Pasture and Flock: New and Selected Poems
By Anna Jackson
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About this ebook
Anna Jackson
Carl and Anna Jackson were raised in Christian homes with an emphasis on the holiness of God and the importance of living lives above reproach. They came from humble beginnings, Carl from Oklahoma, and Anna from Minnesota. Their upbringings were centered upon Jesus and the work of the Holy Spirit in the lives of their families. They were raised with strict adherence to the Word of God with great respect for what the Lord desired in all manner of living. A Christian college in Kansas is where they met, and they have been married for 60 years at the time of this writing. Carl and Anna Jackson have been in the pastoral ministry for most of their adult lives and have ministered in several states in the Midwest and Southwest, namely, Wisconsin, Arizona, Kansas and Oklahoma. Carl has produced his own broadcasts for several radio stations in the Tucson and the Phoenix areas, including KHEP AM-FM, KFLR FM in Phoenix, and KFLT, FAMILY LIFE RADIO, headquartered in Tucson and reaching across a number of other state lines. Carl and Anna have worked for several Christian ministries in Colorado and Oklahoma, including TEEN CHALLENGE OF ARZONA, INC., Tucson, Arizona. Their burden is to see that children, young people and adults realize their full potential as God intended for them to live. They desire to encourage and train members of the body of Christ to pray and intercede through God’s power.
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Book preview
Pasture and Flock - Anna Jackson
Part one: ‘I had a dream I was a ghost’
Sequences from AUP New Poets 1, The Long Road
to Teatime, Catullus for Children, The Gas Leak
and I, Clodia, and Other Portraits.
My friendship with Mayakovsky
The sun performs the introduction
The sun has taken to me.
It rarely comes out now
without stopping to talk.
I am expected to drop everything.
‘Have you met Mayakovsky?’
the sun asks one day, very casually,
waiting for my reaction.
To add to my discomfort
it slides a heavy UV ray
familiarly around my shoulders.
‘Your Russian protégé?
Isn’t he dead?’ I say.
‘That’s the one,’ beams the sun.
‘I persuaded him it would be futurist
to meet a girl in 1991.’
Mayakovsky’s hands are five-rayed
and he can move them right to left
and left to right.
He looks just like his photographs.
He looks different in every shot.
Sometime after the sun goes down, I take Mayakovsky to Debretts
Mayakovsky’s dress sense is marginal.
He doesn’t have a house card.
He is lucky to be admitted.
I am twenty-three but look as young
as the teenaged girls at the bar
sluicing out a week’s debris
from the polished floors of their skulls.
Mayakovsky laps it up.
Annoyed, I fling open the jewellery box
of my skull – Mayakovsky,
get a load of this!
Henry Miller looks over his shoulder.
‘You read too much.’
But Mayakovsky has stripped and plunged in,
he is on his knees before the treasures
of my mind, he runs a fat finger
over the fine inlays,
the minor delays,
the personal traits
and public exposés.
He climbed in a futurist
and climbs out a feminist.
After a dozen vodkas, we leave
Mayakovsky is so drunk he forgets to walk
and flies, a habit he picked up
in Heaven. But at Debretts!
Maaaaarginal . . . . . .
In my stiletto-heeled black leather boots
I calculate a route down the stairs
past Greg reclined in argument with Henry Miller.
Henry Miller calls Greg a cunt
and Jade picks anxiously at Greg’s sleeve.
Mayakovsky makes his farewells out in High St,
promises to fly straight
to Heaven and look up
my dreams.
He’ll be in touch.
Sure, I think. It’s not the first time
a celebrity has picked me up
and dropped me,
Mayakovsky.
Mayakovsky looks up my dreams
Whoa!
Mayakovsky throws down
his exhausted body
onto the nearest cloud.
Back in that sterile harmony,
the much vaunted Heaven.
After a couple of months,
Mayakovsky remembers his promise
to check out my dreams.
There is nothing else to do.
He mooches over to the AV centre.
‘The sun was right, you are a poetess!’
Mayakovsky materialises with gusto
so overcoloured in his haste
he bleaches out the walls
of my basement flat in Moray Place.
The mascara has run down his cheeks
from weeping over my dreams.
The depth of field! The suture!
The mise-en-scène!
Forgetting his undying love for Lili Brik,
he proposes!
He tenderly strokes my hair, and admires
the bridge of my nose.
‘It’s a poet’s right to be famous,’ Mayakovsky pronounces
We walk Dunedin’s bowl of streets
planning how to promote me.
Mayakovsky says, ‘Osip Brik would be our man
if I could only locate him –
Heaven’s a big place,
I’ve been looking for Lili sixty years.
But Dave Merritt! He’s famous
in Heaven, and I’ve heard
ever since watching Wings of Desire
he’s been hanging around on Earth,
a fallen angel in the Octagon.’
With a winged flick of his wrist
Dave Merritt pointed the way
to Dunedin’s Arts Collective Super 8
and to Gavin Shaw, its publishing machine.
The book launch
For the book launch we fly in plane loads
of vodka and caviar and the most famous people
we can think of: Rachel Hunter,
Madonna and Princess Diana.
Stacy will write up the event for MORE magazine.
Turns out these are the only people who show up.
Mayakovsky smuggles in some lethal ambrosia,
we all get drunk on spiked vodka
and make embarrassing disclosures.
At last we wash out into the night like Rimbaud,
the stars frou-frouing above us
as the footpath ebbs and flows.
Now we are all flying in the gutter
(though some of us are looking at the cars)
and then suddenly everything falls into space.
My death, my ascension
It is a pity, in a way, I never wake from the coma.
It is nice in Heaven, of course, when I get over my hangover.
They live well, the angels,
very well.
For a while I still see Mayakovsky sometimes
but imperceptibly we drift apart.
Later I learn he found his Lili Brik,
a chance meeting in the infinity of Heaven.
He held her as the sky holds the stars,
and she lay in his arms like a daisy-chain.
My second coming
I am so bored in Heaven
I stage a second coming.
I am born again in Dunedin.
I spend a couple of decades growing up.
Then I put on my purple velvet flares
over my red leotard,
zip up my black stiletto-heeled boots,
and go out to have a look around.
I get depressed.
All the people I know are dead.
I stop briefly at a few parties just to be polite
but no one comes up for my autograph.
Drunk on the alcohol of the future
I end up lost in the suburbs.
I call a taxi and ask for Moray Place.
It isn’t on the map.
‘You mean Jackson Street?’ the taxi driver
says, and I remember I am dead.
I start to cry. I tell the driver
just keep on driving till we hit Auckland.
The long road to teatime
The road to Karekare
In the middle of the journey
we found ourselves lost.
‘This is the jungle,’ said Johnny.
Rose asked if we had a map.
‘Not a road map,’ said Simon.
