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Chapter & Verse - Stephen Crane
Chapter & Verse - Stephen Crane
Chapter & Verse - Stephen Crane
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Chapter & Verse - Stephen Crane

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Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life.

An author’s ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

Story. Poems. Story. Within these boundaries come all manner of invention and cast of characters. And, of course, each author has their own way of revealing their own chapter and verse.

LanguageEnglish
Release dateFeb 1, 2024
ISBN9781835474136
Chapter & Verse - Stephen Crane
Author

Stephen Crane

Stephen Crane (1871-1900) was an American poet and author. Along with his literary work, Crane was a journalist, working as a war correspondent in both Cuba and Greece. Though he lived a short life, passing away due to illness at age twenty-eight, Crane’s literary work was both prolific and highly celebrated. Credited to creating one of the earliest examples of American Naturalism, Crane wrote many Realist works and decorated his prose and poetry with intricate and vivid detail.

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    Chapter & Verse - Stephen Crane - Stephen Crane

    Stephen Crane – Chapter & Verse

    Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life.

    An author’s ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure.

    In this series we look at some of our leading classic authors across two genres: the short story and the poem.  In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything.  But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle.  Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

    Story. Poems. Story.  Within these boundaries come all manner of invention and cast of characters.  And, of course, each author has their own way of revealing their own chapter and verse.  

    Stephen Crane - An Introduction

    Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen.  Incredibly he began writing at the age of four and was published several times by the age of sixteen. 

    Crane only began a full-time education when he was nine but quickly mastered the grades needed to catch up and move forward. Although educated at Lafayette and Syracuse he had little interest in completing university and was keener to move on to a career, declaring college to be ‘a waste of time’.  By twenty he was a reporter and two years later had published his debut novel ‘Maggie: A Girl of the Streets’.  In literary circles this was hailed as the first work of American literary Naturalism.

    Two years later, in 1895, he was the subject of worldwide acclaim for his Civil War novel, written without the benefit of any actual war experiences, ‘The Red Badge of Courage’.  It was indeed a masterpiece and his finest hour.  A year later life began its downwards descent when he became embroiled in a scandal which was to doom his career.  In attempting to help a suspected prostitute being falsely charged by a policeman he became the target of the authorities.

    Later the same year en-route to Cuba as a War Correspondent he met the hotel madam Cora Taylor in Jacksonville, Florida.  This was to become the defining relationship of his life.  Continuing his journey, somewhere between Florida and Cuba his ship sank, and he was cast adrift for several days.  Rescued, he returned to cover conflicts wherever they were situated, some as far away as Greece.  For a time he lived in England with Cora, usually beyond their means, befriending fellow writers such as H G Wells and Joseph Conrad.  

    In declining health and beset by money problems, Stephen Crane died of tuberculosis, aged a mere 28 on 5th June 5, 1900, at Badenweiler, Germany. He is buried in New Jersey.

    Index of Contents

    The Open Boat

    What Says the Sea

    The Ocean Said To Me Once

    Legends

    A Little Ink More or Less!

    A Newspaper is a Collection of Half Injustices

    Each Small Gleam Was a Voice

    In the Night

    On the Desert

    God Lay Dead In Heaven

    Blustering God

    The Peaks

    When a People Reach the Top of a Hill

    There Was A Man and a Woman

    The Bride Comes to Yellow Sky

    The Open Boat

    A Tale intended to be after the Fact. Being the Experience of Four Men from the Sunk Steamer 'Commodore'

    I

    None of them knew the colour of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colours of the sea. The horizon narrowed and widened, and dipped and rose, and at all times its edge was jagged with waves that seemed thrust up in points like rocks.

    Many a man ought to have a bath-tub larger than the boat which here rode upon the sea. These waves were most wrongfully and barbarously abrupt and tall, and each froth-top was a problem in small boat navigation.

    The cook squatted in the bottom and looked with both eyes at the six inches of gunwale which separated him from the ocean. His sleeves were rolled over his fat forearms, and the two flaps of his unbuttoned vest dangled as he bent to bail out the boat. Often he said: Gawd! That was a narrow clip. As he remarked it he invariably gazed eastward over the broken sea.

    The oiler,

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