Bullet Points: Bullet Points, #7
By Nathan W. Toronto, Myna Chang, Addison Smith and
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About this ebook
Bullet Points captures the complexity, tragedy, and hope of warfare and violence in human and nonhuman society, with reprints and original stories every three months. The October 2024 issue (Volume 7) presents stories that examine what motivates us in combat:
Original Stories
- Addison Smith, "Witness for the Dead"
- Dawn Vogel, "Child's Play"
- Wesley Zurovec, "Cold Cowardice"
- Anatoly Belilovsky, "Loyalty"
Reprints
- Myna Chang, "We Held Hands, We Held Fire"
- Adam Gaffen, "Lupus in Astris"
- Kevin Brown, "The Final Float"
Other
- Preface: Why We Fight
- Review of Darkside, by Michael Mammay
Related to Bullet Points
Titles in the series (12)
Bullet Points 4: Bullet Points, #4 Rating: 0 out of 5 stars0 ratingsBullet Points: Bullet Points, #7 Rating: 0 out of 5 stars0 ratingsBullet Points 5: Bullet Points, #5 Rating: 0 out of 5 stars0 ratingsBullet Points 8: Bullet Points, #8 Rating: 0 out of 5 stars0 ratingsBullet Points 6: Bullet Points, #6 Rating: 0 out of 5 stars0 ratingsBullet Points 11: Bullet Points, #11 Rating: 0 out of 5 stars0 ratingsBullet Points 10: Bullet Points, #10 Rating: 0 out of 5 stars0 ratingsBullet Points 9: Bullet Points, #9 Rating: 0 out of 5 stars0 ratingsBullet Points 12: Bullet Points, #12 Rating: 0 out of 5 stars0 ratingsBullet Points 1: Bullet Points Rating: 5 out of 5 stars5/5Bullet Points 2: Bullet Points Rating: 0 out of 5 stars0 ratingsBullet Points 3: Bullet Points Rating: 0 out of 5 stars0 ratings
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Bullet Points - Nathan W. Toronto
Bullet Points
Volume 7
Nathan W. Toronto
image-placeholderBullet Point Press
This magazine is entirely a work of fiction. The names, characters, and incidents portrayed in it are the product of the authors’ imagination. Any resemblance to actual persons, living or dead, or events or localities is entirely coincidental.
Electronic edition, first impression, October 2024
ISBN 979-8-2275726-0-8
© 2024 Nathan W. Toronto, to the extent specified in publication agreements with authors. First published in 2024. All rights reserved.
The Arabic block noon colophon is a trademark of Bullet Point Press.
Cover design by Nathan W. Toronto. Cover © 2024 Nathan W. Toronto. Cover image by Maksim Shmeljov (used under license). Interior design by Nathan W. Toronto using Atticus software.
Other editions: ISBN 979-8-2241216-0-1 (paperback) | ASIN B0DJMGR18X (digital) | ISBN 979-8-3414865-2-2 (paperback)
Nathan W. Toronto asserts the moral right to be identified as the editor of this work. All rights reserved in all media. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the authors and/or the publisher.
For those who fight for their friends.
Why We Fight
The stories in this volume of Bullet Points explore combat motivation. It is impossible to say how anyone will react to the horrors of combat before they are faced with it. A trove of research has explored this question, identifying patriotism, a desire for money, the threat of discipline, and even sadism as key motivators in combat. However, since the publication of Allan R. Millet and Williamson Murray’s seminal three-volume work, Military Effectiveness, the conventional wisdom has suggested that love for our fellows is the strongest motivator in combat.
Each story in this volume explores some aspect of love as combat motivation. In We Held Hands, We Held Fire,
Myna Chang shows what happens at the moment of destruction. In Witness for the Dead,
Addison Smith describes in vivid detail the atoning love of a mother for a child. Adam Gaffen’s Lupus in Astris
explores the interplay between a fellow warrior’s need and managing post-combat stress. The main character’s concern for others in Dawn Vogel’s Child's Play
teaches us a great deal about how and why we fight. In Cold Cowardice,
Wesley Zurovec shows the agonizing tension between regard for those we fight beside and concern for those left on the homefront. Kevin Brown, in The Final Float,
shows how formative experiences with a friend can change our will to fight. Finally, in Loyalty,
Anatoly Belilovsky explores how combat motivation even impacts how we treat an enemy.
Military science fiction gives insights into the combat experience that reams of research into the subject cannot. The explorations in this volume are visceral and human, not antiseptic and scientific. Combat is not a lab experiment, but a chaotic and horrible human experience, and we are well-served to reflect on it through fiction.
—Nathan W. Toronto, ed.
Contents
1.We Held Hands, We Held Fire
1. Myna Chang
2.Witness for the Dead
2. Addison Smith
3.Lupus in Astris
3. Adam Gaffen
4.Child's Play
4. Dawn Vogel
5.Cold Cowardice
5. Wesley Zurovec
6.The Final Float
6. Kevin Brown
7.Loyalty
7. Anatoly Belilovsky
8.Review: Darkside, by Michael Mammay
8. Nathan W. Toronto
9.Also From Bullet Point Press
We Held Hands, We Held Fire
Myna Chang
Myna Chang (she/her) is the host of Electric Sheep SF and publisher of MicroVerse Recommended Reading. Her work has been selected for Locus Recommended Reading List, Norton’s Flash Fiction America, Best Small Fictions, and Best Microfiction. See more at MynaChang.com or find her on Bluesky or X @MynaChang.
The rescue ship fell out of orbit, sparking firefly phosphorescence as the engines ignited celestial gas. We huddled by the watchtower, unbreathing as the ship broke apart. It carved boiled-orange trails under the edge of our heaven, rescuers turned supersonic projectiles, evac troops showering Titan like mythical rain. The scientists abandoned us, retreating to the habitat bubble, hoping the welds would hold, the code wouldn’t scramble. In those fiery moments, we discovered touch. Engineered skin on skin, we held hands, grasped the forbidden frisson of shared heat, mingled DNA. Almost-human comfort. Fingers entwined, we faced cataclysm—and drank burning sky.
Witness for the Dead
Addison Smith
Addison Smith (he/him) has blood made of cold brew and flesh made of chocolate. His fiction has appeared in Fantasy Magazine, Escape Pod, and Daily Science Fiction, among others. Addison is a member of the Codex Writers Group and you can find him on Bluesky @addisoncs.bsky.social.
The woman lay prone with a child in her arms, huddled around her like it was her sworn duty to protect. Needlepoint marks dotted the skin across her body and bled
