Texas, Being: A State of Poems
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About this ebook
Selected by Jenny Browne, 2017 poet laureate of Texas, these poems draw a picture of one of America’s vastly sublime yet most audaciously independent corners. In these diverse voices, the state is a lovely and painful contradiction of space and meaning. Texas is a place “where blind catfish cruise” and wild asters grow. It’s a frame of mind where Jenny Boully writes “the history is unending” and Mexican American studies professor Christopher Carmona can “feel the slowness of time.” Jorge Luis Borges wrote of it as “an endless plain / Where a man’s cry dies a lonely death.” Victoria Chang writes that “there is so / much sky that even birds / get lost."
Andrea “Vocab” Sanderson describes her hometown as a “fiercely loving city tougher on the outside / but smooth as pecan shells,” and Naomi Shihab Nye reminds us to “be patient, sure there’s lots of bad around, / but more room for good too, with all this empty.” Whether it is Joshua Edwards imagining his photographer father or Primo Feliciano Marín’s declaration “Hail Texas, fraught with charms unknown,” these voices, past and present, give us a glimpse into the poetic soul of the nation’s most willful state.
Poets include Robert A. Ayres, Curtis Bauer, Jan Beatty, Layla Benitez-James, Jorge Luis Borges, Jenny Boully, Catherine Bowman, Susan Briante, Bobby Byrd, Christopher Carmona, Aline B. Carter, Rosemary Catacalos, Victoria Chang, Hayan Charara, Joshua Edwards, Tarfia Faizullah, Carrie Fountain, Vievee Francis, Mag Gabbert, Miriam Bird Greenberg, Lucy Griffith, Aaron Hand, Fady Joudah, Jim LaVilla-Havelin, Emma Lazarus, J. Estanislao Lopez, Primo Feliciano Marín, Pablo Miguel Martínez, Walter McDonald, Jasminne Mendez, Townsend Miller, Ange Mlinko, Naomi Shihab Nye, Shin Yu Pai, Cecily Parks, Emmy Pérez, Octavio Quintanilla, Iliana Rocha, Andrea “Vocab” Sanderson, ire’ne lara silva, Jeff Sirkin, Margo Tamez, Lao Yang, Loretta Diane Walker, Emily Winakur, and Matthew Zapruder.
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Texas, Being - Jenny Browne
INTRODUCTION
She was in a state, one might say, to suggest strong feeling. Or I state my case, when we’d like to put somethingclearly and be heard. In music, too, one can state a themeor melody. Some of these poems are about the musicof their languages. One concerns a hedgehog cactus,another a roller rink. From Happy, TX
to Palestine,Texas,
and from seashores to skeletons to Selena. Some speak to our dead. Some to the sun. Others tothe omissions of history. All are in one way or anotherabout Texas, but as I like to tell my poetry students, goodpoems are always about more than one thing.
I borrowed the title for this book from the first poem I remember writing after arriving in the brutal and beautiful state I call home. My own poem is small in size, but she drives fast from human thirst to sharpened violence, from borders to allergies, from a far horizon toward a closer look at some roadkill.
Texas, Being
where blind catfish cruise
limestone caverns
from deeper we drink
while a man sweets tea
with his knife stirring
all the way down
border fires
making breathing a geography
mountain cedar
floating pollen fevers
bones in the road
sun bleached
possum grin just missing
the curb where she
like all the modern girls
paused to consider
her inventory of elsewhere
because we can
drive ten hours and some
how still be here
Ultimately, I believe this poem—like every poem in this book—is also about distance and intimacy, momentum and stillness, and all the inheritances and surprises of still being here.
And here too, here too, here too …
When I Stopped at the Exxon in Jourdanton
for Tom Walters, in memoriam
ROBERT A. AYRES
When I stopped at the Exxon in Jourdanton, where blue men in plastic booths talk, or sip their coffee, or spit tobacco in styrofoam cups, I thought of you
When I drove the patched roads past producing leases with yellow flags Warning: Poisonous Gas,
And when I got to the farm, and the lock had been changed, and I didn’t have the key to get in,
And the roadrunner atop the gate post scampered down and ran away clattering Trespasser! Trespasser!
And I wrestled the welded gate from its hinge and hobbled with its unsteady weight,
I saw how green the new leaves are—fresh as wounds;
I saw the string joining the furrows like suture led to the wreckage of a homemade kite gone down;
I saw the mesquite split by the storm last summer late open to the hard grain weathering, and I thought of