African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 3: The Documentary Record—Declarations, Resolutions, Manifestos, Speeches
()
About this ebook
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film.
Volume Three of this landmark series on African cinema spans the past century and is devoted to the documentation of decoloniality in cultural policy in both Africa and the Black diaspora worldwide. A compendium of formal resolutions, declarations, manifestos, and programmatic statements, it chronologically maps the long history and trajectories of cultural policy in Africa and the Black Atlantic. Beginning with the 1920 declaration of the Rights of the Negro Peoples of the World, which anticipates cinema as we know it today, and the formal oppositional assertions—aspirational and practical. The first part of this work references formal statements that pertain directly to cultural policy and cinematic formations in Africa, while the next part addresses the Black diaspora. Each entry is chronologically ordered to account for when the statement was created, followed by where and in what context it was enunciated.
Related to African Cinema
Related ebooks
African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 2: FESPACO—Formation, Evolution, Challenges Rating: 0 out of 5 stars0 ratingsRoots of the New Arab Film Rating: 0 out of 5 stars0 ratingsNew African Cinema Rating: 0 out of 5 stars0 ratingsFrancophone African Women Documentary Filmmakers: Beyond Representation Rating: 0 out of 5 stars0 ratingsGlobal Nollywood: The Transnational Dimensions of an African Video Film Industry Rating: 0 out of 5 stars0 ratingsNew Voices in Arab Cinema Rating: 0 out of 5 stars0 ratingsAfrican Film and Literature: Adapting Violence to the Screen Rating: 0 out of 5 stars0 ratingsGlobal Perspectives on Amateur Film Histories and Cultures Rating: 0 out of 5 stars0 ratingsMovies, Songs, and Electric Sound: Transatlantic Trends Rating: 0 out of 5 stars0 ratingsFilm Manifestos and Global Cinema Cultures: A Critical Anthology Rating: 0 out of 5 stars0 ratingsAfrican Video Movies and Global Desires: A Ghanaian History Rating: 0 out of 5 stars0 ratingsProvenance and Early Cinema Rating: 0 out of 5 stars0 ratingsSonic Space in Djibril Diop Mambety's Films Rating: 0 out of 5 stars0 ratingsEarly Cinema in Asia Rating: 0 out of 5 stars0 ratingsOn Location in Cuba: Street Filmmaking during Times of Transition Rating: 0 out of 5 stars0 ratingsAfrican Cinema and Human Rights Rating: 0 out of 5 stars0 ratingsThe National Imaginarium: A History of Egyptian Filmmaking Rating: 0 out of 5 stars0 ratingsModern African Art Rating: 0 out of 5 stars0 ratingsCine: Spanish Influences on Early Cinema in the Philippines Rating: 0 out of 5 stars0 ratingsSouth African performance and archives of memory Rating: 0 out of 5 stars0 ratingsRelaying Cinema in Midcentury Iran: Material Cultures in Transit Rating: 0 out of 5 stars0 ratingsCrossing Borders in African Literatures Rating: 0 out of 5 stars0 ratingsDreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media Rating: 0 out of 5 stars0 ratingsThe Place of Artists' Cinema: Space, Site, and Screen Rating: 0 out of 5 stars0 ratingsCinema at the Periphery Rating: 0 out of 5 stars0 ratingsTrash: African Cinema from Below Rating: 0 out of 5 stars0 ratingsReel Pleasures: Cinema Audiences and Entrepreneurs in Twentieth-Century Urban Tanzania Rating: 0 out of 5 stars0 ratingsCinema by Design: Art Nouveau, Modernism, and Film History Rating: 0 out of 5 stars0 ratingsEarly Cinema Today: The Art of Programming and Live Performance Rating: 0 out of 5 stars0 ratings
Performing Arts For You
The Sisters Brothers Rating: 4 out of 5 stars4/5Becoming Free Indeed: My Story of Disentangling Faith from Fear Rating: 5 out of 5 stars5/5For colored girls who have considered suicide/When the rainbow is enuf Rating: 4 out of 5 stars4/5As You Wish: Inconceivable Tales from the Making of The Princess Bride Rating: 4 out of 5 stars4/5The Science of Storytelling: Why Stories Make Us Human and How to Tell Them Better Rating: 5 out of 5 stars5/5Macbeth (new classics) Rating: 4 out of 5 stars4/5Robin Rating: 4 out of 5 stars4/5Wuthering Heights Rating: 5 out of 5 stars5/5The Importance of Being Earnest: A Play Rating: 5 out of 5 stars5/5The Quite Nice and Fairly Accurate Good Omens Script Book: The Script Book Rating: 5 out of 5 stars5/5Coreyography: A Memoir Rating: 4 out of 5 stars4/5The Diamond Eye: A Novel Rating: 4 out of 5 stars4/5Stories I Only Tell My Friends: An Autobiography Rating: 4 out of 5 stars4/5Angels in America: A Gay Fantasia on National Themes: Revised and Complete Edition Rating: 4 out of 5 stars4/5Hamlet Rating: 4 out of 5 stars4/5Lucky Dog Lessons: From Renowned Expert Dog Trainer and Host of Lucky Dog: Reunions Rating: 4 out of 5 stars4/5Unsheltered: A Novel Rating: 4 out of 5 stars4/5The Best Women's Monologues from New Plays, 2020 Rating: 5 out of 5 stars5/5Hollywood's Dark History: Silver Screen Scandals Rating: 4 out of 5 stars4/5Romeo and Juliet Rating: 4 out of 5 stars4/5Our Town: A Play in Three Acts Rating: 4 out of 5 stars4/5The Fifth Mountain: A Novel Rating: 4 out of 5 stars4/5A Strange Loop Rating: 4 out of 5 stars4/5The Count Of Monte Cristo (Unabridged) Rating: 4 out of 5 stars4/5The Trial Rating: 4 out of 5 stars4/5Mash: A Novel About Three Army Doctors Rating: 4 out of 5 stars4/5I'm Your Huckleberry: A Memoir Rating: 4 out of 5 stars4/5The Whale / A Bright New Boise Rating: 4 out of 5 stars4/5Into the Woods: A Five-Act Journey Into Story Rating: 4 out of 5 stars4/5
Reviews for African Cinema
0 ratings0 reviews