The Phoenix on the Sword
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The Phoenix on the Sword - Robert E. Howard
SYNOPSIS
In 'The Phoenix on the Sword,
Robert E. Howard introduces Conan the Barbarian, King of Aquilonia, battling treason and supernatural menaces to secure his throne. This seminal tale blends vivid action with dark magic, showcasing Conan's brute strength and cunning in a fight against corrupt forces.
Keywords
Conan, Treason, Magic
NOTICE
This text is a work in the public domain and reflects the norms, values and perspectives of its time. Some readers may find parts of this content offensive or disturbing, given the evolution in social norms and in our collective understanding of issues of equality, human rights and mutual respect. We ask readers to approach this material with an understanding of the historical era in which it was written, recognizing that it may contain language, ideas or descriptions that are incompatible with today's ethical and moral standards.
Names from foreign languages will be preserved in their original form, with no translation.
Chapter I
Know, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars — Nemedia, Ophir, Brythunia, Hyperborea, Zamora with its dark-haired women and towers of spider-haunted mystery, Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem, Stygia with its shadow-guarded tombs, Hyrkania whose riders wore steel and silk and gold. But the proudest kingdom of the world was Aquilonia, reigning supreme in the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.
— The Nemedian Chronicles.
Over shadowy spires and gleaming towers lay the ghostly darkness and silence that runs before dawn. Into a dim alley, one of a veritable labyrinth of mysterious winding ways, four masked figures came hurriedly from a door which a dusky hand furtively opened. They spoke not but went swiftly into the gloom, cloaks wrapped closely about them; as silently as the ghosts of murdered men they disappeared in the darkness. Behind them a sardonic countenance was framed in the partly opened door; a pair of evil eyes glittered malevolently in the gloom.
Go into the night, creatures of the night,
a voice mocked. Oh, fools, your doom hounds your heels like a blind dog, and you know it not.
The speaker closed the door and bolted it, then turned and went up the corridor, candle in hand. He was a somber giant, whose dusky skin revealed his Stygian blood. He came into an inner chamber, where a tall, lean man in worn velvet lounged like a