CLASS (NHB Modern Plays)
By Iseult Golden and David Horan
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About this ebook
An explosive triple confrontation that is funny, heartbreaking and beautifully observed, Iseult Golden and David Horan's CLASS is an award-winning play about learning difficulties: in school, in life, wherever.
After a sold-out run in the Dublin Theatre Festival 2017, the play transferred to the Abbey Theatre, Dublin, in January 2018 before playing in the Traverse Theatre as part of the Edinburgh Festival Fringe 2018.
CLASS won Best Theatre Script at the 2018 ZeBBie Awards awarded by the Writers Guild of Ireland.
'An inspired look at society through the prism of a parent-teacher meeting' - Sunday Times Ireland.
Iseult Golden
Iseult Golden is an actor, writer and director. Writing work includes: The Roy Rap for the Little Roy Series (Jam Media / CBBC), co-writer on The Importance of Being Whatever for RTÉ (IFTA Winner 2012) and Belonging to Laura for Accomplice/TV3 (IFTA Nomination 2009). Also Fireworks, a one-act play for Tall Tales Theatre Company (published as part of the collection TXTs). Directing highlights include: Connected by Will Irvine and Karl Quinn (Dublin Fringe/Project Arts Centre), Payback by Marion O’Dwyer and Maria McDermottroe, Mangan’s Last Gasp by Gerard Lee and Buridan’s Ass by SR Plant (Bewley’s Café Theatre). Iseult also teaches at the Lir National Academy, Dublin.
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Book preview
CLASS (NHB Modern Plays) - Iseult Golden
A classroom. The teacher, RAY McCAFFERTY, sits at his desk, correcting a pile of copybooks and eating a sandwich open beside him.
There is a blackboard at the top of the room. Three small chairs have been arranged around a kid’s desk.
BRIAN COSTELLO enters, sees him working, hesitates, then leaves.
McCAFFERTY looks up.
McCAFFERTY. Hello?
McCAFFERTY returns to work. Beat.
BRIAN knocks and enters confidently.
BRIAN. Hello.
McCAFFERTY. Hello…?
BRIAN. Brian Costello. Jayden’s da?
McCAFFERTY is caught on the hop with his sandwich and hurriedly folds it away.
McCAFFERTY. Oh. Great. Come in, come in. You’re very prompt.
BRIAN. Do you want me to wait outside or?
McCAFFERTY. No, no, not at all. Please. Donna’s not here yet?
McCAFFERTY takes some papers from the side of his desk, and readies them.
BRIAN. Yeah, No. Em. She’s making her own way. She’s not here yet.
I was standing out there like an eejit, so I thought I’ll just come on in.
(Handshake.) Brian.
McCAFFERTY. Nice to meet you, I’m Ray McCafferty.
BRIAN. Yeah. I wasn’t here last time. There was a bit of a situation.
McCAFFERTY. I see.
BRIAN. No. I mean. I just, I wanted to make sure to be here today. See how Jay is getting on. Jayden.
McCAFFERTY. Good. Well, it’s good to have you here. Two parents are better than one! Not that one is a problem.
BRIAN. Yeah.
McCAFFERTY (towards kid’s desk). Take a seat.
BRIAN. Here?
McCAFFERTY. Sorry. I know. It’s not ideal. You’d be surprised how difficult it is to get an adult-sized seat this end of the building.
BRIAN looks at the chair, but doesn’t sit.
BRIAN. She said she’d be here. Four o’clock yeah? That’s what she told me.
McCAFFERTY. It’s not quite four yet.
BRIAN. I did meet Jayden’s other teachers, Mrs Hunt and em, the older one?
McCAFFERTY. Mrs McCague?
BRIAN. Yeah. I had the meetings with them. But this year, well.
McCAFFERTY. And were they all right, those parent-teacher meetings?
BRIAN. Yeah. Why wouldn’t they be?
McCAFFERTY. Absolutely. No reason.
BRIAN. I mean, it’s not exactly a barrel of laughs. Memories of getting called in to the principal’s office, you know.
McCAFFERTY. Sure.
BRIAN. Brings you back. Donna always shits a brick –
(Correcting himself.) I mean, she gets all nervous, coming in here, it’s like she reverts. I’m always telling her relax, you’re a grown-up. You’ve escaped, you know.
Beat.
No offence.
McCAFFERTY. No. I know what you mean. Actually I think we can all be prone to that sort of behaviour.
BRIAN (bluffing). Yeah, yeah.
McCAFFERTY. We learn in early life how to interact with different authority figures. Anything from shopkeepers, to doctors, to priests even. We learn at a young age how we interact with these people and it can be very hard to unlearn.
Beat.
My mechanic makes me feel inadequate. It’s not his fault. I always think he’s judging me ’cause I don’t understand a word he says. I just nod. My last NCT, nightmare.
Beat.
BRIAN. I used to be a mechanic.
McCAFFERTY. Oh.
BRIAN. I drive a taxi now.
McCAFFERTY. So you probably know a lot about cars.
BRIAN. A fair bit, yeah.
McCAFFERTY. Excellent.
Beat.
BRIAN. That’s a lot of pictures of trees. I’m guessing they’re learning about trees today.
McCAFFERTY. It’s a science project. This one here is Jayden’s. He brought in a branch from a birch tree.
BRIAN. We got that the other weekend.
McCAFFERTY. Exactly. And this is the seed. And the leaf. So it goes through –
BRIAN. … The life cycle of the tree.
McCAFFERTY. That’s it. Good. Exactly!
BRIAN laughs a little at the condescension.
BRIAN. Gold star for me. It’s written there.
McCAFFERTY. Yes, sorry. Occupational hazard.
Beat.
Actually, I don’t use that system any more. Gold stars. I try to make the process of learning enjoyable for its own sake. Knowledge should be its own reward.
BRIAN. Good luck with that.
McCAFFERTY. Indeed. Indeed.
BRIAN. You here long? In the school?
McCAFFERTY. A year and a half now.
BRIAN. Right.
McCAFFERTY. I started with Jayden in September.
BRIAN. Course, yeah. And how’s that going?
McCAFFERTY. What do you mean?
BRIAN. How do you find this place?
McCAFFERTY. Great. Well, it’s different. I taught in High Park before coming here.
BRIAN. You left High Park to come over here?
McCAFFERTY. Yes. I did.
BRIAN. Fair play. I went here. Couldn’t wait to leave. No offence.
McCAFFERTY. It’s… it’s a challenging environment. But the kids are great.
BRIAN. I’ll just sit on this.
BRIAN sits on a kid’s desk.
McCAFFERTY. Perfect. Apologies.
McCAFFERTY sits at his own desk.
BRIAN. I’m sure she’ll be here in a minute.
McCAFFERTY nods. He quickly counts the number of copybooks left to correct.
Was Jayden, em, talking about how things are at home?
McCAFFERTY. How do you mean?
BRIAN. No, I mean, it’s fine. It’s just I’m not living in the house at the moment. Just at the moment.
McCAFFERTY. Yes.
BRIAN. He was saying that?
McCAFFERTY. He mentioned it. And Donna told me there was… that you were, that you weren’t