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Chapter & Verse - Herman Melville
Chapter & Verse - Herman Melville
Chapter & Verse - Herman Melville
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Chapter & Verse - Herman Melville

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Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life.

An author’s ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

Story. Poems. Story. Within these boundaries come all manner of invention and cast of characters. And, of course, each author has their own way of revealing their own chapter and verse.

LanguageEnglish
Release dateFeb 1, 2024
ISBN9781835474099
Chapter & Verse - Herman Melville
Author

Herman Melville

Herman Melville (1819-1891) was an American novelist, short story writer, essayist, and poet who received wide acclaim for his earliest novels, such as Typee and Redburn, but fell into relative obscurity by the end of his life. Today, Melville is hailed as one of the definitive masters of world literature for novels including Moby Dick and Billy Budd, as well as for enduringly popular short stories such as Bartleby, the Scrivener and The Bell-Tower.

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    Chapter & Verse - Herman Melville - Herman Melville

    Chapter & Verse – Herman Melville

    Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life.

    An author’s ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure.

    In this series we look at some of our leading classic authors across two genres: the short story and the poem.  In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything.  But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle.  Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

    Story. Poems. Story.  Within these boundaries come all manner of invention and cast of characters.  And, of course, each author has their own way of revealing their own chapter and verse.

    Herman Melville – An Introduction

    Herman Melville was born in New York City on 1st August 1819.

    At the age of 7 Melville contracted scarlet fever which permanently diminished his eyesight. Add this to a contemporary description of being very backwards in speech and somewhat slow in comprehension and his opportunities for success seemed limited.

    His father died when he was 12 leaving the family in very straitened times. 2 years later Melville took a job in a bank and followed up with a failed stint as a surveyor. He went to sea and travelled across to Liverpool and then to the Pacific on adventures which included a mutiny, being jailed and falling in love with a South Pacific beauty. He was also a figure of opposition to the coercion of native Hawaiians to the Christian religion.  These experiences helped provide the novels ‘Typee’, ‘Omoo’, and ‘White-Jacket’.

    By 1851 his ambitious masterpiece, ‘Moby Dick’, was ready to be published.  It never sold out its initial print run of 3,000 and Melville’s earnings on his masterpiece was a mere $556.37.

    In succeeding years his reputation waned, life was increasingly difficult.  His family was growing and a stable income was essential. Melville took the advice of friends to try public lecturing, as others had, to increase his revenues. He embarked on three successful lecture tours, speaking on Roman statuary and sightseeing in Rome.

    In 1876 he was at last able to publish privately his 16,000 line epic poem ‘Clarel’. It was to no avail.  The book had an initial printing of 350 copies, but sales failed miserably.

    It was only in late 1885 that Melville was at last able to retire after his wife inherited several legacies, enough to provide them with a reasonable income.

    Herman Melville, novelist, poet, short story writer and essayist, died at his home on 28th September 1891 from cardiovascular disease.

    Index of Contents

    Bartleby the Scrivener

    Aurora Borealis

    Immolated

    The Apparition

    Shiloh

    Art

    Shelley's Vision

    Greek Architecture

    The Portent

    Monody

    The Mound by the Lake

    The Maldive Shark

    The Fiddler

    Bartleby the Scrivener

    A Story of Wall-Street

    I am a rather elderly man. The nature of my avocations for the last thirty years has brought me into more than ordinary contact with what would seem an interesting and somewhat singular set of men, of whom as yet nothing that I know of has ever been written:—I mean the law-copyists or scriveners. I have known very many of them, professionally and privately, and if I pleased, could relate divers histories, at which good-natured gentlemen might smile, and sentimental souls might weep. But I waive the biographies of all other scriveners for a few passages in the life of Bartleby, who was a scrivener the strangest I ever saw or heard of. While of other law-copyists I might write the complete life, of Bartleby nothing of that sort can be done. I believe that no materials exist for a full and satisfactory biography of this man. It is an irreparable loss to literature. Bartleby was one of those beings of whom nothing is ascertainable, except from the original sources, and in his case those are very small. What my own astonished eyes saw of Bartleby, that is all I know of him, except, indeed, one vague report which will appear in the sequel.

    Ere introducing the scrivener, as he first appeared to me, it is fit I make some mention of myself, my employees, my business, my chambers, and general surroundings; because some such description is indispensable to an adequate understanding of the chief character about to be presented.

    Imprimis: I am a man who, from his youth upwards, has been filled with a profound conviction that the easiest way of life is the best. Hence, though I belong to a profession proverbially energetic and nervous, even to turbulence, at times, yet nothing of that sort have I ever suffered to invade my peace. I am one of those unambitious lawyers who never addresses a jury, or in any way draws down public applause; but in the cool tranquillity of a snug retreat, do a snug business among rich men's bonds and mortgages and title-deeds. All who know me consider me an eminently safe man. The late John Jacob Astor, a personage little given to poetic enthusiasm, had no hesitation in pronouncing my first

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