About this ebook
In her award-winning debut, When the Horses, Mary Helen Callier explores the rich inner terrain of an imaginative childhood through deep and curious poems set against the uncanny beauty of the American South.
As Walter Benjamin wrote: "Memory is not an instrument for surveying the past but its theater," and it is in this bedraggled theater of memory that Callier stages her poems. A careful, curtained-off darkness lurks at their edges, actors appearing more in silhouette, evoking, often, the shape of a thing, the sound it makes, instead of the thing itself.
Like all memories, these moments are fleeting. To read When the Horses is to see something nearly vanished, like trying to remember a dream hours after waking—a dream that haunts a wounded part of you, though you can't remember which. These are poems of encounter—with place, self, other—and the uncanny beauty that remains after loss.
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Book preview
When the Horses - Mary Helen Callier
I
TO HAVE CAUSED THE QUAKE, TO HAVE TORN IT OPEN
We walked to where we thought it might be best
to see the water. Surely there was still some
secret in the world.
We walked to where I found what I found buried
in the dirt, beneath a patch of reeds:
the rounded head of what must have once lived
tucked inside the earth. And, like those fish
that live in caves, I saw it had no holes for eyes,
because of course it didn’t need them.
Surely, it had been a thing that lived
by touch alone. And because it was small
I took it. Because it fit inside my pocket
I carried it, feeling, as we walked in the dark
the knobs where the eyes would’ve been,
feeling, as we made our way around the rim.
And so I took what I found and set it on a ledge
where every day I knew the sun would bleach it.
And every day I went to see
what the light had done. I can’t say for sure
just what it was: a skull, a hole, a rounded pearl, a tiny orb
inside of which small winds had once been turning.
But every night I could feel it
moving farther from the earth.
II
TONIGHT I THINK MY BODY IS A LAKE
When you were young you swallowed a handful
of pills and walked outside to see
about the banquet. You didn’t think there’d ever be
a way to live inside the world.
You fell. You heard a distant voice approaching,
as if from the opposite end of a tunnel.
They found you, pale and wet
as a newborn rat.
They slid their hands into your mouth,
a horseless bit.
You said nothing. The cord that tied you
to that place was quickly cut.
What clean hands you’d had.
What long hair.
When you woke you woke alone.
The stars came back and stayed there.
You stood up and left your body,
a starfish releasing a soluble limb.
There was the smell of gasoline, the heavy
sound of gravel. Somewhere in the distance you could hear
an engine choke. Everything was slick and damp
with dew, with the quiet glow a field possesses
moments before being burned.
WHAT SHE TOLD ME
The strangest moments matter. Two lovers swim
through the thick murk of sleep and surface
with their foreheads pressed together—
warm, like how a stone is warm when the
