Chapter & Verse - Thomas Hardy
By Thomas Hardy
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About this ebook
Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life.
An author’s ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure.
In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.
Story. Poems. Story. Within these boundaries come all manner of invention and cast of characters. And, of course, each author has their own way of revealing their own chapter and verse.
Thomas Hardy
Thomas Hardy was born in 1840 in Dorchester, Dorset. He enrolled as a student in King’s College, London, but never felt at ease there, seeing himself as socially inferior. This preoccupation with society, particularly the declining rural society, featured heavily in Hardy’s novels, with many of his stories set in the fictional county of Wessex. Since his death in 1928, Hardy has been recognised as a significant poet, influencing The Movement poets in the 1950s and 1960s.
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Chapter & Verse - Thomas Hardy - Thomas Hardy
Chapter & Verse - Thomas Hardy
Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life.
An author’s ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure.
In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.
Story. Poems. Story. Within these boundaries come all manner of invention and cast of characters. And, of course, each author has their own way of revealing their own chapter and verse.
Thomas Hardy - An Introduction
Thomas Hardy was born in the hamlet of Upper Bockhampton about three miles east of Dorchester in Dorset, England, on 2nd June 1840.
Despite a fairly wide education and being an avid reader his parents thought it unlikely he would lead a successful scholarly or clerical career and he was apprenticed in 1856, at age 16, to a local architect whose speciality was in church restoration. Hardy’s only opportunity to read was in the morning before work between the hours of five and eight.
On the back of a failed love affair he moved to London and spent five years working as an assistant to the architect Arthur Blomfield, also a restorer and designer of churches. Hardy though had by now become disillusioned with institutionalised forms of Christianity and abandoned any lingering hopes of ordination in the Anglican Church. However, his writing of poetry was now flourishing, although it was still rejected for publication.
His novel ‘Desperate Remedies’, was published anonymously in 1871 and he now resolved to write full time though he was not yet in a position to achieve financial security or literary success. His second novel, ‘Under the Greenwood Tree’, appeared in 1872 and in 1873 ‘A Pair of Blue Eyes’, the most autobiographical of his works arrived. With ‘Far From the Madding Crowd’ in 1874, came critical acclaim, public attention and financial success. This was repeated in 1878 with ‘The Return of the Native’, and the ensuing years saw him rise to ever greater popularity.
His classic ‘The Mayor of Casterbridge’ arrived in 1886 and 5 years later ‘Tess of the d’Urbervilles’. The latter only saw publication after extensive alterations to its plot and the deletion of long passages to lessen the shock to the prudish Victorian audience who were dismayed by the seduction and ruin of a young girl by a rakish aristocrat.
‘Jude the Obscure’, his last novel, suffered the same fate when it was published in 1895. The uproar so disturbed him that he returned to poetry. In 1898 he had an earlier poetry collection, ‘Wessex Poems’ published.
Hardy spent the years between 1903 and 1908 writing ‘The Dynasts’, an epic poem on the Napoleonic Wars.
In his twilight years came honours and awards from the great and the good in recognition of his stature as one of the most outstanding of British authors across novels, short stories and poetry. George V conferred on him the Order of Merit in 1910.
From 1920 to 1927 he worked, in secret, on his autobiography, which was later published after his death as the work of his second wife, Florence Hardy.
Thomas Hardy OM died on the 11th January 1928.
His heart was buried alongside his first wife in Stinsford churchyard, Dorchester.
Index of Contents
An Imaginative Woman
A Broken Appointment
The Mother Mourns
Rain on a Grave
The Dead Man Walking
Rome - Building a New Street in the Ancient Quarter, April 1887
At the Royal Academy
In the Moonlight
The Seasons of Her Year
Birds at Winter Nightfall (Triolet)
The Darkling Thrush
The Calf
The Oxen
The Fiddler of the Reels
An Imaginative Woman by Thomas Hardy
When William Marchmill had finished his inquiries for lodgings at a well-known watering-place in Upper Wessex, he returned to the hotel to find his wife. She, with the children, had rambled along the shore, and Marchmill followed in the direction indicated by the military-looking hall-porter.
'By Jove, how far you've gone! I am quite out of breath,' Marchmill said, rather impatiently, when he came up with his wife, who was reading as she walked, the three children being considerably further ahead with the nurse.
Mrs Marchmill started out of the reverie into which the book had thrown her. 'Yes,' she said, 'you've been such a long time. I was tired of staying in that dreary hotel. But I am sorry if you have wanted me, Will?'
'Well, I have had trouble to suit myself. When you see the airy and comfortable rooms heard of, you find they are stuffy and uncomfortable. Will you come and see if what I've fixed on will do? There is not much room, I am afraid; but I can light on nothing better. The town is rather full.'
The pair left the children and nurse to continue their ramble and went back together.
In age well-balanced, in personal appearance fairly matched, and in domestic requirements conformable, in temper this couple differed, though even here they did not often clash, he being equable, if not lymphatic, and she decidedly nervous and sanguine. It was to their