Irish Superstitions: Irish Spells, Old Wives' Tales and Folk Beliefs
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About this ebook
Irish Superstitions includes a list of good-luck charms, spells, soothsayings and other irrational but charming and creative folk beliefs. There are stories of leprechauns and sprites, ghosts, the evil eye and wise women's curses. There are also charms and spells to make crops grow, to keep cattle healthy, to ensure safe childbirth, and to fulfil many other longed-for desires. Most of the superstitions are of pagan origin; many were overlaid with popular Christian belief.
Irish Superstitions: Table of Contents
Foreword — The Mind Engaged
- Man the Summation of All Things
- The World Around Us
- Ourselves and the Others
- Rules and Practices of Life
Dáithí Ó hÓgáin
The late Dáithí Ó hÓgáin was the author of several books of poetry, short stories and academic research. Born in Bruff, Co. Limerick, Dáithí Ó hÓgáin was educated at University College Dublin. As Professor of Irish Folklore in UCD, his main interests lay in the interplay between folklore and literature and the ways in which folklore enriches the individual imagination and creative culture. Ó hÓgáin was the author of six collections of poetry, among them Cois Camhaoireach, Idir an Dá Dhealbh and Footsteps from Another World, and three short story collections: Breacadh, Imeall an Bhaile and Scéalta Nua. His literary and folklore research includes Fionn Mac Cumhaill, Celtic Warriors, The Sacred Isle, The Celts—A History and Ireland—People and Places. He was a well-known broadcaster on radio and television, and also had four radio plays produced.
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Irish Superstitions - Dáithí Ó hÓgáin
ONE
MAN THE SUMMATION OF ALL THINGS
The sense of self is the most constant one in our experience, and much lore therefore centres on it. The human imagination has long been concerned with aspects of our lives, of our own minds and bodies. Although most of the related superstitions are not validated by modern medical science, they often gave people confidence — illusory, but none the less reassuring — in dealing with matters of immediate personal importance.
The head is master to the body
The head and face, as the most obvious and visible conveyors of personality, were given particular emphasis in body-lore. Many cultures visualised the head as the seat of the intellect but also as the seat of the emotions, because of the expression of human feeling in the face — its paling and reddening, its laughter and tears, its variety of grimaces and contortions.
The fact that the head contains the brain and therefore man’s rationalising powers was clear from behaviour and from the results of injury, and perhaps was also known from vivisection. The brain is in Irish called inchinn, in the sense of understanding, but a double of it is meanma, which has connotations of temperament, and both rationale and feeling are contained in the word intinn, for the general mental functioning. Not surprisingly, with this notion of totality, a popular proverb stated that ‘The head is master to the body,’ meaning that if anything goes wrong with the head, the body will be bound to suffer in some way.
Decision — the head stands alone
In early Irish culture, the head was considered to represent the whole of the person. This attitude is shown in ancient rituals of the Celts, who, even after decapitating a foe in battle, would preserve the head and accord it special respect. Classical writers tell of the continental Celts that they were accustomed to hang the heads of their enemies from the ridge-poles of their tents, and that they brought them along to feasts as if these dead enemies were guests. Early Irish stories tell of heads speaking after death, especially at feasts, where they gave instructions and messages to their listeners.
The head seems to have had particular significance in early Ireland in the context of druids and poets, to whom knowledge of past, present and future was attributed. The famous stone head found at Corleck in Co. Cavan, dating from the Celtic Iron Age, may reflect this: it has three faces, as if to indicate that the seer could simultaneously look into these three dimensions of time.
Information comes through the ears, is distilled in the brain, is reproduced through the mouth
Early literary sources show that the brain was regarded as the control-centre of the body. This eminently sensible view persisted down through the centuries in folklore. At all stages, of course, there was fanciful elaboration, and various attempts were made to bring the other parts of the head into the scheme of things. For example, the breath was envisaged as a stream which carries the words forward. Since it comes from deep inside the body and returns there, it could be thought of as a kind of liquid of the soul.
To breathe ritually upon an object was to impart something of one’s essence to that object. This was an important element in folk healing — for example, it was widely believed in Ireland that thrush of the throat could be cured by a fasting person breathing into the patient’s mouth.
The ear is prophetic
Folk tradition held that not just words but other effects could be picked up by one’s ear. Thus, if the right ear were warm, it was said that the person was being praised, while heat in the left ear meant that backbiting was taking place. Such notions, described by Pliny as current in ancient Rome, remain popular in modern folklore. A belief common in all parts of Ireland was that if a tiny ringing were heard in the ear, the death of a friend was imminent. An alternative explanation was that a friend in Purgatory in need of a prayer was sending the little bell as a signal.
The power of the tongue
Words, and the proper crafting of them, have always been considered extremely important in Ireland, where there is deep respect for dea-chaint (good speech).
The fancy was that the tongue was the cutter and shaper of words as they passed through the mouth, and people with a long and agile tongue were thought to be very good talkers. Medieval Irish literature claims that poets had two capsules on their tongues — one full of honey for praising, the other full of poison for satirising. By a similar process of thinking, later folklore represents poets as washing their mouths after composing a particularly bitter satire. Children, of course, were often told that a spot on the tongue resulted from telling lies, and were made to wash out their mouths when they used vulgar words.
Words can either harm or help
Speech, with its immense social potential, was highly valued and also greatly feared. There was a very strong belief in the power of a ‘bad tongue’ — that is, the tongue of a malicious and unscrupulous person. ‘Envy would eat away the hills,’ went an old saying.
Defamation was also credited with more concrete effects. It was thought that venomous criticism could actually bring sickness or even death to the victim. False or sarcastic praise was feared because of its cynical intent and, accordingly, its sinister nature. Most dreaded of all were compliments which were ‘craving’, or laced with envy. Many stories were told of children being falsely praised by a covetous neighbour, and as a result falling very ill or dying.
The tongue could be used in constructive ways also. Those with a ‘silver tongue’, for instance, could give great entertainment and encouragement to their fellows, or could avail themselves or others in matters of romance by composing fine songs or rhetorics of love. The positive side too was expressed in concrete terms, such as in the belief that a lick of the tongue could heal cuts and burns, particularly if the tongue had first licked the back of a lizard — an instance of how exotic actions or materials were much valued by the popular imagination. The connection with the lizard probably results from the widespread notion that this creature is itself tongueless, and so its wasted tongue ‘energy’ would be gained by the person who applied his own tongue to it.
The soul can be observed
The image of the head as the centre of the life-force, and of the personality, gave rise to many other ideas. For instance, stories were told of how the soul could sometimes be seen, in the shape of a little bird, a butterfly or a bee, flying out from the mouth of a sleeping person and returning before he awoke. The person might then describe a dream which he had, a dream based on what the soul saw when it had temporarily left the body. A prevalent belief was that, at death, the soul departed through log an bhaithis: that is, ‘the