Grimoire of the Thorn-Blooded Witch: Mastering the Five Arts of Old World Witchery

By Raven Grimassi

“Many books talk about the relationship of Witches to natural magic. This book takes you into the very heart of it.” —Christian Day, author of The Witches’ Book of the Dead

For the first time in more than a decade, Grimassi introduces readers to a new system of witchcraft, one that draws upon the old ways and the old days to teach the practitioner how to master all that it is to be a Witch. Chock full of spells, illustrations of plant spirits, and rituals, Grimassi takes readers deep into the woods to learn the secrets of the Thorned Path.

Here we meet the entities that dwell deep within the organic memory of the earth—the devas, the deities, the magical life force behind the surface of the wooded glen. Chapters include Plant Spirits of the Green Realm, The Rose and Thorn Path of Witchery, Works of Magick, The Old Ones, and The Old Rites. Learn to work with these spirits and transform your life and practice

“Undoubtedly the most exciting and important book of the decade!” —Dorothy Morrison, author of Utterly Wicked and The Craft

“Truly a work of genius.” —Theitic, executive editor of The Witches’ Almanac

“The underworld powers of magical alchemy await within these pages!” —Orion Foxwood, author of The Candle and the Crossroads

• Language: English
• Publisher: Open Road Integrated Media
• Release date: Aug 1, 2014
• ISBN: 9781609259174

Raven Grimassi

Raven Grimassi is a Neo-Pagan scholar and award-winning author of over twelve books on Witchcraft, Wicca, and Neo-Paganism including Old World Witchcraft and Italian Witchraft. He is a member of the American Folklore Society and is co-founder and co-director of the Crossroads Fellowship, a modern Mystery School tradition. He lives in Springfield, MA. Author website: www.ravengrimassi.net

Book preview

THE ENCHANTED WORLD

hat was the enchanted world known to our distant ancestors? My primary goal for this chapter is to provide an understanding of that older view of the world and our part in it. I believe it's important to look at these ideas of the enchanted world and how our ancestors understood things without a reference to science. In our exploration, we will touch upon the various beliefs, practices, and superstitions that formed the magical and metaphysical concepts as they now reside in various forms of Witchcraft. This will lend importance to a variety of components that continue to empower the practice of Witchcraft. I feel that why we believe something is as important as the practical performance connected to it. The reason we do something should empower how we go about performing the work itself.

Everything we now accept as part of Witchcraft had its origins, and if we believe that Witchcraft isn't a modern invention, then those origins must be quite old. I feel it's reasonably certain that Witchcraft evolved into a belief system and practice as opposed to being purposely designed through the imagination of ancient inventors as they sat around the fire at night. I believe it formed as a means of understanding and working with things that seemed magical and mysterious in the world of our ancestors. There was a time when Nature and humankind metaphorically spoke the same language.

Our distant ancestors lived in the deep forests and woodlands. For them, this was not an inhospitable place of wilderness; it was a natural place of dwelling in keeping with the ways of things. Nature is only wild to those who separate themselves from Her. Humans learned to live and survive by embracing the teachings that came directly from existence itself. From a mystical perspective, the spirit of the land communicated with our ancestors (who learned to live in common cause with Nature). From this, humans entered into a relationship with the unseen.

The challenges of survival created social positions within early tribal life. Some people were hunters, gatherers, and warriors, while others built and maintained shelters, made clothing, and prepared food. There were also some members of the tribe who communicated with the unseen world; these people were the forerunners of what we now call Shamans, Seers, Mystics, and Witches. Their role was different within tribal life, and we can say they maintained something akin to a spiritual or religious element within the tribe. When we think of Witchcraft in this light, the question becomes: what was the source and origin of the beliefs in magic and the spirit realm that arose in human culture? Was it invented from the imagination of primitive humans, or was it first experienced by them and then later formed into tenets? Perhaps the most important question is, was it taught to them by sentient beings on the Other Side?

Whatever the process was that led to the beliefs and practices of our ancestors, there isn't a sound reason to believe it's no longer accessible to modern Witches. If beings communicated with humans in ancient times, they can do so today. I believe the key lies in the mind-set of the contemporary Witch. If modern Witches invent, imagine, sense, or envision, then they share something in common with our ancestors. Any ancient belief or practice had its origin and its formation. The enchanted world doesn't originate with one's belief in it or with one's imagination. The enchanted world exists as the inner mechanism, the unseen operation, and this functions no differently now than it did in days of old. It reveals itself to those who do the work to penetrate the inner realms. It further reveals itself to those who are open to receive without resistance or skepticism.

There are very old tales about obstacles and barriers to the Hidden Places. We find this theme in the lore of the oak, ash, and thorn trees. Here we encounter the thorn tree blocking the inner world doorway that's flanked by the oak and ash. Other tales tell of creatures that guard passageways into various secret realms. In some cases, the Hidden Place is surrounded by water and obscured by mist. In order to arrive in any of these secret lands, a quest must be undertaken. Effort is always required, and the doorways never open to those who merely daydream. They remain sealed to those with closed minds, hardened hearts, and doubtful spirits.

Please read the following material thoroughly without skim reading The concepts are important foundations to understanding the rites, tools, works of magic, and spells in this book. Each piece builds upon another and helps reveal it on a deeper level. Together, all the elements present the enchanted world–view of our ancestors, one that enriches and vitalizes Witchcraft in contemporary practice. You'll miss understanding this if you jump around within this chapter.

FAERIES AND SPIRITS

It seems apparent from anthropological and archaeological studies that our ancestors believed in spirits and various entities that inhabited Nature. Evidence of this appears in tales of beings connected to trees, plants, mountains, rivers, lakes, and oceans. Other beings were believed to dwell in an unseen realm and pass back and forth between this and the world of mortal-kind. One particular race is what humans called the Faery.

Belief in the Faery appears in many lands, and they are depicted in various forms, ranging from tiny winged beings to those who are tall and slender. Among the oldest tales, we find a belief that encounters with Faeries were not always safe or without risk. If we think about first contact with any race, there are possible pros and cons. By analogy, the first white explorers to encounter the tribes of Central and South America came into contact with cultures they didn't understand. The customs, taboos, mind-set, and even the languages were problematic. Some encounters ended in undesirable ways (often for both parties). For further insights, I recommend reading the book The Secret Commonwealth of Elves, Fauns and Fairies by Robert Kirk. There are several versions in print by authors such as R. J. Stewart and by John Matthews.

It's my personal belief that Faeries exist in a different dimension than ours (by some accounts the fourth dimension). However, there are passageways that connect to physical places in our own dimension. It's important to understand that Faeries are not human and they don't originate from our world. I believe that as late as the medieval period, Faeries continued to cross over into the world of humankind. We were troublesome and unsettling to them in many ways, and ultimately they withdrew back into their realm of existence. However, sometime around the end of the 19 th century, Faeries began to return across the hidden thresholds. Some now work closely with humans who have established the required rapport.

In some discussions about Faeries, the similarities come up between Faery lore and UFO lore. Both tales include floating lights in rural places, odd-looking creatures, kidnapping, time displacement, and a superior technology (in the case of Faeries, this was interpreted by humans as magic). Some people hope for a race of aliens, or Faeries, to come and solve the problems of humanity and to save us in some way. This seems unlikely at best, although helping us to help ourselves is possible. The point I want to make is that it isn't the work of Faeries to do for humans what humans are unwilling or not sufficiently motivated to do for themselves.

Not all systems of Witchcraft have a working connection with Faeries, or even acknowledge them. Instead, what seems more in common among Witchcraft systems and traditions today is embracing the idea of spirits who are native to the earth. Our ancestors knew them as spirits of meadows, forests, rivers, lakes, and mountains. They also knew them as elementals, the spirits of earth, air, fire, and water (the forces of creation and manifestation). These concepts were not invented overnight—they evolved from earlier concepts and the experiences that people had with the Faery.

It's a very ancient idea that spirits exist in Nature and that people have encounters with them. In various forms, they later appear as characters in popular fairytale books. Unfortunately, we lose the deeper elements of these spirits when they're transformed to suit children for entertainment purposes. Additionally, the importance they held for our ancestors becomes lost in tales simply meant to teach a moral or to instill fear as a means of controlling behavior. In order to sort all this out, we must be able to distinguish between folklore and fairytale, and to untangle the comingled threads.

Our ancestors believed not only in spirits of Nature but also in spirits dwelling in unseen realms. The legendary realms of the Underworld and Otherworld likely evolved from this rooted concept. Advanced ideas like the hidden realm of Avalon or the Elysian Fields feature in the constructed tales that originate in past generations. From such tales, we can look deeper in the enchanted world-view of our ancestors.

SACRED DIRECTION AND MYSTICAL THOUGHT

One very old concept appears in the teachings of the seven directions: above, below, in-between, north, east, south, and west. This is still a part of some mystical paths and is highly valued in many of the modern Faery Traditions. The idea symbolizes the points at which we interface with the Universe. It uses the number seven, which has long been regarded in occult circles as representing completion.

I believe that when contemplating the seven directions, the concept of in-between is key and central to the understanding of enchantment. Occult lore instructs us that the in-between places are the most magical. In folkloric traditions, a place such as the threshold of a door is an in-between place. It's neither inside nor outside the door. The crossroads is also often considered to be an in-between place (most commonly the center where the roads meet and divide). Classic stories about Witches depict gathering at the crossroads to perform magic, commune with the dead, and participate in secret