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M/OTHER
M/OTHER
M/OTHER
Ebook94 pages28 minutes

M/OTHER

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What does it mean to love a woman--a mother, an other--and hold her at arm's length? Clara Joseph's third collection of poems, M/OTHER, skillfully navigates the nuances and irony of this daily exercise. With each turn of the page, the narrative gains emotional intensity and takes readers on unexpected journeys, such as this one: "He smiled like the man he was/as he copied wonder into my lap, . . ./And I bent to smell his washed scalp;/the nip was barely visible . . ./And the snake slid away/in the shadows between/our hooves." While the collection playfully experiments with language and form, it never obscures the gravity of its themes, as in the parenthetical query: "(Could I be a Ruth to my Naomi?/Or would I be--simply--ruthless?)" The collection is divided into three parts, each exploring the multifaceted nature of motherhood, uncovering biographical details, certainties, uncertainties, and the intricacies of hidden pasts. It also contemplates unconventional messages, both reverent and irreverent, unveiling their magical essence. In the final section, the book contemplates senility and will, death and miracle, and survival and freedom.
LanguageEnglish
Release dateFeb 9, 2024
ISBN9798385206902
M/OTHER
Author

Clara A. B. Joseph

Clara A. B. Joseph is the author of two collections of poems, The Face of the Other: A Long Poem (2016) and Dandelions for Bhabha (2018). Her poems have appeared in journals such as Mother Earth International, Toronto Review, Canadian Woman Studies, and publications of the League of Canadian Poets. She is a professor of English and an adjunct professor of religious studies at the University of Calgary, Canada.

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    Book preview

    M/OTHER - Clara A. B. Joseph

    Introductions

    Are you who you say you are?

    body

    her eagle-clutch is on my wrist

    her vision is lost to mist

    but then it arrows

    on a stranger

    soul

    doubt shadows

    light fleets recognition

    the moon un-reveals

    what is far away and the hypocrite

    awaits the commissioner-of-oath’s query

    Meat, Coir, and Metal: A Biography of We

    Kitchen appliances hum lullabies and her favorite

    soaks in ashen pepper:

    Not jowl bacon,

    neck chops,

    shoulder blade,

    diced fatback,

    loin chops, or

    spare ribs; but

    pork, stubborn-whole and slow-

    curried in seven condiments

    secret.

    By their tunnels

    MARIA grabs your nostrils,

    swings you around,

    drowns you in

    drool.

    ***

    Before her ancient being

    her daughters ran freely

    without fouling,

    without kinking:

    faked down

    at every turn

    of the looped

    tether.

    ***

    Tomorrow?

    She will be

    full of spark and sulphuric

    acid; fool’s gold:

    pyrite.

    Metallic, unwilling

    diffusion, she will mirror

    the aspect of our dissatisfaction.

    Her eyebrow will be

    a nickel diacritic:

    an up-side-down we.

    Mother: A Bio

    Outpacing siblings she flung her head

    back to laugh, to restart the lightning across

    rivers and hills, forests and rice-fields—

    commodious spaces.

    There was a fever,

    there was recovery,

    there was a soiled frock, and buttons

    undone between short braids on a level back.

    Two little eyes took in lessons.

    Breasts. Blossoming buttocks.

    Curious cousins left behind breath figures;

    she traced the frisson with a single braid

    fist-thick and knee-level, and in that very place—

    the murder of her father.

    The darkest substance leaves

    indelible roric figures.

    One night, she bedded a stranger who came: she became

    wife—

    dignified

    homesick,

    spiteful of cloistered nuns,

    even of coifs, she drifted

    in

    out

    in

    out

    in and out

    of love

    with the same man.

    Above the laundry tub again and again

    drooped the swollen belly. Three buried

    in the backyard (hush! The leaves transpire blood). Six

    decreed the objects of her life:

    eared notebooks,

    stomach-ache cures,

    expanding lunchboxes, chewed

    pencils,

    diarrhea-pills,

    ink-stained uniforms, two love-letters,

    ballpoints,

    and railway tickets. In the stained-glass attic she lay down

    for him.

    (Will he ascend to heaven, O Lord?)

    The widow of Nain wept for her resurrected sons

    until they got hitched (alas!). Wedged between

    the widow and the

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