Magnetic North: Poems
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Touching on subjects as diverse as a breakthrough discovery in cell biology and the films of Ingmar Bergman, the anatomy of a possum and the Nazi occupation of Poland, Gregerson seeks to distill “the shape of the question,” the tenuous connection between knowing and suffering, between the brightness of the body and the shadows of the mind. “Choose any angle you like,” she writes, “the world is split in two.” Longtime readers of Gregerson’s poetry will be fascinated by her departure from the supple tercets in which she has worked for nearly twenty years: Magnetic North is a bold anthology of formal experiments. It is also a heartening act of sustained attention from one of our most mindful American poets.
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Book preview
Magnetic North - Linda Gregerson
A MARINER BOOK
Houghton Mifflin Company
Boston • New York
First Mariner Books edition 2008
Copyright © 2007 by Linda Gregerson
All rights reserved
For information about permission to reproduce selections from
this book, write to Permissions, Houghton Mifflin Company,
215 Park Avenue South, New York, New York 10003.
www.houghtonmifflinbooks.com.
Library of Congress Cataloging-in-Publication Data
Gregerson, Linda.
Magnetic north / Linda Gregerson.
p. cm.
ISBN-13: 978-0-618-71870-2
ISBN-10: 0-618-71870-2
I. Title.
PS3557.R425M34 2007
811'.54—dc22 2006035476
ISBN: 978-0-547-08576-0 (pbk.)
Printed in the United States of America
Book design by Robert Overholtzer
EB-L 10 9 8 7 6 5 4 3 2 1
Grateful acknowledgment to the editors of the following publications,
in which these poems first appeared: Atlantic Monthly: Bright Shadow.
Kenyon Review: Bicameral,
"The Burning of Madrid as Seen from
the Terrace of My House,
Prodigal,
Over Easy." Laurel Review:
"De Magnete. New England Review:
Dido in Darkness,
The
Turning,
The Chapel Doom" Ploughshares: Make-Falcon.
Poetry:
Father Mercy, Mother Tongue,
"My Father Comes Back from the
Grave,
Sweet,
Spring Snow." Slate: At the Window.
Smartish
Place: Another Diana.
TriQuarterly: Elegant,
No Lion, No Moon.
Elegant
was commissioned by the Calouste Gulbenkian Foundation
and published in Wild Reckoning: An Anthology Provoked by Rachel
Carson's "Silent Spring, "ed. John Burnside and Maurice Riordan.
London: Calouste Gulbenkian Foundation, 2004. Make-Falcon
was
adapted by Susan Botti as a composition for voices, harps, piano, and
percussion and was performed as a work-in-progress at the American
Academy in Rome on May 27, 2006. Bicameral
and Elegant
were
reprinted in American Alphabets: Twenty-five Contemporary Poets, ed.
David Walker. Oberlin, Ohio: Oberlin College Press, 2006, 168–84.
To the University of Michigan's Institute for the Humanities, and
to John Rich, warm gratitude for a fellowship that enabled me to
work for a blessed year on the present volume.
These poems (and their author) have benefited immeasurably from
the friendship of three impeccable and generous readers: David Baker,
Michael Collier, and Rosanna Warren. Bountiful thanks to them
and, always, to Steven.
For my mother,
Karen Mildred Gregerson
Contents
[>] Sweet
[>] Bicameral
[>] Spring Snow
[>] Make-Falcon
[>] Bright Shadow
[>] The Burning of Madrid as Seen from the Terrace of My House
[>] Father Mercy, Mother Tongue
[>] At the Window
[>] The Chapel Doom
[>] The Turning
[>] De Magnete
[>] Another Diana
[>] No Lion, No Moon
[>] My Father Comes Back from the Grave
[>] Over Easy
[>] Prodigal
[>] Dido in Darkness
[>] Elegant