Marching to Zion: A Novel

By Mary Glickman

A family of Eastern European refugees finds a home in racially charged St. Louis in this sweeping historical novel from a National Jewish Book Award finalist.

In 1916, Mags Preacher arrives in the big city of St. Louis, fresh from the piney woods, hoping to learn the beauty trade. Instead, she winds up with a job at Fishbein’s Funeral Home, run by an émigré who came to America to flee the pogroms of Russia. Mags knows nothing about Jews except that they killed the Lord Jesus Christ, but by the time her boss saves her life during the race riots in East St. Louis, all her perceptions have changed.

Marching to Zion is the story of Mags and of Mr. Fishbein, but it’s also the story of Fishbein’s daughter, Minerva, a beautiful redhead with an air of danger about her, and Magnus Bailey, Fishbein’s charismatic business partner and Mags’s first friend in town. When Magnus falls for Minerva’s willful spirit, he’ll learn just how dangerous she can be for a black man in America.

Readers of Mary Glickman’s One More River will celebrate the return of Aurora Mae Stanton, who joins a cast of vibrant new characters in a tale that stretches from East St. Louis, Missouri, to Memphis, Tennessee, from World War I to the Great Depression. Hailed as “a powerful reminder of the discrimination and unspeakable hardships African Americans suffered,” Marching to Zion is a gripping love story, a fascinating angle on history, and a compelling meditation on justice and fate (Jewish Book Council).

• Language: English
• Publisher: Open Road Media
• Release date: Nov 12, 2013
• ISBN: 9781480435605

Mary Glickman

Born on the South Shore of Boston, Massachusetts, Mary Glickman studied at the Université de Lyon and Boston University. She is the author of Home in the Morning; One More River, a National Jewish Book Award Finalist in Fiction; Marching to Zion; An Undisturbed Peace; and By the Rivers of Babylon. Glickman lives in Seabrook Island, South Carolina, with her husband, Stephen.

Book preview

MARCHING TO ZION

Mary Glickman

For the lovers,

their arms around the grief of the ages

Contents

Epigraph

LET THOSE REFUSE TO SING

St. Louis, Missouri, East St. Louis, Illinois, 1916–1918

I

II

III

IV

MARCHING THRU EMANUEL’S GROUND

The Road to Memphis, 1918–1924

V

VI

VII

VIII

BEFORE WE REACH THE HEAV’NLY FIELDS

Along the Mississippi, Before and After the Flood,

1923–1932

IX

X

XI

A THOUSAND SACRED SWEETS

The Road to Ruin, 1931–1933

XII

XIII

XIV

FAIRER WORLDS ON HIGH

1934–1936

XV

XVI

XVII

XVIII

Preview: By the Rivers of Babylon

Acknowledgments

About the Author

Marching to Zion

Come, we that love the Lord,

And let our joys be known;

Join in a song with sweet accord,

And thus surround the throne.

Chorus: We’re marching to Zion,

Beautiful, beautiful Zion;

We’re marching upward to Zion,

The beautiful city of God.

Let those refuse to sing

Who never knew our God;

But children of the heavenly King

May speak their joys abroad.

Chorus: We’re marching to Zion,

Beautiful, beautiful Zion;

We’re marching upward to Zion,

The beautiful city of God.

The hill of Zion yields

A thousand sacred sweets

Before we reach the heav’nly fields,

Or walk the golden streets.

Chorus: We’re marching to Zion,

Beautiful, beautiful Zion;

We’re marching upward to Zion,

The beautiful city of God.

Then let our songs abound,

And ev’ry tear be dry;

We’re marching thru Emanuel’s ground

To fairer worlds on high.

Chorus: We’re marching to Zion,

Beautiful, beautiful Zion;

We’re marching upward to Zion,

The beautiful city of God.

Isaac Watts, 1707

LET THOSE REFUSE TO SING

St. Louis, Missouri, East St. Louis, Illinois,

1916–1918

I

Mags stepped back into the street to see the building before her in its entirety, all five stories of it. Mags had never been inside a building that tall. She marveled that the fifth floor kept from crashing down into the first. The sight and wonder of it dropped her jaw and dried her mouth. Behind her, carriages, carts, horsemen, and motorcars raced by on urgent business, raising dust in great yellow clouds, and the dust entered her lungs through her open, dried-up mouth so that she staggered backward and set to in a coughing fit. Mags was a country gal, ignorant of city folk, their hustle and bustle, their common lack of caring about anything but their own affairs. Though not a single beating heart that passed gave two hoots she’d lost both her dignity and her respiration, she was deeply embarrassed to be seen doubled over trying to catch her breath at the side of the street, equines and vehicles swerving around her. Her lean cheeks burned hotter than if she were in a choir about to sing a new hymn without a songbook. Suddenly a strong arm went around her waist. A deep, silken voice murmured directly into her ear just loud enough for her to hear: Are you alright, darlin’? Let’s get you out of the street. Would you care to set down and have a little water or somethin’?

Mags pulled away as hard as she could, startled out of her cough and into a ragged wheeze. She stood heaving, her bony back at a right angle to her knees, her head cocked to stare up with eyes wide as a bug’s at the man who would expedite her fate for the next number of years, and so saw him that first time sideways, an omen for what passed between them if a sign unrecognized can be called such. What she saw was everything folk back home told her to avoid like wildfire in St. Louis—a handsome man, dandified in silks and bright cottons, a gardenia his boutonniere, a gold tooth illuminating his wide, welcoming smile. His skin and hair were as shiny black as the ebony knob of his walking stick, and his eyes were a startling, sparkling green. She heard the voice of her cousin Aurora Mae warning her. Watch yourself, Mags, with those trussed-up city men. There’s ones specialize in hypnotizin’ little brown rabbits like you. Exchange but a word with one of those and all your hopes and dreams will be forever gone.

Mags did nearly everything Aurora Mae told her to do. The woman was a goddess to her, despite the fact that Mags was five years older and should have been the senior cousin, dispensing advice and commands by birthright. Determined and intelligent, Mags had taught herself to read and write. Whatever humble letters Aurora Mae possessed, Mags had given her. Still, there was the matter of blood. Aurora Mae’s blood was near pure African on her granddaddy’s side. She was proper owner of all the land on which he’d invited the family to settle after Emancipation. Even if Aurora Mae hadn’t looked the way she did—impossibly tall and lean with skin as black as a moonless, starless night with firelit eyes and a full purple mouth, all of it surrounded by a mass of rich, thick hair that had never seen scissors—Mags would have followed her into the jaws of death. She was a queen among women and men, too, a queen who knew everything the old ones did about plants and herbs, which would heal and which would kill, which bring pleasure and which bring pain. If it hadn’t been for her cousin’s encouragement, Mags never would have had the nerve to go to the big city by herself. Yet here she was on a Monday morning facing opportunity and danger at every crossroads.

The man smiling at her was from boots to stickpin exactly the demon she’d imagined when Aurora Mae cautioned her. Mags straightened up. She tried to speak. Her voice, which she intended to be cold and haughty, came out in a croak. I am just fine on my own, sir, she said, and then fell to coughing worse than before. Back went his arm around her, and this time there was no strength left in her to disengage. Out of necessity, she leaned into him and let him guide her out of the gutter and up the front stoop of the five-story building she’d sought since daybreak when she’d arrived on the wrong side of town after traveling half the night knocking between canisters in the back of a milk wagon.

He ushered her into the vestibule and deposited her on a wooden bench set against a wall between two fluted posts. Now, you just set here, he said. He whipped out a keychain from his left pocket and stuck a key in the door opposite her seat. He disappeared for half a minute. Came back with a glass of water, which she took and sipped slowly as it burned going down.

There, isn’t that better? the fancy man said.

She raised her eyes above the rim of the glass and nodded. Thank you, she managed in a raspy whisper.

He chuckled. It was a low, rolling sound he made, reminding Mags of a daddy cooing over his newborn child, and she thought, How could a man who laughs in such a manner be a bother to a girl? It made her feel familiar to him, protected. Besides all that, he’d gone and helped her when she was suffering in a roadway, in danger of being trampled by man, beast, and machine. Mags considered then thought to extend a little trust. She straightened up, holding the water glass primly in her lap, and addressed him using the most formal constructions of language she knew to be on the safe side.

Mister, you’ve been very kind but might I ask you for a bit more help? I am new to this place and require confirmation of important facts before I affect the business I came here to find.

He chuckled again in another warm wave of paternal amusement, which gave her gooseflesh for no reason poor Mags could establish. The man sidled onto the bench next to her. Well, first I think introductions are in order, he said. I am Magnus Bailey, at your service.

Mags nearly lost her breath again, this time from shock. Magnus Bailey? she asked. In truth? She shoved a hand into the little bundle she carried and pulled out a worn handbill folded over four times even. She quickly unfolded it and waved it around a bit for emphasis. This Magnus Bailey?

The handbill was headed up by a drawing of twenty-two ten-dollar bills fanned out, beneath which was printed:

MY MONEY.

IT AIN’T FREE, BUT IT AIN’T HARD TO GET.

STOP BY 343 CHANCE STREET FOR A LUCKY ONE OF YOUR OWN.

~MAGNUS ‘DON’T-TURN-NOBODY-DOWN-NO-HOW-NO-WAY’ BAILEY~

My oh my, Bailey said. Where’d you find that old thing?

Mags opened her mouth to speak, then froze. She wasn’t sure she should tell him she’d found the paper in an outhouse where it awaited standard use. She stretched things a bit.

In back of a store where I had some day work, she said. But you’re him? This moneyman what don’t-turn-nobody-down-no-how-no-way?

Without knowing she was doing it, Mags gave Magnus Bailey a most fetching look. Her well-lashed black eyes went wide, the delicate nostrils of her straight, prim nose flared, and her lips, thin on the top, full on the bottom, remained parted when she was done speaking. Her lower lip trembled a little and her tongue ran over it, then disappeared.

Magnus Bailey appeared to take a breath before speech, but what he really did was succumb to a tiny gasp, a pure failure in his attempt to cover the pang of desire she planted at the root of him. Luckily for him, Mags did not have the experience to recognize his predicament.

Well, yes, that man used to be me, he said in a voice softer and deeper yet. It might be again.

She took a gulp of water for courage and put on her business voice.

Might we go into your office there, then? To discuss a matter of great importance to me?

He was on his feet steering her through his door before she had time to tuck the handbill back in her bundle. The paper fluttered to the floor and floated on the sweep of their movements to a spot under the bench on which they’d sat making acquaintance. Mags turned her head and looked down. Water sloshed over the rim of her glass to puddle on the floor.

As if they were lovers of some standing, Magnus anticipated her gesture. Don’t go after that now, darlin’, he said. Someone will get it later.

They were in his office alone with the door shut. As far as Mags knew, there was no one else on their floor or the whole building for that matter. He brushed behind her so that their bodies grazed. He put a hot hand on her elbow to guide her to one of two upholstered chairs across from his desk. She sunk into it. It was softer than her bed back home. Once he had her seated, he sat himself, put his feet up on his desk, and asked her polite questions about her origins and trip to town, so that she began to relax, chatting amiably, running off at the mouth a little the way country gals will do when they try to avoid sounding sullen or stupid. He listened and nodded then got up from the great oak desk, a grand affair scrolled at every corner and slick as ice on the top. He walked around, plunked himself down in the unoccupied chair, put his long heavy arm against the back of hers, and leaned in to speak.

Now, what was it you wanted that brought you from your people’s piney woods and pleasant fields to this dusty metropolis in search of my money? he asked her.

She twisted in her seat and pointed her bony knees toward him. Lifting her chin to give him what she fancied was her most sophisticated, most solemn expression, Mags said, I wish to start a business, a beauty salon for colored women. Do you realize there simply are none in the colored parts of most towns? I know this because I live in the middle of nowhere, and people come to my home from far, far off just for waves and plaits. Now, I’m thinkin’ I could offer ’em skin and nail treatments, eyebrow pluckin’ and the like, if only I had the know-how. Because I believe with all my heart that our women deserve to look just as finished-up as the white women in the magazines. And it don’t matter how hard times are, a single woman will pay for nice hair and hands on every holiday you can name if she can git ’em for not too much. She’ll find the money somewhere.

She didn’t tell him the single woman she was talking about was herself or that she had no knowledge of how other single women of her class and race felt. She was still young enough to think that if she felt a thing strongly, everyone else must too. She went on telling him about the extraordinary lengths she would go to if it meant achieving her goal. At last, she got to the meat of it.

I’m lookin’ for you to make me a loan of one hundred dollars for my purpose, Mr. Bailey. With part of that hundred dollars, I will contrive to stay in the city and apprentice myself and with the other part, I’ll buy all the supplies I need to start a salon up and git ’em on back home when I’m learned enough.

Magnus smiled and leaned in a little closer, which meant very close indeed, close enough for her to smell what his shirt was laundered in, a thing of violets and sunshine, entirely agreeable. She fought the urge to let her mind drift away on that scent by calling up Cousin Aurora Mae’s warning voice. You’re a good gal, Aurora Mae said inside her head, but you let yourself get distracted all the time. Keep your head on straight and you’ll be alright. Mags used the voice to stick a metal rod up her spine. Her neck stiffened, which kept her mind alert.

And what are you going to give me in return, darlin’? Magnus asked.

She took a deep breath and squared her shoulders. All the ride into town she’d practiced her proposal. This was the glory part she’d figured would drive the deal home. She answered with enthusiasm.

Why, ten percent of my profits until it is paid back and then six month more at ten percent of my profits for gratitude!

Bailey rubbed his chin with the hand that formerly balanced itself on the back of her chair. This was an easy thing for him to do, not requiring so much as a good stretch. He’d moved in that close.

I hardly think that would be enough when there is such risk involved, he said.

He tilted his head and with a professional, critical air, touched her hair, then took up her hands to study their nails.

These are nice, he said slowly. If that’s the kind of work you do, I’m feelin’ better.

He had both her hands in the firm grip of one of his own and moved the one that rested on the back of her chair to a position that just grazed her far shoulder. If he wanted to, he could push her against him in a heartbeat.

She hesitated just a second or two. Her mouth screwed up as she wondered what he might do next. Maybe he was having a joke at her expense. His lips were curled in a tiny smile, but his eyes were serious, his gaze deep and steady. Danger, she thought, I am in terrible danger. She yelped, jerked her hands back, and jumped up from her chair, banging a knee on the scrolled corner of his enormous desk. She bent down quickly to retrieve the bundle she’d laid at her feet just as Bailey stooped to get it for her, and their heads knocked together. Mags yelped again, and this time banged her ankle on a leg of the desk as she scurried to the door.

Oh, dear, dear, dear, Bailey said, rubbing his forehead. We’re getting off on the wrong foot, aren’t we?

Laughing softly at his own wit, he went back behind his desk and sat. He gestured for her to return to a chair opposing him.

Don’t mind me, child. A man has to try, doesn’t he? And now I’ve done so. You’ll have no more foolishness from me.

She stood, straight-backed, in front of the office door, with one hand on the doorknob behind her while the other clutched her bundle against her chest like a shield.

I came here to talk business, she said. We can either talk it with me here and you there or I’ll be gone.

Magnus Bailey’s game stopped short. She was mighty brave, he saw, an innocent ready to face the perils of masculine strength and casual corruption. He had no shortage of women friends. There was no need in him to toy with this one. He felt a touch of shame that he’d teased her and reconsidered her proposition.

When she emerged from the office an hour later, Mags was flushed but her honor remained intact. In one hand, she clutched a scrap of paper on which was written the address of a rooming house for ladies run by a close friend of Magnus Bailey himself. Deep in her skirt pocket, stuffed in as safe a place as she had to store it, was a ten-dollar bill Magnus gave her on loan to help her settle into life in the city. He would not give her the hundred dollars she wanted, but he was prepared to help her stay and find a city job. That way, she could earn the money on her own.

She hit the streets of St. Louis elated, energized, poised for battle against all the evils of which she had been forewarned as well as those she had already witnessed. She felt supremely confident that she had survived—no, conquered—the first challenge of life as a free woman, as a woman alone in the world, a woman away from home. She had resisted the seductions of Magnus Bailey and got a ten-dollar loan besides. Her senses felt sharp, her sensibility refined by experience. She assessed the streets and people around her, making mental notes for the letter she would write to Aurora Mae when she had the chance. St. Louis is jam-packed with rich Negroes, she’d write, and I will soon be one of them. Her judgment, of course, was framed by the poverty in which she’d been raised and against which the meanest circumstances seemed luxurious. Men in threadbare jackets and tattered shirts raised worn caps to her as she passed and she thought, Yes, I surely will be rich one day and marry a gent like one of them. Her spirits were boundless.

To celebrate her success, she stopped at a Negro café for sweet tea and a slice of sugar cake. She lingered over her treat as if she were a lady of leisure with all the time in the world to spare instead of a country bumpkin in search of a rooming house before night fell. She sat at a table by the window to watch the swells go by. She listened hard to the other customers, trying to decipher their citified speech. They spoke of snootfuls and pitch-ins and chewing rags. By the time she stepped back into the street, she felt she might have been in Europe or Asia. Every detail of life was exotic to her. Faced with diversions everywhere, she found it difficult to pay attention to the route she’d been told to take. Two or three times, she got lost.

At such a pace, it was several hours’ walk to the new bridge over the river into East St. Louis and with all the sights and people to see there, Mags took another half hour to cross over. It wasn’t until she reached the desired address that her high-flying confidence collapsed. The first indication she might have fallen into a pot of trouble was when a blond-headed white woman wrapped in a flimsy duster of some kind answered the door, a tired-looking woman with paint smudges under her eyes, plenty of powder, and twin red splotches on her cheeks. She greeted Mags as if she were the coal man or a rag picker. My front door? she barked. What are you doin’ at my front door! Go to the back, you. ’Fore I boot you down these steps.

The door slammed in Mags’s face. Heat came to her cheeks as she trudged around the back with her head down. She muttered to herself. The neighborhood hadn’t looked like it changed from Negro to white by any means. What’d that Magnus Bailey do? Send her to the very edge of the color line ’round here? It plain didn’t make sense. A rooming house that didn’t house her kind. Why would he lend her good money then send her on a fool’s errand? Maybe he’d writ the address wrong? With no place else to go and darkness coming, she knocked on the rear door, then backed down two steps in case an angry man or a mad dog jumped out. The same washed-out blond-headed woman answered. This time she smiled and asked what could she do for Mags, sweet as you please, as if their previous encounter had never occurred.

Magnus Bailey sent me here, Mags said, looking up at her with features guarded by suspicion. I hear you got lodgin’.

Maybe it was the name Magnus Bailey that worked the charm.

Well, why didn’t you say so? Come in, come in, the woman said in a sugary voice, holding open the screen door for her.

Mags trudged up the stairs slowly, hugging her belongings to her chest. She still half expected someone to pop out at her, steal her bundle and her ten-dollar bill, then send her back down the stairs with a well-placed foot. She entered a large kitchen with a pantry and buttery both at the back. She did not know what to call either room and wondered at their purpose. There was a large six-burner, gas-powered stove with the gas bottle attached to its side by a web of iron fittings, along with a cast-iron drawer that allowed the additional fuel of coal or wood. Mags couldn’t smell which. An ice chest marshaled the space to the left, and a sink with a pump-handle graced the right. The remainder of the kitchen was taken up by a long dining table, large enough to sit fourteen people, the chairs of which were occupied by ten women of a class and style similar to the blond-headed one, except that they were Negroes like Mags, women of a variety of ages and shapes, in hues ranging from pitch-black to butterscotch brown. Though it was late in the afternoon, they also wore dusters or silk robes. Their feet were in slippers or bare, and they drank coffee and pecked at plates of eggs like so many disinterested birds.

Mags’d learned plenty from the old handbills, newspapers, and penny dreadfuls she scavenged wherever she could, so that the scene before her caused her no small distress. Lord, o Lord, o Lord, she thought, I am landed in a bawdy house. She turned to run out the door, but it was blocked by the smiling blond woman. Trapped, she thought, I am trapped. Her eyes welled.

What’s your name, gal?

Afraid to meet the gaze of whoever asked the question, Mags kept her head down. Her voice went soft. Margaret Preacher, she near whispered. Back home they call me Mags.

Well then howdy-do, Mags Preacher. I’m thinkin’ you’re a Bible thumper’s child with a name like that. Must be, must be. I’m Charlene, called Charly, and this here is Bethany, called Tawny because, well, look at her, and you’ll know. Come on, child, pick up your head, we’re friendly here.

Obedient by nature, Mags kept her head down but peeped up at the assembled open-eyed as each recited her proper name followed by a moniker won by physical nature or personality. It wouldn’t be difficult to remember the nicknames, as they seemed particularly well chosen. Bobsy had hair tamed into a pile of ringlets on her crown that jigged and jumped with her every move. The shape of Cat's eyes was decidedly feline. Legs was very tall. The corners of Rain’s mouth and eyes had a downward slant, so that she looked perpetually sad, even when laughing, and so on. By the time the women were done introducing themselves, Mags had to admit they were a kindly, welcoming bunch given to sweet gestures and gentle jests among them, reminding her of the cousins back home when they all got together for Sunday supper after church. Against her better judgment, she began to relax.

The woman at the table’s end, a big woman, one of the darkest in

Reviews for Marching to Zion

[rdra1962 · Rating: 2 out of 5 stars]

Started off well, and there were some interesting parts, but the focus on different characters did not work for me this time. Some chapters were fascinating and some were so disjointed that they felt like they had been dropped in form a different book. Totally forgettable.

[mojomomma_1 · Rating: 3 out of 5 stars]

Based in St. Louis and Memphis during the early twentieth century, this novel takes a look at the lives of African-Americans during those times. This novel revolves around an interracial romance.

[gbelik_1 · Rating: 3 out of 5 stars]

I received a review copy of this book.This is a story filled with tragedy from start to finish. The chief protagonists: Minerva, a Jewish girl whose parents were murdered in a Russian pogrom and who has been taken in by Mr Fishbein who is weighed down with the misfortune of losing his entire family in the same catastrophe. They have come to America and settled in St Louis, where his business running a funeral home in a black neighborhood seems to be prospering. Magnus Bailey, a black up-and-coming, charming, somewhat hucksterish business associate fascinates young Minerva. What appears to be a teenage crush transforms into a lifelong love as St. Louis race riots breaks up their home as they all flee--eventually to Memphis, where the plot rolls very eventfully on. There are numerous lesser characters, some of whom are given the time they deserve, but others who are introduced and somewhat developed only to be used as tags to move the plot along.This is very eventful novel which takes its characters from 1916 to 1936 and though some very dramatic circumstances. I occasionally felt that some of the important and emotional plot features should have been dealt with more carefully and at more length. While the main characters are well developed and their lived explored in full, their are other characters who are given some importance, particularly Mags, who open the story very charmingly, but them mostly fades from our view. That said, Marching to Zion is still still a gripping, though tragic, story.

[gabbyhayze · Rating: 5 out of 5 stars]

[book: Marching To Zion] by [author: mary Glickman] begins with the story of Margaret Preacher, "Mags", who is a country girl and unfamiliar with big city sights. She has never been inside much less seen a building 5 stories high, and she is in awe of the differences between where she was born and raised as opposed to where she now finds herself. She got to the city by hitching a ride on the back of a milk truck where she managed to fit herself among the canisters. What she wants to do in this new and bigger place is borrow money so she can learn to do hairdressing for black women, and after she has the knowledge she needs, she'll be able to open her own store. A chance meeting on the street with Magnus Bailey, a kind of entrepreneur of the day, was a real stroke of luck. She'd like him to loan her $100 so she can get started learning her trade. She offers Magnus 10% of her profits until the loan is repaid, and Magnus would get 10% of her profits for 6 months beyond that. Instead of loaning her the money she needs to start her business, Magnus gives her $10 and sends her to a rooming house where she can get reasonable lodging. Magnus believes she will be able to find a job and earn the $100 she needs.After several job interviews that did not pan out for her, Mags decides to apply for a job at a funeral parlor. George McCallum was the man in charge of most of the services the funeral home offered, and Mags was very impressed with how good George made the bodies look. She wanted him to teach her how to do that. Eventually Mags and George realize they love each other, so they marry, and both their lives are peacefully happy both at work and at home. Unfortunately, things change.The St. Louis riots take place followed by an outbreak of the Spanish Fever, and it becomes necessary for Mags to pack up the people who are family, whether or not they are related by blood, and move them all back to where Mags came from. Mags has a cousin, Aurora Mae, who lived in a place known as the Stanton House. Mags decided to stay there, but the former owner of the funeral home, Mr Fishbein, his daughter, Minerva, and Magnus Bailey continue their travels heading toward Memphis.From this point the stories of each of these people take turns none of them would have expected. Minerva has always been a troubled girl, and as she ages, she only becomes more and more unsettled as she cannot get what she wants for herself. It is at this point that the subjects of race and heritage become highly important to the characters in this story. Each of them deals with prejudice that ultimately affects their destiny. It is also at this point that the unfairness of such petty, by today's standards, differences lead to tragic consequences. Glickman does a superb job of letting the reader know exactly what the repercussions of being both Black and Jewish meant in this time frame, and it is heartbreaking. There is no level playing field for any of these people, but only one of them may be able to overcome what seems like an impossible, unsolvable burden. I labeled this book as a historic novel along with other tags, because Glickman has included some important historical events in her narrative. These events, such as the St. Louis Riots do not normally get much if any special attention in history books, and that is an unforgivable oversight. Glickman cleverly, through characters I had come to deeply care about, told the story from a deeply personal side of how this one event changed the lives of so many people. And the hardest part to accept is that this event never had to take place at all. I also was unaware that the answer to racial problems for people in this country could be resolved by going to Europe. This country was founded upon the right of freedom, yet a huge portion of the population could never have that unless they left the country committed to providing it. The same holds true for religious freedom. That was available so long as the person seeking such freedom was of the "correct" religion. Only for Jews the option of going to Europe posed larger difficulties than staying in the US did. While Glickman has addressed very heavy, important issues in her book, she did it all through very likable, very human characters. Nothing was so heavy handed as to appear one Sided. I thought Minerva, or Minnie, was such a good case in point. For me she embodied the stress and unfairness of the time in which she lived. Her fate was troubling.I received an ARC of this book from Open Road Media in exchange for an honest review. That in no way influenced my rating of 5 Stars for this book. In fact, I'd have given the book more stars if possible. Read it - it's that good.

[atticusfinch1048 · Rating: 4 out of 5 stars]

A Modern Day ClassicThis was a wonderful read by Mary Glickman that was an absolute pleasure to read and that reminded me very much of the classic To Kill a Mockingbird. Marching to Zion may take its name from the hymn and end with two of the characters eventually entering Zion but this is a carefully constructed novel that covers a span of 20 years that examines relationships between black and white, Negro and Jew. Relationships that were forbidden then and to some extent not accepted by some now and all based on historical fact. From the labour/race riots in St Louis through to the Great Depression, the flooding of the Mississippi to the outbreak of war in Europe.Mags Preacher is a poor country girl that sets off for the big city of St Louis to make her way in the world, who has the luck to find a guide in Magnus Bailey who helps her find lodgings and in turn a trade at the funeral home owned by the Mr Fishbein, a European Jew who lives about with his daughter Minnie. Mags falls in love with his employee George McCullum, they get married and she is pregnant when he is killed in the race riots. Magnus Bailey and Fishbein move Mags back home to be with her family. They are moving on to Memphis to start a new life, and it becomes obvious to most that Minnie is in love with Magnus but they cannot be together due to each others’ colour which is not acceptable in the south of the 1920s. He rejects her and goes away so as not to be found Minnie searches for him and does not come out of it well. It would be this forbidden love that drives the story forward.It would be so easy to give away the bulk of the story as it is such a brilliant tale that has been told by Mary Glickman, she is a fantastic story teller an art that is often forgotten. The characters are three dimensional real and faced with real dilemmas with no easy choices an excellent examination of American ideals in the early 20th century and how nobody was really free from the shackles of ages past. This really will become a modern classic.

[judiex · Rating: 4 out of 5 stars]

The dedication of MARCHING TO ZION by Mary Glickman concisely tells the theme: “For the lovers, their arms around the grief of the ages.”Taking place primarily in East St. Louis and Memphis between 1916 and 1936, the book tells the story of relationships between races and religions with the focus on those between blacks and whites. Mary Glickman hides philosophy in the narrative as she has her characters discuss how experiences, both individual and group, influence how people react to various situations.The story began in 1916 when Mags Preacher arrived in St. Louis from the small, country home where she grew up. Self-taught, she decided to become a hair stylist because most women want to look attractive and will pay for someone to help them achieve that goal. There was no one in her community providing that service to black women and she thought she could learn the trade through an apprenticeship. With the help of the dapper Marcus Bailey, she found a place to live and then a job at a mortuary where she met the other employee, George McCallum, who was also black. The funeral home was owned by Mr. Fishbein, a Jewish immigrant who lived upstairs in the building with his daughter, the beautiful, red haired beauty Minerva (Minnie) who had a horrendous temper. Mags is the primary character in the first section of the book. She found life in the big city much different than life at home. Racial segregation, while not established by law, was prevalent because of entrenched custom. Eventually, she was able to find her niche. Mags and George marry and have a daughter. They loved each other deeply and tried to fulfill the other’s expectations. “She looked up at her husband in the way she had, full of admiration and trust. It seared his heart when she looked at him that way. On occasion, he gave detailed opinions on subjects he barely knew about, because he could not bear to disappoint her and risk lowering himself in her eyes. This time, he was sure of his answer.”The remainder of the book focuses on Bailey, Minerva, and FishbeinFishbein immigrated to St. Louis after a tragic life in Russia. A decent man, when he and Minnie arrive in St. Louis, Bailey carried Minnie down the gangplank when her father was having difficulty maintaining his balance while holding her. Minnie looked at him and said, “Der shvartser has grine oygn.” Fishbein replied, “Der mensch has grine oygn.” He immediately taught her to respect people for their actions not to label them because of their skin color.He never forgot his personal history. Hearing the outbreak of a riot, Minnie asked her father what it was and he said, “A pogrom.” “What is a pogrom?” she asked. He responded “A festival of evil. The story got more complicated when Minnie fell in love with Bailey. He was reluctant to follow through even when he began to reciprocate her emotions because of their age difference and, more important, the racial divide. He left suddenly without explanation which threw Minnie into a massive downspin. Bailey observed the way different people dealt with tragedy. Fishbein wondered if the tragedy that befell his people was the result of him disobeying one of the Ten Commandments, then thought, “But this is selfish, isn’t it? To think that a world of suffering rains down on a multitude because of my sin.”Bailey “didn’t fixate on his own people’s miseries from the day they were captured in Africa and sold into slavery. He figured there was enough misery around day to day. Why wallow in the past? But Jews. If Fishbein were anything to go by, the past was their world entire.”Eventually, Bailey and Minnie reestablish ties but she had changed drastically.When Bailey thought of moving to Paris, where several notable black Americans had settled, he thought he found a way for them to be together. Fishbein disagreed. “When any man is in a fever like this, the thought, a fever of delusion, it’s dangerous to argue with him. Better to chip away at his madness bit by bit.“ “Magnus spoke of golden exile, but Fishbein knew better. There was no such thing. Exile was a ripping up, a tearing away, a flight from one set of evils to another.” Fishbein recognized the continuing racism in the world: “Magnus Bailey’s people whose chains of iron had been loosed but never removed.” Later, he would think of emigrating to Palestine as a way for the three of them to have a chance at life.Another character, Dr. Willie, thought Bailey was a threat in the pursuit of another woman, “vowed revenge against the usurper Magnus Bailey. He was a small enemy, to be sure, but a large enemy can be turned to friendship when mutual gain is at stake, while a small enemy festers everlastingly looking for his chance.” He also had set ideas about a woman’s place. “That’s the trouble...with a woman of independent means. They did things out of principle rather than need, which robbed a man like him of leverage."MARCHING TO ZION is the story of several tragedies as it tells the stories of simple people trying to survive in an often hostile environment. Most of it is realistic, if shocking at times. How Minnie reached her career choice isn’t clear though the reasons for her temper tantrums is explained. The relationships among the characters, as well as the characters themselves and the situations they encounter, are complicated but explained.The author has a somewhat unique writing style. Her sentences tend to be long, sometimes convoluted, but are understandable without having to reread them. She doesn’t use quotation marks. Many of the characters speak with an accent but she indicates that by the judicious use of occasional words or phrases or incorrect verb tense. I received an advance copy of this book from Goodreads First Reads.

[techeditor_1 · Rating: 3 out of 5 stars]

Mary Glickman’s MARCHING TO ZION is not a continuation of her excellent ONE MORE RIVER, although MARCHING does again involve one character, Aurora Mae, and both books are historical fiction. MARCHING is a standalone novel.MARCHING TO ZION is mostly about a white Jewish girl/woman and a black man who are doomed for, obviously, racial reasons. But the book doesn’t begin with their story. It begins in 1916 with Mags Preacher, a black woman, who finds work at a funeral home and eventually marries her boss, the director there. The owner of the funeral home is a Russian Jew with a daughter who nowadays would be put on Ritalin. But they seem to be minor characters in a story about Mags.Then the story shifts. Now it concentrates on that daughter who should be on Ritalin, Minerva, and a black man, Magnus, who befriended her and her father from the time they got off the boat and entered the United States. The shift is smooth, somewhat like when a news broadcaster shifts from weather to hard news. Still, it was a shift even though Glickman doesn’t leave Mags and her story entirely.This is an unusual structure, to begin with one story and shift to another. I thought it was a deliberate technique, the first story a sort of introduction to the second. It worked that way for me. But the shift could also signal Glickman’s accidental brain freeze and then her decision to take this in an unplanned direction. But the second story works in part because it is Glickman’s style to tell it from the various viewpoints of other characters. Readers learn their stories and may even care more about them than Minerva and Magnus.Safe prediction: there won’t be a sequel. This book does not lend itself well to one.But my hope is that Mary Glickman becomes a more recognized author. And I think it’s another safe prediction that she will. Her digital marketing manager sent me this advanced reader’s copy, and this is my honest review.