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    I'll Never Get Out Of This World Alive: A Novel
    I'll Never Get Out Of This World Alive: A Novel
    I'll Never Get Out Of This World Alive: A Novel
    Ebook260 pages4 hours

    I'll Never Get Out Of This World Alive: A Novel

    By Steve Earle

    3.5/5

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    “I’ll Never Get Out of This World Alive is like a dream you can’t shake, offering beauty and remorse, redemption in spades.” —Patti Smith, singer-songwriter, poet, visual artist, and author of Just Kids

    Doc Ebersole lives with the ghost of Hank Williams—not just in the figurative sense, not just because he was one of the last people to see him alive, and not just because he is rumored to have given Hank the final morphine dose that killed him.

    In 1963, ten years after Hank’s death, Doc himself is wracked by addiction. Having lost his license to practice medicine, his morphine habit isn’t as easy to support as it used to be. So he lives in a rented room in the red-light district on the south side of San Antonio, performing abortions and patching up the odd knife or gunshot wound. But when Graciela, a young Mexican immigrant, appears in the neighborhood in search of Doc’s services, miraculous things begin to happen. Graciela sustains a wound on her wrist that never heals, yet she heals others with the touch of her hand. Everyone she meets is transformed for the better, except, maybe, for Hank’s angry ghost—who isn’t at all pleased to see Doc doing well. 

    A brilliant excavation of an obscure piece of music history, Steve Earle’s I’ll Never Get Out of This World Alive is also a marvelous novel in its own right, a ballad of regret and redemption, and of the ways in which we remake ourselves and our world through the smallest of miracles.

    “In fine songwriter fashion, [Earle] relies on the familiar forms—verse, chorus, verse—to create this Texas noir.” —The Washington Post
    LanguageEnglish
    PublisherOpen Road Integrated Media
    Release dateApr 18, 2011
    ISBN9780547549040
    I'll Never Get Out Of This World Alive: A Novel
    Author

    Steve Earle

    STEVE EARLE is a singer-songwriter, actor, activist, and the author of a Los Angeles Times Book of the Year, the story collection Doghouse Roses. He has released more than a dozen critically acclaimed albums, including the Grammy winners The Revolution Starts Now, Washington Square Serenade, and Townes. He has appeared on film and television, with celebrated roles in The Wire and Treme. His album entitled I’ll Never Get Out of This World Alive was produced by T Bone Burnett. He often tours with his wife, singer-songwriter Allison Moorer.

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    Reviews for I'll Never Get Out Of This World Alive

    3.5/5

    98 ratings15 reviews

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    • 4/5
      I enjoyed the heck out of this book. I had no idea what to expect going in. I'm a fan of Earle's music, so I figured the writing would be at least okay.

      Instead, I got a wonderful story that straddles the line between bleak and hopeful. And the audiobook version has a great bonus, but also serves as the only major downfall--Steve Earle reads his own book, which, for about 90% of the story, is great, with his accent and pronunciations serving only to pull the reader deeper into the world.

      Where it falls down is when the story moves to the better spoken folk toward the end. Earle's writing is still great, and the words they speak are perfect, but Earle seems to stumble at times. I'm not saying he can't speak clearly, but the words simply don't seem to fit his mouth as well, and the story doesn't go with the same flow.

      However, for the most part, this is only a couple of chapters, and the rest of the book is heartbreaking and funny and stupid and poignant.

      Read it.
    • 4/5
      It's 1963 and Doc lives in a boarding house in the worst neighborhood of San Antonio. There was a time when he was a real doctor, even traveling with legendary Hank Williams to give him shots of painkiller whenever asked. Doc turned out to be Hank's last doctor, with the singer dying on Doc's watch. That was ten years ago, and now not only does Doc have a tremendous heroin habit, he pays for his drugs by performing abortions on the local prostitutes and sewing up stabbing victims. He's also being haunted by Hank, who blames Doc and drops in often to remind Doc how of how bad both their existences are. Then young Graciela is brought to Doc and abandoned. Her own body heals at a remarkably slow pace, yet within a few months, Doc and many others notice that it only takes a little time in Graciela's presence for the illness and wounds of the afflicted to disappear. I had a little more trouble summarizing this plot than usual. It's complex, almost noir at first, then sorta surreal, and going between Anglo and Mexican cultures, drug culture and using Hank Williams as a character who is still simmering mad about his death. You may recognize the author's name as he's a well-known singer/songwriter.
    • 4/5
      the song of the same name was written by Fred Rose and Hank Williams Sr (1952) and performed by Hank Williams.
      -------------

      Doc Ebersole a defrocked physician, wracked by morphine addiction is haunted by the ghost of Hank Williams.
      Doc was allegedly the last to see Hank Williams alive ten years earlier.
      He's an illegal abortionist/"emergency" physician in a seedy section of 1960's red-light district on the south side of San Antonio.

      Graciela, a young Mexican immigrant, is brought to the neighborhood in search of Doc's services.
      Miraculous events begin to take place......

      Narrated by Steve Earle and written in street language, characters are colorful and free of stereotype.
      An easy read/listen.... ★ ★ ★ ★
    • 5/5
      The audio book, read by the author, was amazing. It is a great story.
    • 4/5
      Love Steve Earle's music (not so much his politics). This story is told like a song he might write. Gritty, raw, humorous. I liked the characters, but sometimes the dialog was a little hokey. I hope he writes more.
    • 4/5
      Doc is a heroin addicted former medical doctor who can't start his day without a fix. He provides medical care to people who can't go to an emergency room or doctor's office. He's also haunted by the ghost of Hank Williams. I'm not sure if the ghost really is Hank Williams or Doc's conscience or something else made up by Doc during one of his trips.Graciela is an 18-year-old, non-English speaking Mexican girl, who is dropped off with Doc for an abortion by her scum-of-the-Earth boyfriend and never picked up. Her strong faith helps her to adjust and trust. Together they forge a friendship and she helps Doc take care of the community in ways he could not have imagined.This story and Steve Earl's narration, remind me of James Lee Burke's Dave Robicheaux series. It doesn't have the action and fight scenes and the story is not as tight as a Burke novel, but I think the hot setting and the gravelly sound of Earl's voice just put me in that frame of mind.
    • 3/5
      An OK attempt at magical realism but ont on par with The Hummingbird's Daughter or One Hundred Years of Solitude.
    • 2/5
      Love Steve's songwriter, but novel writing needs a little more practice.
    • 4/5
      Doc is a screw up, a heroine addict haunted by the crooning, grumbling ghost of Hank Williams. He's resigned to his existence as a peddler of cut-rate health care and illegal abortions in the back room of an old boarding house. Until he meets Graciela, a young Mexican woman, abandoned by her lover in Doc's hospital room. After incurring a cut on her wrist that won't stop bleeding, miracles begin to happen. Doc begins to find peace in his life and Ol' Hank ain't happy it. A gritty tale set in 1963 underworld of San Antonio, Texas, I'll Never Get Out of This World Alive is lyrical in its descriptions of dope hustlers and prostitutes living down on their luck, just trying to get by. People are people in this book, and allowed to be both good and evil all in the same day. Doc is a straightforward, no nonsense kind of guy, who believes he's going to hell and has decided to not be too much worried by it. He's a man swallowed up by the lonesome of living in the world, which is in part why Hank haunts him, as they share that in common. I think I'm rather in love with this book, and even more so for listing to Steve Earle read his own story. He has that kind of gravely, down home, singing lonesome voice that makes your heart ache, which is no surprise, as Earle is also a Grammy award-winning folk singer.
    • 4/5
      Steve Earle is a problem for many a blue collar Republican. He started out making music by looking and sounding a lot like them, his songs about making a better life, patriotism, love won and lost, and God, resonated and they were hooked. Mostly they still are, only along the way Earle's experiences of heroin addiction and prison altered his perspective as his life was touched by injustice and the oppressed. He couldn't ignore it.His brilliant first book, Doghouse Roses, comprised of short stories mostly developed from his song writing, themes familiar to fans and to those who like his music yet but can't stomach his forthright politics and championing of the 1%.His detractors need have no fear of his first novel as he has avoided preaching and concentrated on pure storytelling, indeed he has very skillfully, and non judgmentally, navigated his way through both sides of a number of debates not least those concerning abortion.In I'll Never Get Out Of This World Alive, using his love of common man with all of his flaws, and experiences of a side of life most readers will never have to come close to experiencing, Earle has crafted a solid story adorned with intricate details.Rather like a virtuoso musician however it is the notes, or details, which Earle leaves out which are often most important.Set in early 60s Dallas, the three principal characters are the protagonist Doc, his devotee the curandera Graciela, and Manny his dealer.Doc is a struck off medic forced to live off the only skill he knows as a back street abortionist and self taught surgeon to no goods wishing to avoid hospitals at all costs.He succombs to a life of drug dependency and requires daily fixing of increasingly more dangerous doses to function and work to live and feed the habit.Doc is terrorised by the vision of Hank Williams who we are led to assume perished at the hands of Doc although it is also likely the end was nigh before Doc administered a fatal dose of morphine.It is my reading that rather than a ghost visitation the appearance of ol'e Hank is a trippy hallucination driven by Doc's troubled conscience and therefore the vision takes on a sinister personality.Earle does assume in the reader a certain prior knowledge of Hank Williams and his unfortunate end. and the portrayal of Williams may be misinterpreted but I'm sure Steve was aware of that possibility when overlaying Doc's guilt onto his nightmare vision of Hank.It is when the more more wordly yet mysterious young Mexican immigrant Graciela appears for an abortion, literally dumped with Doc by her loathsome boyfriend, that life begins to turn around, slowly and painfully, for Doc, and for a cast of characters surrounding him. The consequent push and pull with Hank is redolent of the effects of cold turkey. Graciela is the miraculous yang, Hank the demonic yin.There are many turns and sub plots, and a cast of characters which include a black transvestite prostitute and a sinister Catholic priest, before we find out if yang defeats yin for Doc, and if he finally makes peace with his conscience in the form of Hank.The journey to redemption for Doc, Graciela and Manny is beautifully told by Earle with great knowledge of the extraordinary time and place, and well researched input of Mexican healing and spiritual traditions.A cameo of the Kennedy's visit to Dallas seems an unecessary sideshow but I can only assume Earle intended its inclusion as a place and time setter to aid the imagination. It adds nothing I could ascertain of substance to the plot other than suggestions of fascination with Jackie and a subliminal connection to Graciela's prescience, and a quite bizzare and a scarcely believable daytrip for the principal characters. It is a very minor criticism of a wonderful novel which deserves to be read widely and hopefully marks the beginning of a regular outlet for this talented writer to express his visions beyond what is possible in a four minute song.There's no hard core socialism here only balance and heart felt experience from this hard core troubadour, and a finale of surprising sensitivity and extraordinary vision.
    • 4/5
      This is the story of Doc, a heroin addict, who is down and on his way out and South Presa Street, San Antonio, Texas. Doc has lost his license but still manages to make enough money with his profession to get himself ‘straight’ every day. Doc does abortions. Doc is also haunted by the ghost of Hank Williams. This story is filled with wonderful characters. It covers the shooting of President Kennedy, explores Catholicism and Mexican native shamanism. It actually covers so much but yet remains completely entertaining. I am so glad that I read this book by Steve Earle, singer-songwriter, actor and activist. It was reviewed and rated 5 stars by Susan T in June and I just wanted to read it and I finally did. I liked this book because of these elements1. Hank Williams, I remembered the movie back in 1964 that I just loved.2. The shooting of President Kennedy November 22, 1963. 3. Abortion. This book covered it so well. It didn’t condone abortion but it certainly gave the people faces.
    • 3/5
      I didn't like this novel at first. The story started poorly for me and the whole Doc and Hank Williams' ghost thing could have doomed it. It is an integral part of the story and I didn't like it one bit. Luckily Graciela came along and was the salvation of the novel, among other things.2 1/2 to 3 stars (that's 1 star for the Hank Williams stuff and 4 stars for the Graciela share of the book)
    • 4/5
      I'll Never Get Out of this World Alive tells the story of Doc, a wrecked doctor who has had his license revoked, doing whatever work he can get to fund his morphine addiction, mostly illegal abortions with a few bullet removals thrown in. Haunted, literally, by the ghost of Hank Williams, Doc spends his days in San Antonio arguing with the cantankerous ghost and biding his time before morphine hits. When a pregnant, young Mexican Graciela is dropped on his doorstep she brings with her a strong faith and the ability to heal in mysterious ways. Hank isn't pleased, but Doc is smitten with Graciela and ignores the displeased ghost at his own peril.This book is the best of modern westerns! Doc is gruff and rough-edged but has a heart of gold. He and the his equally sketchy companions all fall hard for the beautiful and mysterious Graciela. As her magic takes hold and they begin to heal and better their lives the reader can't help but wonder what Hank Williams will do next. The classic characters are all there from the boarding house madam and the downtrodden whores to the domino playing drug dealer and his nemesis the corrupt cop. I found them all growing on me as the story progressed and by the end I was hooked. I listened to I'll Never Get Out of this World Alive on audio, narrated by Steve Earle himself. Oh! What a voice! It is worth listening to the book just for the 7 hours of deep, choc lately, gravely baritone. He absolutely brings Doc to life as a soft man living a hard life.
    • 4/5
      My boyfriend's a fan of the singer-songwriter Steve Earle so I took notice when I started seeing reviews of the release of his first novel. Known for his strong storytelling in his early music, it's no surprise that Earle delivers a beautifully written, well-structured, gritty novel. Lead character Doc is a heroin addicted doctor forced to support his habit by performing illegal abortions in 1963 San Antonio, Texas. Doc is haunted by his former friend, the now dead Hank Williams, who regularly appears to Doc when he's under the drug's spell. Hank wants something from Doc and it's not until Doc meets a lovely young Mexican girl who's sought his help that Doc begins to find hope and love. I had to suspend belief over aspects of the book: lots of religious tones here and the rather absurd notion of such a tight, loving community of drug-pushers and prostitutes and Earle's obvious political bias. But, it's a really good story and it's got me listening to some even better music.
    • 5/5
      Magic and hope in the most unexpected of placesI have no idea why I started reading this novel. Sure, being named Best of the Month on Amazon and the starred review in PW caught my eye, but the book’s description just seemed unappealing. Still, I had a copy in hand, and it was invitingly short. I suspect I started reading merely to cross it off my to-do list. Holy happy surprises, Batman! This novel is going to be one of my favorite reads of the year, and surely the most unexpected. Who would ever believe a novel populated by junkies, prostitutes, and drug dealers could ever be so uplifting?The novel opens on the wrong side of the tracks in San Antonio, Texas in 1963. At the heart of the story is Doc: “He was Doc. Just plain Doc. With the exception of just a few isolated incidents involving the local constabulary, it was the only name he had answered to in years. Nobody on South Presa knew him by any other name.Somewhere back in the Orleans Parish courthouse there was a fading piece of bond paper with an official-looking seal attached that said his name was Joseph Alexander Ebersole III and that he’d been born alive at 10:37 on the morning of January 17, 1910. The same name appeared elsewhere in the state archives as Dr. Joseph A. Ebersole, but there was an ugly red stamp across the face of the document declaring his license to practice medicine in the State of Louisiana had been permanently revoked.”Doc’s been feeding a morphine habit for decades now. Having lost everything, he’s made a home in a disreputable boarding house. He supports his habit by practicing back street medicine, performing illegal abortions; treating gunshots, knife wounds, STDs, and a variety of commonplace ailments. Early in the story, a Mexican girl named Graciela is brought to him for an abortion. Things get a bit dicey, and she requires some recovery time in his care, but it quickly becomes apparent that the thug who brought her in is never coming back to claim her. And so Graciela stays, and there is something of the miraculous about her, because she seems to affect everyone she touches for the better.How the ghost of Hank Williams fits into this story is perhaps more than I’m prepared to explain in a brief review. Suffice it to say that there are elements of magical realism in the novel. And the story feels magical. This is not a light, whimsical tale—though it has its moments. The depiction of the hell of addiction is nightmarish, conveyed effectively by a writer who knows. No, a novel set in this world can only be so happy, but debut novelist Earle has peopled his story with indelible characters. In his capable hands, the dregs of society are fully humanized. Oh, and for those who are wondering, yes, the author is the musician, actor, playwright, and political activist Steve Earle. How is it possible I was previously completely unfamiliar with this Renaissance man? Well, rest assured, he’s on my radar now. I’ll Never Get Out of This World Alive is the strongest debut I’ve read in quite some time. Earle’s use of language is simply a joy to read. The subject matter of this story brought John Irving’s The Cider House Rules to mind, as both are period novels that deal in part with illegal abortion. Irving’s novel is an epic, while Earle’s is barely more than a novella. And the stories told couldn’t be more different. And yet… Mr. Earle may have captured a bit of Mr. Irving’s tragicomic tone. And any comparison to John Irving is the highest praise I can offer. This is not the happiest story, but by the end, you’ll be feeling hopeful and very grateful to have picked up the book.

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    I'll Never Get Out Of This World Alive - Steve Earle

    n_ebook_preview_excerpt.html\˖Fȋ dmOHGKDzu\2 $I$WӛYβ=_2OgcH"7n<_<ԇX㇏sq3;_|>?럿^)~曟oP> n11PM/o|b?u,v!nP~;?70ayM7uWvCa,NǺ;_wyS<~x&_`-M?vWÇm&힟N=a[b]>=/wEc0EFׄ_Cݍj&`H Ɣp7&y5M᳡8 1dt CSq4h~e vϿzxG_\}z}-ϱ.ko:mx[\7MZu٣/Ͽ/~%1'a:WOM_'Gty]=泧On_O|fZg}T'_~%O>']}{}ѓY ?=OT}9;MΟ||/qp2uWP ӿzrS|>y??8BM]<#~(>1uu5w6bpvJ *;RTV*L+Z\qrm5͠-808٧u(aw-PXF3E,Z8X` =6UaW]حCpc?9"/#v]yU8u6֕CM Xȥ⣺mAnaA4?NxTW=k=T:wa[`h7&i5 ν$rpj#vjdQic҄Y3@Ý  U(-3܍58pE<iszonГx&X7'{xg &BO5m? -bFsI3dAY o#ȶv'nбA'&Ճ-3 VIQӪ^ᎏr4;hČ%JyAsX"ЌNǙ ͳ7Nڌ/ۼl@UЮ9a9^5t&O'<h0JZ B5 ~br-\l4~[ 1{qvIߪ?MV@ t^+7] HӸ(I 1WTbʶYB Qh{`z0*7i\,<~ :&sFbZiX:,"pkKb$ }Fr) =6)貨S8n /ȑ#ۏT?!YCCz)k7HI;d<-O%nڵF"8u,:o@X&nIfqa؃X.f/'v1bpUVgH?۫8Ψ:Unt8?i-6℅maP;}Wi308hpd^0q e`&k |u=W Dr> w<Πjg=}H4T#iDD~E/',^&0Ӎ0?8^+ dkq?5EQ _?D]!V~<50c?rW]&YYs; ( w b²q=qEo @,z(z̢Q5&YKhR " B{v5 $0]rB ld[{siǎ'q^]Z?T6tݼ=V$h8s_foqrP Tb c"f )VY݁cK6Ԏm~H9 #B6 q-9j /:lPfU֫-@]=w,PM ӾJL%AJ3D=y~%wuo%|ɠ k*ce8) l$gQ C 6VnG6S'@~SfTFN]?їڴw 2=aMK*x)G WwY҃-MOz6=#Ac b%l@vqXg{98p&RmrAevBu52)+SDv1jc4$/a^:sawܨ0W6>:7itWTuxJq0t?0n (NK1Xo~8s8~o8#nV<3q?TFdW$=L`8+KWЏBIt qҔ2,UKK7`Cz(R龫SB@u\"23yM~As ~2H8I y r-;Wo\י}ǟ16rXI>r4 I's!v$%G&k t0q@S|afX_J'dh1zċߝ7FQr`mS0O) H(bKt4Sp@{)\!kWs)PUWoK'{jpQɽ=2PP5kyFԶraR˶"ٓG2KWE,m$=4,Ĭ8m!~5>"A9&9%e$ukF[vᴱ($ǣ͠{H k"? lw DW&oVCCxuwǻtrt0wtu&R(CxO8BLsMGcFt;YڿIu!>>IR,|5mM t_Ե;ҁـK?ɀa- :'%ܒ7ܔ< !{>L]MVna_ә`ڌci  K:U`vUCPL!rx&IKf4sҪACH 3Iq {rTey,;dreg S( 7#TL^dwz',ȾYx#! |EiG?Ӌ. si˒MZ:]>boV>LBQӴ(v=F^KbaĦSZoiH- gd9ȄAˬi#Ӝ)?qShgb£;OMIbb~|Kyhm ݮaLݙUY_LYۃl9*b֔T(ٷRHˠZ^V^k N'qsj_ҡmI%|E5$]$jE&RIpx6"ɴpXjgۋґO "~ )ɐZ ]&݇Bs02OmZ&Jx`g/rڭv -:`Ŭ !ЪgUࡼE]r 1uVVqͭ2nn2;f沔ardTd""jzųr;d֍lQs X,{[gA,)iK؅$%c0T1H;X\B|wQ'5 p a 30o ı̰pcIh*"!6!D/,ԥ cEhqtoyUVq݉GPmo-E拸j3At"RLE3Hh4Ne0wx%0-GeREV(8'ȰR9v݈aVy% >H~2\dn7\:%â2IYRТjjiYir^憂.e\?Ś)cf e ί̯nٲh,0I-06"cnXЩ"&*OVCN5u*(P g'w%h366YOu22@9 .IL09q8TN%$nYɮGJ{홴= 6}{eO67tVsVUJwuɖť4J3w̜$YqDVj;[7fdH U^[{(HL7ڬ_&m!9I$a?̓ʽ,hLjKFm9-%nvwrT-9!"6｟;C"ñ7%XlTؑ++λK%ײ(sIw{C7) m-߲A*m2/seI{q^Jњ|0c?)gQ"~&oZųD2I75F,MG1g;6BбXW3+E䚼yT=g&`yZ@ٖPj -3*A;gɓ3ֵnv&mĉF)2MZV~m-@5K?#45|;m,} Vh$c/,moA Gf&m7nRI9`9f2:kf̥; a>Ώ F7W`ݨeU$ȡ +L:-"'p}?bXqfjj1)Xq~iWt0"sm,_.ٚl6wX) 96prm T\Lq9gbȕEy؃czר .GH2#i~Ţo?X m3XOmTFߏWM^E{, ï:5K6,6:_Ξ9\M>AG7wê"|Ͻ9Tx,N f٫aΫYL$W!تNdMvQ*0Cz;IwfuJX*Z(,`)؟X+!zUdk8w>"J7V8e12zfSO@\D=az֍<;W+s ,V _9ejN6~iڹ_<֭t'Ց:W5fuÃ~ԗTZ"0짹ϙ[,yV<_O#$jn(!D_aPLY:>Ql0_SEOC{s*T`U <17S*_ .KȥXUi"Gpbb#|Z@3sR*ጓrWit.8VpbY.-ء~:!iZ= Y:lNKRz;.ȋ&&yB{Z0&2)b\dm fRT[@f] >M*U:o0`MMٍ[M9Aqc'=uujVY4JaUUj@&yVSf55૚ƚl̆jj8jxIJDLY]cSڄE:\H=]ެHUvp vn$';M-˩=X商HDV+_ zѥas^]{$-4vOfՊ=[DUOvDW%L2WDJk>k~)W`nΛ$&'Ki'= rץ;iz"٭{kZ vv,L@[T2 һZɴSk[euic94X^Bzi87)`咬/d|ѱ@RqG/aVi*3vFUH8W6.Kc6vq utztSGgrºM^ZѼ/|׌ ZmIaF3Ō/^!Zj'LQGl^d˩`l\X\v|HAťc%M18jl2[#!X H\7w/S*c S;JmݙjX N2Q;KmM&ɒJ9"ǚ)nMEݮn٭H29>aq!+,41KNsѨU2&d,tu]l[ ~ʺY4Zݦ]/ߵ:~InwwàvCCN]8&'kߪ7'"3[dǃO>a݁SZ-uї{a_`!é\l{3`.?-m&n uyOI n~;l/$L΅v \o-+I哭;^åN=VvМo"e4NIt bϪр[;0U՜ O;bu{@Tr`TJjTJӵY]uPrbJIDo栗F}Пq3a$jS~s`] ;tUaր[F~3Zud]\t6"sf{zI39scYֈ+w茀0Vۤ&ݎ0:,d]!|*Dw=oTEE,ðՍ1[vܶ{vW%lq\FoѐPNq\n7|Rݼ?2f&qb|aF$_GT7՘.SJgqp njGĞs0?LtK2b&Bd֛ϊ^x3tƳ&{/࡯SW&_2! |ZX xQG6oGLj\ܓ3kaٖ,$ c}OHP!BDdbK@ŋ9:/l2CVu%6K'姰WwϺ@Y>䶱%O WCqž]tQ rDɥ7n8oLK/TN S>Hwń"N&Rw5ܿ%/N-f/ǫV[ eneh\i͞YDa~S^eNMĘJ~J;u.da%1.vKgϥ3MJR?Hq,7יj.}1ꗦ3ȹc5p;Tώ3 IJ7su'Y*J\_R
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