Aquarelle Arches watercolour block, 185gsm, rough. • Paints: Winsor & Newton artists’ watercolours – Burnt Sienna, Payne’s Grey, Cadmium Orange, Cadmium Red, and Chinese White. • Brushes: Numbers 1, 2, 8 and 10. • Winsor &

Contributed by Brett ‘Mon’ Garling In my hasty sketch (although it was done very quickly), I attempted to capture as much visual information as possible with a few strokes of the pencil. My intention was to use the study at a later date for a paintin

Edited by Trevor Lang During her primary school years, art was Helene Wild’s favourite subject. In those days, State schools had no designated ‘art rooms’, but thankfully one of her teachers took art seriously. Art classes were a highlight for Helene

Edited by Trevor Lang Remia Montayre Homuk is originally from the Philippines town of Sindangan, Zamboanga . After moving to Sydney in 1984, she married and continued to follow her clear artistic destiny. This lady is a natural artist. She was born w