The Grand Old Opera House Hotel (NHB Modern Plays)
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About this ebook
When shy Aaron joins the hotel's inharmonious team, he's faced with emotionally volatile guests, apathetic staff and management that doesn't have a clue. Not to mention the rumour of singing ghosts haunting the corridors.
But through all the madness, one voice stands out, capturing his ears and his heart – and Aaron must go into battle with the hotel's magical chaos to find out the truth.
An uplifting ensemble comedy, Isobel McArthur's The Grand Old Opera House Hotel is a story of art bringing us together in hopeless circumstances, to the tune of some of the most popular opera songs ever written. It premiered at the Traverse Theatre, Edinburgh, during the Festival in August 2023, with Dundee Rep Theatre, directed by Gareth Nicholls.
Isobel McArthur
Isobel McArthur is an actor, writer and musician based in Glasgow. As a writer, her plays include The Grand Old Opera House Hotel (Traverse Theatre, Edinburgh, & Dundee Rep, 2023) and Pride and Prejudice* (*sort of), adapted from Jane Austen's novel (Tron Theatre Company and Blood of the Young, 2018; UK tour, 2019; West End, 2021; UK tour, 2023). Pride and Prejudice* (*sort of) won Best Entertainment / Comedy Play at the 2022 Olivier Awards, and McArthur was the winner of the Emerging Talent Award at the 2022 Evening Standard Theatre Awards.
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Book preview
The Grand Old Opera House Hotel (NHB Modern Plays) - Isobel McArthur
Isobel McArthur
THE GRAND
OLD OPERA
HOUSE HOTEL
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Original Production Details
Characters
Stuff to Know
The Grand Old Opera House Hotel
About the Author
Copyright and Performing Rights Information
The Grand Old Opera House Hotel was commissioned by the Traverse Theatre and was first performed at the Traverse Theatre, Scotland, on 27 July 2023. The cast was as follows:
Characters
AARON, thirties. A naturally open book, trying hard to stay closed and just fit in. Struggles to hold down a job for long. Easily distracted. Nervous. Never worked in a hotel before
AMY, thirties. Worked in hotels for a few years. Practised in presenting a cheery disposition. Secretly an opera fan but never actually been to see one. Big brain and heart – but scared of putting herself out there. Talks to herself a lot – eccentric
MORAG, a hotel worker for her whole life. Zero aspirations to anything more. Working-class background. Seen it all. A bit spiritual – got perspective
KATHERINE, assistant manager at the hotel – aspirations to become manager. Slightly neurotic
YOLANDA, a hotel worker for several months, Colombian – highly intelligent and academic. Finds all those about her embarrassing. Deadpan
GENERIC STAFF MEMBER, wide-eyed. Couldn’t hurt a fly
PASSING GUEST
GLASWEGIAN GUEST
YOUNGSTER
STRESSED GUEST
WOMAN WITH PAINTED NAILS
FRENCH PERSON 1
FRENCH PERSON 2
BUSINESSMAN
MAN IN AN EYEMASK
SOBER YOUNG WOMAN
MIDDLE-AGED MAN
MIDDLE-AGED WOMAN
DRUNK YOUNG WOMAN
HALF-ASLEEP GUEST
TOURIST
WOMAN IN A TOWEL
MOTHER WITH BABY
COUPLE HAVING SEX
MAN WITH BAD NECK
TEMPESTUOUS WOMAN
FASCINATOR WOMAN
WOMAN ON A HEN DO
BUSYBODY
WORKER IN A HARD HAT
And other GUESTS and GHOSTS…
Multi-rolling
ACTOR 1 – Aaron
ACTOR 2 – Amy
ACTOR 3 – Katherine, French Person 1, Drunk Young Woman, Toreador Ghost, Mother with Baby, Brünnhilde Ghost, Busybody
ACTOR 4 – Morag, Stressed Guest, Middle-Aged Woman, Factory Worker Ghost, Sombrero Drinker, One Half of Couple Having Sex, Fascinator Woman
ACTOR 5 – Yolanda, Glaswegian Guest, French Person 2, Ghost Carmen, Woman in a Towel, Tempestuous Woman
ACTOR 6 – Generic Staff Member, Woman with Painted Nails, Youngster, Sober Young Woman, Factory Worker Ghost, Tourist, Sombrero Drinker, One Half of Couple Having Sex, Woman on a Hen Do, Regency Ghost in a Tall Wig
ACTOR 7 – Passing Guest, Businessman, Ghost Figaro, Middle-Aged Man, Man in an Eyemask, Toreador Ghost, Half-Asleep Guest, Man with Bad Neck, Worker in a Hard Hat
Stuff to Know
There’s at least one surtitle screen which shows translations of anything either inaudibly quiet, very fast, or sung/spoken in a language other than English. In this script, these surtitles appear in square brackets:
CHARACTER. Come questo. [Like this.]
There’s a digital screen to show the relevant room number near or above the hotel-room door in the set – quite large. This can change at any time. In this script, these are written centrally, like this:
273
The Set
A hotel room with a corridor alongside, a door adjoining them. In the room, a barely double bed, wardrobe, window, bleak wee space with a kettle, some other basic furniture and a door, leading to an en suite, off. In the corridor, no plants, no art – one bin.
Room and corridor both some lifeless colour.
This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.
To begin with, all is in half-darkness.
Then – a swell of non-musical sound. GUESTS moving suitcases, the shunting of a lift, chattering and other commotion through the thin walls. This is not a place of rest.
Lights up on the corridor. Evening, for now.
624 625 626 627 628 629
AARON entering down the corridor. He wears a beige room attendant’s uniform with a small backpack. He looks flustered and disorientated. A PASSING GUEST (a real bastard) with a wheelie suitcase appears.
PASSING GUEST. You – could you help me?
AARON thinks.
AARON. I don’t know.
AARON sets off –
PASSING GUEST. Excuse me – where are you going?
AARON. To my staff training, I’m running late –
PASSING GUEST (flying off the handle). Is this how you treat loyal customers – ?!
AARON. Oh no I didn’t mean to –
PASSING GUEST (brandishing a card). I have been a