The Ministry of Time: A Novel
3.5/5
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About this ebook
“This summer’s hottest debut.” —Cosmopolitan • “Witty, sexy escapist fiction [that] packs a substantial punch...Fresh and thrilling.” —Los Angeles Times • “Electric...I loved every second.” —Emily Henry
“Utterly winning...Imagine if The Time Traveler’s Wife had an affair with A Gentleman in Moscow...Readers, I envy you: There’s a smart, witty novel in your future.” —Ron Charles, The Washington Post
A time travel romance, a spy thriller, a workplace comedy, and an ingenious exploration of the nature of power and the potential for love to change it all: Welcome to The Ministry of Time, the exhilarating debut novel by Kaliane Bradley.
In the near future, a civil servant is offered the salary of her dreams and is, shortly afterward, told what project she’ll be working on. A recently established government ministry is gathering “expats” from across history to establish whether time travel is feasible—for the body, but also for the fabric of space-time.
She is tasked with working as a “bridge”: living with, assisting, and monitoring the expat known as “1847” or Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin’s doomed 1845 expedition to the Arctic, so he’s a little disoriented to be living with an unmarried woman who regularly shows her calves, surrounded by outlandish concepts such as “washing machines,” “Spotify,” and “the collapse of the British Empire.” But with an appetite for discovery, a seven-a-day cigarette habit, and the support of a charming and chaotic cast of fellow expats, he soon adjusts.
Over the next year, what the bridge initially thought would be, at best, a horrifically uncomfortable roommate dynamic, evolves into something much deeper. By the time the true shape of the Ministry’s project comes to light, the bridge has fallen haphazardly, fervently in love, with consequences she never could have imagined. Forced to confront the choices that brought them together, the bridge must finally reckon with how—and whether she believes—what she does next can change the future.
An exquisitely original and feverishly fun fusion of genres and ideas, The Ministry of Time asks: What does it mean to defy history, when history is living in your house? Kaliane Bradley’s answer is a blazing, unforgettable testament to what we owe each other in a changing world.
Kaliane Bradley
Kaliane Bradley is a British-Cambodian writer and editor based in London. Her short fiction has appeared in Somesuch Stories, The Willowherb Review, Electric Literature, Catapult, and Extra Teeth, among others. She was the winner of the 2022 Harper’s Bazaar Short Story Prize and the 2022 V.S. Pritchett Short Story Prize.
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Reviews for The Ministry of Time
710 ratings68 reviews
- Rating: 5 out of 5 stars5/5
Sep 27, 2024
Fantastic! Best book I read in a very long time. - Rating: 2 out of 5 stars2/5
May 11, 2025
In a future near enough to be basically the present day, the British government has brought five people from various eras of the past to the present, and assigned each of them a "bridge," whose job is to live with them and help acclimate them to their new temporal home.
The five have all been chosen because they were about to die, which means that their disappearance from their own eras will have no effect on history. One of the five is Graham Gore, a naval officer who was part of John Franklin's 1845 Arctic expedition, which had no survivors. (There actually was a Graham Gore, and Bradley has built his character from the little we know of him from military documents.)
Our protagonist and narrator is Gore's bridge, who is never named. While she's not fond of the word, she has some understanding of the refugee experience herself, as the daughter of a Cambodian immigrant mother, and her superior officers think this will help her relate to a temporal refugee.
Here we find the first "oh, come on" moment in which Bradley makes it extraordinarily difficult to suspend disbelief. A naval officer from the 1840s would not complacently accept being housed with a single woman to whom he is not related. And Gore does object, but when the narrator tells him that such living arrangements are unremarkable these days, he simply accepts that with implausible ease and grace.
And I didn't buy it. Not only is Gore's immediate acceptance absurd, but so is the idea that the British government would have asked him to accept such an arrangement in the first place. He would have been assigned a male living companion, probably another naval officer.
Similar "oh, come on" moments are scattered throughout the book, moments that defy common sense or wallow in the most obvious time-travel cliches. And it's a shame, because there is a lot to like here. The characters are well drawn, and Gore's fellow displaced time travelers are a charming assortment; it's fun watching them develop into a sort of chosen (well, "forced by circumstance" would be more accurate) family. Bradley's not afraid to be funny, even occasionally silly, which is still all too rare in SF. But I was never convinced by the inevitable romance between the narrator and Gore, or by the increasingly convoluted time-traveling espionage story.
This is a promising first novel, and I look forward to seeing what Bradley does next; Wikipedia says she's working on a retelling of Greek mythology in a neo-noir setting. But its flaws are significant, and I would only recommend the book with strong reservations. - Rating: 5 out of 5 stars5/5
Apr 10, 2025
Maybe Mike Futcher read a different book.
I applaud this book for successfully being a fantastic sci-fi, spy thriller, and romance. I absolutely LOVED it. The linguistic elements of English across multiple eras, I found fascinating and a wonderful addition to the dynamic between the characters. One of the best modern novels I’ve read in a while, with characters possessing lots of depth and complicated motivations. It had a plot that drove forward at a steady, interesting pace.
All around great read and highly recommend. - Rating: 3 out of 5 stars3/5
Nov 13, 2024
A 4-star concept with 4-star eclectic troop of time-traveling characters sinks to 3 stars as a result of sluggish pacing throughout 75% of the book.
The overall execution of this inventive work is a bit clunky, in my estimation. Part of the problem is that it doesn’t quite seem to know what it wants to be, zigzagging from speculative fiction and sci-fi to breezy romance, steamy sex digressions and spy thriller. I typically enjoy time-travel scenarios that depict characters from the past being dazzled by today’s taken-for-granted giszmos. But Bradley overdid these fish-out-of-water encounters to the extent that it started feeling repetitive (Yes, we all realize that someone from the 1840s to be dazzled by television.)
Overall, I was disappointed, especially given the avalanche of praise and promotion during the book’s debut. - Rating: 2 out of 5 stars2/5
Aug 5, 2024
Utter junk food. Devoured it but felt empty (and a bit bad) afterwards. Like Ghosts meets Doctor Who... no surprise it's been snapped up by the BBC! - Rating: 3 out of 5 stars3/5
Oct 8, 2025
In a time travel story with a twist, the United Kingdom government finds a "time door" and uses it to bring people from the past to the present (for initially inscrutable reasons). They deliberately pick people out of the most just before they were known to die in order to avoid changing history. The unnamed narrator of the book is a linguist recruited to work as a "bridge" for the historical figure to learn about the modern world. Her assignment is Graham Gore, a real life historical figure who died in the Franklin Expedition to find the Northwest Passage in Canada.
I enjoyed the early parts of this book as the narrator teaches Graham about the present day and their friendship grows into a romance. The supporting characters are great too, especially Maggie, a survivor of the Great Plague of London who openly embraces an open lesbian identity in 21st century England. The last third of the book circles back to the reasons behind this project as the main characters are squared off against agents from the future (the real creators of the time door). The book becomes more of a thriller at this point and I didn't enjoy it as much as the earlier portions. Still, it's a clever and interesting work of fiction. - Rating: 4 out of 5 stars4/5
Apr 4, 2025
The British government has found a way to pull people through time. As a test, they’ve pulled a few ‘expats’ to our present, including Commander Graham Gore, a naval officer presumed dead on the Franklin Expedition during Victorian times. Each expat is paired with a “bridge”, a contemporary guide to live with them and help them navigate the difficult transition to present day life.
This was a little bit thriller, a little bit romance, a little bit spy story, a little speculative fiction. I’m a sucker for slow burn romances that feel like real adults trying to figure out their way from friendship to more, and Gore’s dry humor and delivery were absolutely perfect. Do I think a Victorian naval officer would adjust so well to living with an unmarried woman who shows her ankles, and not lose his mind when confronted with the realities of the Internet? Not really. Do I care? Not one tiny bit. If you want me to suspend my disbelief, you’ve got to give me a meaty story to distract me, and multi-dimensional characters that feel as real as anyone I’d actually meet. The Ministry of Time delivers in spades.
But if you think this is just a light and witty sci-fi romance, oh my friend, there is so much more. Explorations of colonialism/post-colonialism, generational trauma, racism, sexuality, etc. This story was carefully thought out, plotted and executed. A beautiful emotional story against a shadowy government plot, well paced, with flashbacks between the current action and Gore’s past, leading up to his arrival in our world. I loved it.
If you want sci-fi with constant action this might not be for you, as the first part of the book is more focused on the flashbacks and relationship building, with the action bits coming more toward the end. But if you enjoy speculative fiction of a sci-fi bent, then take a look and see what you think. - Rating: 4 out of 5 stars4/5
Apr 1, 2025
Reason read: BB This also is on the Women's longlist. I liked it well enough but could have done without the descriptive sex scenes. What made it interesting was having read The Terror about the lost ships in the Arctic. - Rating: 5 out of 5 stars5/5
Apr 26, 2025
The “bridge” is assigned to help the assimilation of a 18th century arctic explorer to London in the near future. Graham Gore is a beguiling Victorian with the manners of a gentleman and our narrator, the bridge, is a case of anxiety and self doubt. A novel full of rich language and humor it’s worth reading just for the writing. The book also touches on climate change and the bureaucracy of government that plagues all of us. It philosophy too. - Rating: 3 out of 5 stars3/5
Jan 3, 2025
Closer to 2.5 stars, but I rounded up. I scanned the last 50 pp without really investing too much more time in the lurching time-travel-romance-odd-couple-shoot-em-up storyline. - Rating: 3 out of 5 stars3/5
Jul 23, 2024
This was a book I had great hopes for, especially since it has the same title as a Spanish TV series we adored (but has nothing to do with that show, beyond the name.) I am fascinated by the experience of The Endurance in Antartica, so the similar elements of the historical portion, in the Arctic was tantalizing. I'd read a number of reviews and had recommendations from people I generally trust. It had history, time travel, and an interesting premise. Unfortunately, it all came together in a way that just didn't seem to work for me. While, as I mentioned, the elements had potential, I found the pacing uneven, and ended up putting it down, and picking it up again many times, which also didn't help in getting me engaged in the characters. My favorite characters ended up being other ex-pats, rather than either of the leads. Mind you, I'm not saying it was a bad book, just not for me. - Rating: 4 out of 5 stars4/5
Apr 21, 2025
The Ministry of Time sticks us in the head of a young woman given a job far beyond her abilities, and it isn't a pleasant space at all. Someone described it as self-insertion fanfic on the Arctic explorer Graham Gore. The muddy and convoluted plot, which uses time travel to facilitate the uncute meeting and maintain violent agitation, does not move at a pace that allows the drab scenery to pass by quickly enough. - Rating: 4 out of 5 stars4/5
Jul 21, 2024
Creative story speculating on the future and how time travel might affect lives and history. I loved the ideas of the story and the characters and use of history from 1845 Arctic Expedition, but it would have been more enjoyable if the Author had told it more succinctly in about 100 less pages as it seemed mundane and dragged in much of the middle part. She could have expanded on the "bridges" (don't know if we ever get her actual name) background and Cambodian ancestry or she could have written about the "bridge" going to Alaska at the end to find Gore, if she wanted the book to be as long but more interesting. Anyway the book brought up some interesting thoughts on Government heavily controlling lives and on how someone would adapt to huge time travel (centuries or more forward). Also the book could have further speculated on the future and why people would use time travel if available. - Rating: 4 out of 5 stars4/5
Apr 19, 2025
Best for:
Those who enjoy a little bit of science fiction and a lot of philosophy.
In a nutshell:
The UK government has a time machine, but instead of traveling into the future, they’ve decided to travel to the past to bring four people to current time to see how they can integrate into the modern era.
Worth quoting:
“Who thinks their job is on the side of right? They fed us all poison from a bottle marked ‘prestige’ and we developed a high tolerance for bitterness.”
“Fitzjames had once asked him how he could approach life-threatening peril and minor annoyances with the same mildness and he’d shrugged. ‘It doesn’t improve my mood to catastrophise, so I don’t.’”
“An underrated symptom of inherited trauma is how socially awkward it is to live with.”
Why I chose it:
I’ve seen it in stores, and then it was the choice for a book subscription I’m in, so figured it was time to read it.
Review:
Ah, what a great read. I read it while on vacation and so was able to inhale it over the course of just a few days.
The book is told mostly from the perspective of the narrator, who I’ll call the Bridge. There are actually five bridges, one assigned to each of the five people brought from the past, including during the plague in the 1600s, as well as the trenches of World War 1. The Bridge who narrates this book is assigned to Graham Gore, a naval man who died in an arctic expedition. Except before he can die, he is saved and brought to the near future, as part of a test to see how people handle moving through time.
The science fiction of it all isn’t the main focus of the book, which I appreciate. Instead, the focus is on all the different aspects of what it is like for people who are brought from their time to now. What are the ethics of this? How does it impact different people? And what happens to the relationships they form in their new reality?
I love books like this. It’s not the same, but it reminded me a bit of ‘The Measure.’ And the writing? The writing is SO GOOD. There’s so much humor, and also humanity, in Bradley’s writing. The ending wasn’t my favorite, which is why this isn’t five stars, but it’s not a bad ending, if that makes sense. Just took away a bit from the rest of the book. But still, so, so good. - Rating: 3 out of 5 stars3/5
Apr 17, 2025
Great start but ending very conveluted. - Rating: 4 out of 5 stars4/5
Mar 19, 2025
This one fell a little flat for me, after a promising start. I think maybe the author was trying to do a bit too much with it, so it didn't hang together very well. Bradley can definitely write, though, and I'd be interested to see what she produces next. - Rating: 5 out of 5 stars5/5
Mar 19, 2025
I was persuaded to read this after having seen a lot of very positive comments in a lot of Bookstagram groups, but was worried that it might be one of those cases where the hype wildly outruns the actual merit of the book. I needn’t have worried on that score – I thought it was excellent.
Like another book I read recently (The Frozen People by Elly Griffiths), it involves time travel, but handles this in such a way that the actual mechanics by which people move are incidental – for the purpose of the book, all that is important is that it works.
There was another unusual twist on the time travel motif in that instead of characters from our present going backwards of forwards in time, with the consequential danger of changing the past, or setting potentially alarming future scenarios, the time travellers had been brought from the past into the present day. Their adjustment to the huge changes that such a shift involved was sensitively handled, although it was not allowed to dominate the narrative. Kaliane Bradley gives us a strong story line in which several of the characters happen to have been born in previous centuries.
The plot is quite involved, and I am not going to attempt much of a synopsis. Suffice it to say, that although I am no longer much of a fan of science fiction, I had no problems with the requisite suspension of disbelief. The characters (from whichever time slot) are all well drawn and utterly plausible, and the storyline is well constructed and watertight. - Rating: 4 out of 5 stars4/5
Aug 10, 2025
A man meets a woman. The past meets the future. The beginning meets the end.
When a young woman starts a new job at a mysterious ministry, she has no idea that this sultry summer will change her life forever.
Because the Ministry of Time has achieved what no one ever thought possible: transporting people through time. And so she is tasked with helping polar explorer Commander Graham Gore, who actually died in 1847, settle into the noisy London of the 21st century.
While he familiarises himself with the wonders of modernity, such as toilet flushes and Spotify, she has to confront him with the fact that the world has not necessarily changed for the better. And as if everything weren't complicated enough, the initial discomfort develops into much more than just a deep friendship. But the ministry has its own plans for the time traveller, and suddenly today, tomorrow and yesterday shift, and what brought the two together now threatens to tear them apart with all its might.
I read this book for my RL book club. While reading, I had mixed feelings. The idea of coming from the past to the present is written in a very funny way. Commander Graham Gore is also 30 years old in the present, and since he is skilled with his hands and interested in technology, all the descriptions of what he discovers are very amusing. It is not surprising that he struggles with today's social conventions and therefore tends to linger in the past.
I had difficulty with all the characters who come from the future to the present. On the one hand, I found the descriptions rather clumsy, and on the other hand, they also bothered me. Of course, it makes sense for the whole story, but I could have done without it. - Rating: 4 out of 5 stars4/5
Apr 15, 2025
The UK government has discovered time travel technology and used it to bring a member of the Franklin Expedition into our time (along with several others from various points in history). A government translator takes on the job of his handler. She lives with him, teaching him how to assimilate to the modern day while also monitoring his progress and his vital signs and reporting back to the Ministry. She never questions why her charge needs to be monitored so closely, or what the Ministry’s plans for him are, until other time travelers, and her own handler, start to disappear.
I liked this book, but it felt like I should have loved it because all of the parts are things that I love. The time travel is very interesting but really overshadowed in the later half by the thriller plot, which is not very well executed. Commentary on class and race and marginalization is touched on but not really explored, but the examination of the immigrant experience is quite good. Some aspects of the ending were very good. I was very interested in Commander Gore’s different timelines based on whether he learned about Auschwitz or 9/11 first and became anti-fascist or fascist, but there just wasn’t a lot to it. Not a bad read at all but a bit disappointing because it had so much potential. - Rating: 3 out of 5 stars3/5
Sep 12, 2025
2025 book #38. 2024. A young Cambodian-British woman is hired by the British gov't to be a liaison (or bridge) with one of several people brought back from the past. Interesting concept and well written. More about the people involved than the technology. An enjoyable book. - Rating: 4 out of 5 stars4/5
Aug 2, 2025
This is a science fiction novel with a relationship fiction heart. I was pulled in immediately as I am a fan of the time travel genre. What I didn't expect was the depth of feeling and tenderness the author achieves in developing the story of the relationships that are forged as a result of these characters colliding in time. The story is touching, exciting and thought-provoking. I'll remember this one for a long time. - Rating: 5 out of 5 stars5/5
Mar 10, 2025
Didn’t know much about this and was just expecting a silly time travel story but was pleasantly surprised by the depth of this. A spy thriller on the surface with romantic elements but the first person point of view brings up a lot of discussion of family history and trauma and how we relate to other people. Some of the time travel elements didn’t quite work for me in the end but really helped enjoyed it nevertheless. - Rating: 3 out of 5 stars3/5
Mar 9, 2025
3.5 stars? Some parts were fine, some were desperately underwritten, making for an ending that hadn't earned its oomph. Wish there had been more of the ExPats and less of the narrator navel-gazing. - Rating: 4 out of 5 stars4/5
Mar 5, 2025
Could you imagine being snatched out of a distant time period and brought into this one?! If nobody has snapped up film rights to this book yet, I'd shocked. This book had a little bit of everything in it: time travel, suspense, thrills, romance, intrigue, you name it. It was fun! It was fresh! Time travel has been done to death and not well sometimes. The author kept it new and exciting because of all the other things going on. And tell me I'm not the only one who has fallen in love with Graham Gore! I loved the friendships he had with the others and how he cared for his bridge, his "little cat."
I have to say, this would have been a 5* book for me, but for the ending. I understood, I guess, why the story ended the way it did, but I don't know that I was entirely happy with it. There were some parts that were a little confusing, but overall, I really enjoyed the book. 4.5* read for me.
Thank you, Kaliane Bradley, I hope you keep writing. Thank you, NetGalley, for the chance to read and review this book. All opinions expressed are mine and freely given. - Rating: 5 out of 5 stars5/5
Jul 27, 2025
This book is so much fun!
Time travel is one of my favorite tropes, and this is a rare time travel novel that is set in contemporary time, but is about people from the past who have traveled to now. The unnamed narrator has been hired by the mysterious Ministry of Time, a branch of the British government. They have discovered a time travel device, but before the government can use it, they want to test the effects it has on the human body and psyche. To do this, they pull 10 people from the past, each of whom was about to die, and bring them to the present. Each time traveler is assigned a "bridge", a person who is responsible for living with them, monitoring their health, and helping them adjust to their new reality. The narrator is a bridge for Graham Gore, a Victorian explorer on the doomed Franklin Expedition to the Arctic.
This would provide plenty of good material for a story in and of itself, but it soon becomes clear that the Ministry isn't being totally truthful to the narrator or the time travelers, and that the stakes are larger than they seem.
The book is lots of fun, and very satisfying. It's a good beach read: it's not profound or demanding, it's just a lot of fun. - Rating: 3 out of 5 stars3/5
Aug 30, 2025
Don’t believe the hype. This is a good premise badly executed - Rating: 4 out of 5 stars4/5
Jul 19, 2025
I wasn't sure at the beginning of this book, because it started out feeling like a mundane hetero romance about the appeal of a Real Man untainted by Modernity. But it's so much more than that. Nothing and no one is quite what they seem. If we're in a romance at the beginning, by the end we're in a thriller.
It's an interesting choice to never give the protagonist a name. I liked the supporting cast, especially Margaret and Arthur. Still not sure how I feel about the ending. But I'm glad we explored the intersection of the British Empire and climate change and imperialism and refugees along with the time travel of it all. - Rating: 5 out of 5 stars5/5
Jul 19, 2025
I'll admit that when this novel was first announced, I was only somewhat interested. Partly because it seemed over-hyped, partly because that while I'm not allergic to time-travel stories per se, it takes a lot to impress me.
However, once I learned that there was an espionage and intelligence aspect to this novel, my interest peaked, as it seemed like something that if one liked David Aaronovitch or Charlie Stross, one would also like.
I'm therefore here to tell you that Ms. Bradley has done a very good job of writing a general-fiction novel with science-fiction characteristics, and she deserves all the success that she's enjoying. Whether she has another novel that would interest me in her is another question, as this work's origins are rather eccentric, and lighting might not strike again; but that's a matter for the future.
I'll also observe that some of the negative responses seem to be wrong-headed, as the whole concept of governments trying to manipulate time are not that novel in the genre, contrary to the beliefs of some of the sweet summer children who are crying plagiarism. Also, I don't find Bradley guilty of writing a "Mary Sue," as the Anglo-Cambodian protagonist of the book does not come off as a total wish-fulfillment to me; though that's a matter of personal perception.
There is very little that I'd mark this book down for except to note that the pacing could have been a little smoother, but I'd also be hard-pressed to point to specific passages of this issue. This is also less of a problem in a novel of reasonable length, as opposed to a 500-plus page brick. - Rating: 3 out of 5 stars3/5
Jun 24, 2024
A young woman gets a job as a “bridge,” a guide to the 21st century for one of a handful of people the government has snatched from different time periods (surely an attempt to weaponize something, though she’s not high enough in the hierarchy to know what). She falls in love with her time traveler, a man thought dead in an 1850s Arctic expedition. I have a bad track record with time travel romances and this was no different, though I thought it was quite interesting to contrast her refugee heritage (her mother escaped Cambodia; most of her family did not) with the unwilling time traveler’s situation. - Rating: 1 out of 5 stars1/5
Jun 18, 2024
I listened to 50% of this and I was just done. I couldn't do it anymore. I love a time traveling concept, but just couldn't get into this one. I loved the beginning and her helping the guy after time traveling and explaining how things are now. But everything else was just too confusing. Maybe because I listened on audiobook I missed some vital parts? Every other chapter, I don't know who was narrating that, but it was boring as hell whoever it was. I think I spaced out during all of those. I only liked her perspective. And then after awhile, I just didn't care what happened, so I gave up and moved on. Maybe I'll try to read this one instead of audiobook and it will make a difference because other people seem to enjoy it, so maybe I'm missing something?
Book preview
The Ministry of Time - Kaliane Bradley
I
Perhaps he’ll die this time.
He finds this doesn’t worry him. Maybe because he’s so cold he has a drunkard’s grip on his mind. When thoughts come, they’re translucent, free-swimming medusae. As the Arctic wind bites at his hands and feet, his thoughts slop against his skull. They’ll be the last thing to freeze over.
He knows he is walking, though he can no longer feel it. The ice in front of him bounces and retreats, so he must be moving forward. He has a gun across his back, a bag across his front. Their weight is both meaningless and Sisyphean.
He is in a good mood. If his lips were not beyond sensation, he would whistle.
In the distance, he hears the boom of cannon fire. Three in a row, like a sneeze. The ship is signaling.
CHAPTER
ONE
The interviewer said my name, which made my thoughts clip. I don’t say my name, not even in my head. She’d said it correctly, which people generally don’t.
I’m Adela,
she said. She had an eye patch and blond hair the same color and texture as hay. I’m the Vice Secretary.
Of…?
Have a seat.
This was my sixth round of interviews. The job I was interviewing for was an internal posting. It had been marked SECURITY CLEARANCE REQUIRED because it was gauche to use the TOP SECRET stamps on paperwork with salary bands. I’d never been cleared to this security level, hence why no one would tell me what the job was. As it paid almost triple my current salary, I was happy to taste ignorance. I’d had to produce squeaky-clean grades in first aid, Safeguarding Vulnerable People, and the Home Office’s Life in the UK test to get this far. I knew that I would be working closely with refugees of high-interest status and particular needs, but I didn’t know from whence they were fleeing. I’d assumed politically important defectors from Russia or China.
Adela, Vice Secretary of God knows what, tucked a blond strand behind her ear with an audible crunch.
Your mother was a refugee, wasn’t she?
she said, which is a demented way to begin a job interview.
Yes, ma’am.
Cambodia,
she said.
Yes, ma’am.
I’d been asked this question a couple of times over the course of the interview process. Usually people asked it with an upward lilt, expecting me to correct them, because no one’s from Cambodia. You don’t look Cambodian, one early clown had said to me, then glowed like a pilot light because the interview was being recorded for staff monitoring and training purposes. He’d get a warning for that one. People say this to me a lot, and what they mean is: you look like one of the late-entering forms of white—Spanish maybe—and also like you’re not dragging a genocide around, which is good because that sort of thing makes people uncomfortable.
There was no genocide-adjacent follow-up: Any family still there [understanding moue]? Do you ever visit [sympathetic smile]? Beautiful country [darkening with tears]; when I visited [visible on lower lid] they were so friendly.…
Adela just nodded. I wondered if she’d go for the rare fourth option and pronounce the country dirty.
She would never refer to herself as a refugee, or even a former refugee,
I added. It’s been quite weird to hear people say that.
The people you will be working with are also unlikely to use the term. We prefer ‘expat.’ In answer to your question, I’m the Vice Secretary of Expatriation.
And they are expats from…?
History.
Sorry?
Adela shrugged. We have time-travel,
she said, like someone describing the coffee machine. Welcome to the Ministry.
Anyone who has ever watched a film with time-travel, or read a book with time-travel, or dissociated on a delayed public transport vehicle by considering the concept of time-travel, will know that the moment you start to think about the physics of it, you are in a crock of shit. How does it work? How can it work? I exist at the beginning and end of this account simultaneously, which is a kind of time-travel, and I’m here to tell you: don’t worry about it. All you need to know is that in your near future, the British government developed the means to travel through time but had not yet experimented with doing it.
In order to avoid the chaos inherent in changing the course of history—if history
could be considered a cohesive and singular chronological narrative, another crock of shit—it was agreed that it would be necessary to extract people from historical war zones, natural disasters, and epidemics. These expatriates to the twenty-first century would have died in their own timelines anyway. Removing them from the past ought not to impact the future.
No one had any idea what traveling through time might do to the human body. So the second reason that it was important to pick people who would have died in their own timelines is that they might well die in ours, like deep-sea fish brought up to the beach. Perhaps there were only so many epochs the human nervous system could stand. If they got the temporal equivalent of the bends and sluiced into gray-and-pink jelly in a Ministry laboratory, at least it wouldn’t be, statistically speaking, murder.
Assuming that the expats
survived, that meant they would be people, which is a complicating factor. When dealing with refugees, especially en masse, it’s better not to think of them as people. It messes with the paperwork. Nevertheless, when the expats were considered from a human rights perspective, they fit the Home Office criteria for asylum seekers. It would be ethically sparse to assess nothing but the physiological effects of time-travel. To know whether they had truly adjusted to the future, the expats needed to live in it, monitored by a full-time companion, which was, it transpired, the job I’d successfully interviewed for. They called us bridges, I think because assistant
was below our pay grades.
Language has gone on a long walk from the nineteenth century. Sensible
used to mean sensitive.
Gay
used to mean jolly.
Lunatic asylum
and asylum seeker
both use the same basic meaning of asylum
: an inviolable place of refuge and safety.
We were told we were bringing the expats to safety. We refused to see the blood and hair on the floor of the madhouse.
I was thrilled to get the job. I’d plateaued where I was, in the Languages department of the Ministry of Defence. I worked as a translator-consultant specializing in Southeast Asia, specifically Cambodia. I’d learned the languages I translated from at university. Despite my mother speaking Khmer to us at home, I hadn’t retained it through my formative years. I came to my heritage as a foreigner.
I liked my Languages job well enough, but I’d wanted to become a field agent, and after failing the field exams twice I was at a bit of a loss for career trajectory. It wasn’t what my parents had had in mind for me. When I was a very small child, my mother made her ambitions known. She wanted me to be prime minister. As prime minister, I would do something
about British foreign policy and I would also take my parents to fancy governmental dinners. I would have a chauffeur. (My mother never learned to drive; the chauffeur was important.) Regrettably she also drilled the karmic repercussions of gossip and lying into me—the fourth Buddhist precept is unambiguous on this—and thus at the age of eight my political career was over before it began.
My younger sister was a far more skilled dissembler. I was dutiful with language, and she was evasive, pugnacious with it. This is why I became a translator and she became a writer—or at least she tried to become a writer and became a copy editor. I was paid considerably more than her, and my parents understood what my job was, so I would say that karma worked in my favor. My sister would say something along the lines of: Go fuck yourself. But I know she means it in a friendly way, probably.
Even on the very day we were to meet the expats, we were still arguing about the word expat.
If they’re refugees,
said Simellia, one of the other bridges, then we should call them refugees. They’re not moving to a summer cottage in Provence.
"They will not necessarily think of themselves as refugees," said Vice Secretary Adela.
Has anyone asked them what they think?
They see themselves as kidnap victims, mostly. Nineteen-sixteen thinks he’s behind enemy lines. Sixteen-sixty-five thinks she’s dead.
"And they’re being released to us today?"
The Wellness team think their adjustment will be negatively impacted if they’re held on the wards any longer,
said Adela, dry as a filing system.
We—or rather, Simellia and Adela—were having this argument in one of the Ministry’s interminable rooms: pebble-colored with lights embedded in the ceiling, modular in a way that suggested opening a door would lead to another identical space, and then another, and then another. Rooms like this are designed to encourage bureaucracy.
This was supposed to be the final direct briefing of the five bridges: Simellia, Ralph, Ivan, Ed, and me. We’d all gone through a six-round interview process that put the metaphorical drill to our back teeth and bored. Have you now, or ever, been convicted of or otherwise implicated in any activity that might undermine your security status? Then nine months of preparation. The endless working groups and background checks. The construction of shell jobs in our old departments (Defence, Diplomatic, Home Office). Now we were here, in a room where the electricity was audible in the light bulbs, about to make history.
Don’t you think,
said Simellia, that throwing them into the world when they think they’re in the afterlife or on the western front might impede their adjustment? I ask both as a psychologist and a person with a normal level of empathy.
Adela shrugged.
It might. But this country has never accepted expatriates from history before. They might die of genetic mutations within the year.
Should we expect that?
I asked, alarmed.
We don’t know what to expect. That’s why you have this job.
The chamber the Ministry had prepared for the handover had an air of antique ceremony: wood panels, oil paintings, high ceiling. It had rather more éclat than the modular rooms. I think someone on the administration team with a sense of drama had arranged the move. In its style and in the particular way the windows flattened the sunlight, the room had probably remained unchanged since the nineteenth century. My handler, Quentin, was already there. He looked bilious, which is how excitement shows on some people.
Two agents led my expat through the door at the other end of the room before I’d adjusted to knowing he was coming.
He was pale, drawn. They’d clipped his hair so short that his curls were flattened. He turned his head to look around the room, and I saw an imposing nose in profile, like a hothouse flower growing out of his face. It was strikingly attractive and strikingly large. He had a kind of resplendent excess of feature that made him look hyperreal.
He stood very straight and eyed my handler. Something about me had made him look and then look away.
I stepped forward, and his eyeline shifted.
Commander Gore?
Yes.
I’m your bridge.
Graham Gore (Commander, Royal Navy; c.1809–c.1847) had been in the twenty-first century for five weeks, though, like the other expats, he’d been lucid for only a handful of those days. The extraction process had merited a fortnight of hospitalization. Two of the original seven expats had died because of it, and only five remained. He’d been treated for pneumonia, for severe frostbite, for the early stages of scurvy, and two broken toes on which he had been blithely walking. Lacerations too, from a Taser—he’d shot at two of the team members who’d come to expatriate him, and a third was forced to fire.
He’d attempted to flee the Ministry wards three times and had to be sedated. After he’d stopped fighting back, he’d gone through a ground zero orientation with the psychologists and the Victorianists. For ease of adjustment, the expats were only given immediate, applicable knowledge. He came to me knowing the basics about the electric grid, the internal combustion engine, and the plumbing system. He didn’t know about the First and Second World Wars or the Cold War, the sexual liberation of the 1960s, or the war on terror. They had started by telling him about the dismantling of the British Empire, and it hadn’t gone down well.
The Ministry had arranged a car to take us to the house. He knew, theoretically, about cars, but it was his first time in one. He stared through the window, pallid with what I assumed was wonder.
If you have any questions,
I said, please feel free to ask. I appreciate that this is a lot to take in.
I am delighted to discover that, even in the future, the English have not lost the art of ironic understatement,
he said without looking at me.
He had a mole on his throat, close to his earlobe. The only existing daguerreotype of him showed him in 1840s fashion, with a high cravat. I stared at the mole.
This is London?
he asked finally.
Yes.
How many people live here now?
Nearly nine million.
He sat back and shut his eyes.
That’s far too large a number to be real,
he murmured. I am going to forget that you told me.
The house that the Ministry had provided was a late-Victorian redbrick, originally designed for local workers. Gore would have seen them built, if he’d lived into his eighties. As it was, he was thirty-seven years old and had not experienced crinolines, A Tale of Two Cities, or the enfranchisement of the working classes.
He got out of the car and looked up and down the street with the weariness of a man who has traveled across the continent and is yet to find his hotel. I hopped out after him. I tried to see what he could see. He would ask questions about the cars parked on the street, perhaps, or the streetlamps.
Do you have keys?
he asked. Or do doors operate by magic passwords now?
No, I have—
Open sesame,
he said darkly to the letter box.
Inside, I told him I would make tea. He said he would like, with my permission, to look at the house. I gave it. He made a swift tour. He trod firmly, as if he expected resistance. When he came back to the kitchen-diner and leaned against the doorjamb, I seized up painfully. Stage fright, but also the shock of his impossible presence catching up with me. The more he was there—and he kept on being there—the more I felt like I was elbowing my way out of my body. A narrative-altering thing was happening to me, that I was experiencing all over, and I was trying to view myself from the outside to make sense of it. I chased a tea bag to the rim of a mug.
We are to—cohabit?
he said.
Yes. Every expat has a bridge for a year. We’re here to help you adjust to your new life.
He folded his arms and regarded me. His eyes were hazel, scrawled faintly with green, and thickly lashed. They were both striking and uncommunicative.
You are an unmarried woman?
he asked.
Yes. It’s not an improper arrangement, in this century. Once you’re deemed able to enter the community, outside of the Ministry or to anyone not involved in the project, you should refer to me as your housemate.
‘Housemate,’
he repeated disdainfully. What does this word imply?
That we are two unpartnered people, sharing the cost of the rent on a house, and are not romantically involved.
He looked relieved.
Well, regardless of the custom, I’m not certain it’s a decent arrangement,
he said. But if you’ve allowed nine million people to live here, perhaps it’s a necessity.
Mm. Beside your elbow is a white box with a handle. It’s a refrigerator—a fridge, we call it. Could you open the door and take out the milk, please?
He opened the fridge and stared inside.
An icebox,
he said, interested.
Pretty much. Powered by electricity. I think electricity has been explained to you—
Yes. I am also aware that the earth revolves around the sun. To save you a little time.
He opened a crisper.
Carrots still exist, then. Cabbage too. How will I recognize milk? I’m hoping you will tell me that you still use milk from cows.
We do. Small bottle, top shelf, blue lid.
He hooked his finger into the handle and brought it to me.
Maid’s got the day off?
No maid. No cook either. We do most things for ourselves.
Ah,
he said, and paled.
He was introduced to the washing machine, the gas cooker, the radio, the vacuum cleaner.
Here are your maids,
he said.
You’re not wrong.
Where are the thousand-league boots?
We don’t have those yet.
Invisibility cloak? Sun-resistant wings of Icarus?
Likewise.
He smiled. You have enslaved the power of lightning,
he said, and you’ve used it to avoid the tedium of hiring help.
Well,
I said, and I launched into a preplanned speech about class mobility and domestic labor, touching on the minimum wage, the size of an average household, and women in the workforce. It took a full five minutes of talking, and by the end I’d moved into the same tremulous liquid register I used to use for pleading with my parents for a curfew extension.
When I was finished, all he said was, A dramatic fall in employment following the ‘First’ World War?
Ah.
Maybe you can explain that to me tomorrow.
This is everything I remember about my earliest hours with him. We separated and spent the fading day bobbing shyly around each other like clots in a lava lamp. I was expecting him to have a time-travel-induced psychotic break and perhaps chew or fold me with murderous intent. Mostly he touched things, with a compulsive brushing motion I was later to learn was because of permanent nerve damage from frostbite. He flushed the toilet fifteen times in a row, silent as a kestrel while the cistern refilled, which could have been wonder or embarrassment. At hour two, we tried to sit in the same room. I looked up when he breathed in sharply through his nose to see him pulling his fingers away from a light bulb in the lamp. He retreated to his bedroom for a while, and I went to sit on the back porch. It was a mild spring evening. Idiot-eyed wood pigeons lumbered across the lawn, belly-deep in clover.
Upstairs, I heard a cautious woodwind polonaise strike up, waver, and cease. A few moments later, his tread in the kitchen. The pigeons took off, their wings making a noise like swallowed laughter.
Did the Ministry provide the flute?
he asked the back of my head.
Yes. I told them it might be grounding for you.
Oh. Thank you. You—knew I played the flute?
A couple of extant letters from you and referring to you mention it.
Did you read the letters that mentioned my mania for arson and my lurid history of backstreet goose-wrestling?
I turned around and stared at him.
A joke,
he supplied.
Ah. Are there going to be a lot of those?
It depends on how often you spring on me such statements as ‘I have read your personal letters.’ May I join you?
Please.
He sat down beside me, keeping a space of about a foot between our bodies. The neighborhood made its noises, which all sounded like something else. The wind in the trees sounded like rushing water. The squirrels chattered like children. Distant conversation recalled the clatter of pebbles underfoot. I felt I should have been translating them for him, as if he didn’t know about trees.
He was drumming his fingers on the porch. I suppose,
he said carefully, that your era has evolved past such tasteless vices as tobacco?
You arrived about fifteen years too late. It’s going out of fashion. I’ve got some good news for you though.
I got up—he turned his head, so as not to have my bare calves in his eyeline—fetched a packet of cigarettes and a lighter from a drawer in the kitchen, and came back.
Here. Something else I got the Ministry to lay on. Cigarettes more or less replaced cigars in the twentieth century.
Thank you. I’m sure I will adapt.
He busied himself with working out how to remove the plastic film—which he put carefully away in his pocket—flicking the Zippo, and frowning at the warning label. I stared at the lawn and felt like I was manually operating my lungs.
A few seconds later, he exhaled with obvious relief.
Better?
It embarrasses me to convey just how much better. Hm. In my time, well-bred young ladies did not indulge in tobacco. But I note that a great deal has changed. Hemlines, for example. Do you smoke?
No…
He smiled directly into my face for the first time. His dimples notched his cheeks like a pair of speech marks.
What an interesting tone. Did you used to smoke?
Yes.
Did you stop because all cigarette packets carry this garish warning?
More or less. As I said, smoking is very out of fashion now, because we’ve discovered how unhealthy it is. Damn it. Could I have one, please?
His dimples, and his smile, had vanished on damn.
I suppose as far as he was concerned, I might as well have said fuck.
I wondered what was going to happen when I did eventually say fuck,
which I did at least five times a day. Nevertheless, he proffered the packet and then lit my cigarette with anachronistic gallantry.
We smoked in silence for a while. At some point, he raised a finger to the sky.
What is that?
That’s a plane. An aeroplane, to give it its full name. It’s a—well. A ship of the sky.
There are people in there?
Probably around a hundred.
In that little arrow?
He watched it, squinting along the cigarette.
How high up is it?
Six miles or so.
"I thought so. Well, well. You have done something interesting with your enslaved lightning. It must be flying very fast."
Yes. A flight from London to New York takes eight hours.
He coughed suddenly, bringing up a mouthful of smoke. Uh—I want you to stop telling me things for a moment, please,
he said. That’s… quite enough for today.
He ground the cigarette out on the porch. Eight hours,
he murmured. No tides in the sky, I suppose.
That night, I slept with unpleasant lightness, my brain balanced on unconsciousness like an insect’s foot on the meniscus of a pond. I didn’t so much wake up as give up on sleep.
Outside on the landing there was a huge tongue-shaped shadow, stretching from the closed bathroom door to my bedroom. I put my foot in it and it went squelch.
Commander Gore?
Ah,
came a muffled voice from behind the door. Good morning.
The bathroom door swung open, guiltily.
Gore was already fully dressed and sitting on the edge of the bath, smoking. The bottom of the bath had a low-tide mark of cigarette ash and soap scum. Two cigarettes were crushed out in the soap dish.
As I would discover, this would become his habit: rising early, bathing, ashing in the tub. He could not be persuaded to sleep in, use the shower—which he disliked and intimated was unhygienic
—or ash in the ashtrays I would pointedly leave on the edge of the bath. He would be embarrassed by the sight of my razor, shave with a cutthroat blade, and insist on separate soaps.
All this was to come. On that first morning, there was Gore chain-smoking and a bleeding water-supply line. The toilet’s cistern lay on the floor, gleaming like a slain whale. A vile smell was seeping up from the floor.
I was trying to see how it worked,
he said diffidently.
I see.
I fear I may have got carried away.
Gore was an officer from the dusk of the Age of Sail, not an engineer. I’m sure he knew plenty about ship’s rigging, but he’d probably never handled an instrument more technologically complex than a sextant. Men in their right minds are not usually overcome with a mania for pulling the plumbing apart. I suggested he might like to wash his hands at the sink downstairs, and I could, perhaps, call a plumber, and we could, potentially, take a constitutional walk on the nearby heath.
He gave this due consideration over the stub end of the cigarette.
Yes, I would like that,
he said finally.
We’ll go downstairs and wash our hands first.
It was clear water,
he said, grinding out the cigarette. His face was averted from mine, but I could see the mole on his throat lay on pinkening skin.
Well. Germs.
‘Germs’?
Hm. Bacteria. Very, very tiny creatures which live in—everything, really. Only visible through a microscope. The bad ones spread disease. Cholera, typhoid, dysentery.
I might as well have named the Father, the Son, and the Holy Spirit for the look of alarmed amazement that came over Gore’s face. He looked down at his hands and then slowly extended his arms, holding them away from his body like a pair of rabid rats.
He took some comfort from the phrase fresh air,
at least, once we’d stepped out onto the heath. He was far more impressed by germ theory than he had been by electricity. By the time we’d crossed the first of the early-morning dog walkers, I was enthusiastically describing the cause of tooth cavities, with hand motions.
I don’t think it’s very polite of you to say there are germs in my mouth.
"There are germs in everyone’s mouths."
Speak for yourself.
There’ll be germs on your shoes and under your nails. It’s just how the world works. An aseptic environment is. Well. It’s a dead one.
I won’t be participating.
You don’t have a choice!
I will write a strongly worded letter of complaint.
We walked a little farther. The color was starting to return to his cheeks, though around his eyes I could see score marks of strain and insomnia. When he saw me scrutinizing him, he raised his eyebrows, and I tried a cautious smile.
Careful,
he said. Your germs are showing.
Well!
We got croissants and tea from a food truck set up by the children’s park. These concepts were either familiar to him, or explicable from context, and we managed our walking breakfast with no further revelation.
I’ve been told there are other, uh, expats,
he said eventually.
Yes. There are five of you.
Who are they, please?
There’s a woman from 1665, who was extracted from the Great Plague of London. Uh. A man—a lieutenant, I believe—from 1645, Battle of Naseby. He fought back harder even than you. There’s an army captain—1916. Battle of the Somme. Someone from Robespierre’s Paris, 1793; she’s got quite the psych profile.
You didn’t ‘extract’ anyone else from the expedition?
No.
May I ask why not?
Well, this is an experimental project. We wanted to pull individuals from across as wide a range of time periods as possible.
And you chose me, rather than, say, Captain Fitzjames?
I blinked up at him, surprised. Yes. We had documentary evidence that you—you’d left the expedition—
That I’d died.
Uh. Yes.
How did I die?
They didn’t say. You were referred to as ‘the late Commander Gore.’
Who are ‘they’?
Captain Fitzjames, Captain Crozier. Coleading the expedition after the death of Sir John Franklin.
We’d fallen into a languid, patrolling step, and he’d gone cool.
Captain Fitzjames spoke very highly of you,
I ventured. ‘A man of great stability of character, a very good officer, and the sweetest of tempers.’
That, at last, brought his dimples out.
He wrote his memoirs on his return, then?
Gore said, amused.
Ah. Commander Gore.
Hm?
I think I should—Could we sit down? On that bench over there.
He pulled up the swing of his step so abruptly that I kicked myself in the ankle trying to stop.
You are about to tell me something happened to Captain Fitzjames,
he said.
Let’s sit down. Here.
What happened?
he asked. The dimples had gone. Apparently I did not get them for very long.
"Something happened
