Chapter & Verse - Edgar Allan Poe

By Edgar Allan Poe

Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life.

An author’s ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

Story. Poems. Story. Within these boundaries come all manner of invention and cast of characters. And, of course, each author has their own way of revealing their own chapter and verse.

• Language: English
• Publisher: Chapter & Verse
• Release date: Feb 1, 2024
• ISBN: 9781835474013

Edgar Allan Poe

Edgar Allan Poe (1809-1849) was an American poet, short story writer, and editor. Born in Boston to a family of actors, Poe was abandoned by his father in 1810 before being made an orphan with the death of his mother the following year. Raised in Richmond, Virginia by the Allan family of merchants, Poe struggled with gambling addiction and frequently fought with his foster parents over debts. He attended the University of Virginia for a year before withdrawing due to a lack of funds, enlisting in the U.S. Army in 1827. That same year, Poe anonymously published Tamerlane and Other Poems, his first collection. After failing to graduate from West Point, Poe began working for several literary journals as a critic and editor, moving from Richmond to Baltimore, Philadelphia, and New York. In 1836, he obtained a special license to marry Virginia Clemm, his 13-year-old cousin, who moved with him as he pursued his career in publishing. In 1838, Poe published The Narrative of Arthur Gordon Pym of Nantucket, a tale of a stowaway on a whaling ship and his only novel. In 1842, Virginia began showing signs of consumption, and her progressively worsening illness drove Poe into deep depression and alcohol addiction. “The Raven” (1845) appeared in the Evening Mirror on January 29th. It was an instant success, propelling Poe to the forefront of the American literary scene and earning him a reputation as a leading Romantic. Following Virginia’s death in 1847, Poe became despondent, overwhelmed with grief and burdened with insurmountable debt. Suffering from worsening mental and physical illnesses, Poe was found on the streets of Baltimore in 1849 and died only days later. He is now recognized as a literary pioneer who made important strides in developing techniques essential to horror, detective, and science fiction.

Book preview

Chapter & Verse - Edgar Allan Poe

Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life.

An author’s ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure.

In this series we look at some of our leading classic authors across two genres: the short story and the poem.  In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything.  But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle.  Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

Story. Poems. Story.  Within these boundaries come all manner of invention and cast of characters.  And, of course, each author has their own way of revealing their own chapter and verse.  

Edgar Allan Poe - An Introduction

Edgar Poe was born in Boston Massachusetts on 19th January 1809. His father abandoned his family the following year and within a year his mother had died leaving him an orphan. 

He was taken in by the Allan family but never formally adopted although he now referred to himself as Edgar Allan Poe.  His father alternatively spoiled or chastised him and tension was frequent over gambling debts and monies for his education.  His university years to study ancient and modern languages was cut short by lack of money and he enlisted as a private in the army claiming he was 22, it is more probable he was 18. After 2 years he obtained a discharge in order to take up an appointment at the military academy, West Point, where he failed to become an officer.

Poe had released his 1st poetry volume in 1827 and after his 3rd turned to prose and placing short stories in several magazines and journals.  At age 26 he obtained a licence to marry his cousin.  She was a mere 13 but they stayed together until her death from tuberculosis 11 years after.

In January 1845 ‘The Raven’ was published and became an instant classic.  Thereafter followed the prose works for which he is now so rightly famed as a master of the mysterious and the macabre.

Edgar Allan Poe died at the tragically early age of 40 on 7th October 1849 in Baltimore, Maryland. Newspapers at the time reported Poe's death as ‘congestion of the brain’ or ‘cerebral inflammation’, common euphemisms for death from disreputable causes such as alcoholism but the actual cause of death remains a mystery.

Index of Contents

The Premature Burial

Alone

Annabel Lee

The Bridal Ballad

A Dream Within a Dream

A Dream

El Dorado

To My Mother

In Youth I Have Known One

Evening Star

Israfel

Sonnet - Silence

The Raven

The Fall of the House of Usher

The Premature Burial

There are certain themes of which the interest is all-absorbing, but which are too entirely horrible for the purposes of legitimate fiction. These the mere romanticist must eschew, if he do not wish to offend or to disgust. They are with propriety handled only when the severity and majesty of Truth sanctify and sustain them. We thrill, for example, with the most intense of pleasurable pain over the accounts of the Passage of the Beresina, of the Earthquake at Lisbon, of the Plague at London, of the Massacre of St. Bartholomew, or of the stifling of the hundred and twenty-three prisoners in the Black Hole at Calcutta. But in these accounts it is the fact―it is the reality―it is the history which excites. As inventions, we should regard them with simple abhorrence.

I have mentioned some few of the more prominent and august calamities on record; but in these it is the extent, not less than the character of the calamity, which so vividly impresses the fancy. I need not remind the reader that, from the long and weird catalogue of human miseries, I might have selected many individual instances more replete with essential suffering than any of these vast generalities of disaster. The true wretchedness, indeed―the ultimate woe―is particular, not diffuse. That the ghastly extremes of agony are endured by man the unit, and never by man the mass―for this let us thank a merciful God!

To be buried while alive is, beyond question, the most terrific of these extremes which has ever fallen to the lot of mere mortality. That it has frequently, very frequently, so fallen will scarcely be denied by those who think. The boundaries which divide Life from Death are at best shadowy and