Blessings of the Tanakh: Hebraica Veritas
By Ken Bazyn
()
About this ebook
His poems investigate such pivotal moments as Jacob's wrestling with an angel; the Israelites' faint-heartedness and desire to return to Egypt in the wilderness; the rise of monarchy and its alarming consequences; the prophet Elijah's troubled relationship with King Ahab; Jonah's futile flight from a call to preach repentance in Nineveh.
Not afraid to tackle complex, difficult-to-resolve theological issues, Bazyn weighs in on faith, judgment, idolatry, free will, suffering, repentance, the coming Messiah, and resurrection. His taut, condensed style, thick with intriguing metaphors, probes the believer's conduct and motivation: Why does God at times seem so distant and hidden? What does it feel like to be persecuted?
To aid in discerning each poem's meaning, Bazyn has added allusive, revelatory 35mm black-and-white photographs. Whether as a Jew, a Christian, or an unbeliever who is curious about the Tanakh's significance, you are drawn into this net of words, cut to the quick by standing naked and exposed before your maker like Job.
Ken Bazyn
Ken Bazyn is long-time editorial director of Religious Book Club. He has written The Seven Perennial Sins and Their Offspring and Soul-Wrestling: Meditations in Monochrome. He has published articles in forty periodicals, from Commonweal to Dialog, and his photographs have appeared in forty-five magazines. His previous books of poetry are Gospel Midrashim, Jesting Angels, Artistic Alchemy, Humanity, Nuptial Favors, Creation Groans On, The Poetic “I,” and Apocalyptic Fervor.
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Blessings of the Tanakh - Ken Bazyn
Blessings of the Tanakh
Hebraica Veritas
Ken Bazyn
Blessings of the Tanakh
Hebraica Veritas
Copyright ©
2024
Ken Bazyn. All rights reserved. Except for brief quotations in critical publications or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher. Write: Permissions, Wipf and Stock Publishers,
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Resource Publications
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paperback isbn: 979-8-3852-1420-4
hardcover isbn: 979-8-3852-1421-1
ebook isbn: 979-8-3852-1422-8
version number 03/26/24
New Revised Standard Version, copyright
1989
, Division of Christian Education of the National Council of Churches in the United States of America. Used by permission. All rights reserved.
Table of Contents
Title Page
Acknowledgments
Introduction
Cain and Abel: Mystery of Evil
Rachel: Missing Clay Gods
Faith:
An Addendum to Psalm 53
Hebrew Hasid
If You Don’t Do Good
The Art of the Snare
So You Wanna Go Back to Egypt
One Metropolis Spared?
Sodom’s Hourglass
In a Prophetic Tone
Contrariwise
The Selfish Gene
Oh, for the Fleshpots of Egypt
The Waterless Place
The Faithless Shepherd
Idolators
Nonpareil: Who Can Be Compared to You?
God Still Stands Indignant
Here Come the Diminutive and Disfigured
Golem
Monarchist Pretensions
Ahab to Elijah
On Bonhoeffer’s Participation in the Plot against Hitler
To Tarshish I Fly
A Ghoulish Gift
Fractured Dreams
SS Mutter
Eden
This Hermetically-Sealed Universe
Am I Responsible?
The Road Is Arduous
Transitions
The Wind Comes
Geometric Figures in Whimsy
Wet vs. Dry
Tears: Nature’s Safety Valve
Exodus 28: Twelve Tribal Stones
Notes from My Nervous Breakdown
The Wart of God
Wagging Manikin Faces
Jacob’s Kuntz
A Little Yiddish Humor
Joseph
Yahweh vs. Horus
You Have Become My Enemy
In Anguish: God, You Schlemiel
What! Is the Mocking Bird Here?
What Does God Do?
Inspired by Zechariah’s Visions
Messiah Coos and Mourns
Ezekiel’s Dry Bones
Listing of Photographs
Bibliography
Acknowledgments
I WANT TO COMMEND Wipf & Stock for its ongoing commitment to publishing important books on a wide variety of topics from across the theological spectrum. In particular, I take my hat off to Calvin Jaffarian’s excellent typesetting and layout as well as Rockbrook Camera in Omaha for conscientiously placing my 35 mm color slides onto a viable CD.
Too, my wife, Barbara, has labored with me long and hard to make the text as pleasing, accurate, and lyrical as possible. And Emily Callihan has faithfully questioned peculiarities of grammar, style, and content plus formatted the book with precision.
Credit is given here for the following poem:
What! Is the Mocking Bird Here?
in C.S.P. World News
Introduction
Cain and Abel: Mystery of Evil
"Race of Cain, your agony,
Will it ever have an end?"
—Charles Baudelaire¹
THE NARRATIVE OF CAIN AND ABEL is so typical of the book of Genesis. There are few concrete details, and powerful, unexpressed emotions play out against a virtually barren landscape.² Genesis deals with scenes of extraordinary psychological complexity—squabbles about everyday domestic life, questions of birthright, rivalry between brothers, acts of revenge, dreams sent from God, and so on. Cain is depicted there as both the first farmer and the first murderer. Because of the many unresolved questions in the story, commentators over the centuries have felt obliged to fill in the gaps. Here’s the way key elements have been interpreted.
The first hint of tragedy comes in verses 4:4–5: And the Lord had regard for Abel and his offering, but for Cain and his offering he had no regard.
But why? One line of interpretation focuses on the offering itself. Abel had brought the firstborn of his flock, the fatty portions, while Cain had merely carried an offering of the fruit of the ground
(v. 3). Later legends seized on this discrepancy, asserting that Abel sacrificed his finest lamb, while Cain just threw a few flax seeds on the altar.³ For instance, in a