Two Ladies (NHB Modern Plays)
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About this ebook
As their husbands clash over an international crisis, the first ladies of France and America find themselves alone together in a side room.
Friends, or enemies? When the stakes are so high, can they trust each other? Can they trust their husbands?
Nancy Harris's play Two Ladies premiered at the Bridge Theatre, London, in 2019, directed by Nicholas Hytner, and featuring Zoë Wanamaker and Zrinka Cvitešić.
Anna Claybourne
Anne was born in Portland, Oregon, and received her BFA from Oregon State University. In addition to her collaboration with Trina Robbins on the Lulu Award-winning GoGirl!, Anne's work includes the Eisner-nominated Dignifying Science and Pigling: A Cinderella Story for Lerner's Graphic Myths and Legends series. She has illustrated and painted covers for children's books and provided interior and cover art for regional and national magazines, including Wired, Portland Review, and Comic Book Artist. Anne's art also appears in the anthology 9-11: Artists Respond and is now in the Library of Congress.
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Book preview
Two Ladies (NHB Modern Plays) - Anna Claybourne
Lights up on HELEN, elegant, striking, exquisitely dressed, standing in the middle of the room.
Tense.
She has a drink in one hand.
Beat.
She downs it in one.
Then she goes to the window and looks out.
As the door bursts open, voices loud, a commotion –
SANDY (into phone, fast, urgent). No now. We need it now. Tell them it’s an emergency /
SOPHIA, effortlessly glamorous, is led into the room wearing a pastel Chanel dress-suit. It is dramatically covered with blood.
GEORGES (to SOPHIA, guiding her). This way, madame /
SANDY (over him). Cos it’s everywhere. Literally. It literally looks like someone blew his brains out on her suit – I said the Chanel was a bad idea /
As GEORGES offers SOPHIA a chair –
GEORGES (to SOPHIA, concerned). Would you like to sit down? /
SOPHIA shakes her head, delicately. SANDY continues –
SANDY. Well call Givenchy, call Stella, I don’t – will she what?
SANDY covers the phone, looks at SOPHIA –
Will you wear vegan leather?
SOPHIA looks like she doesn’t understand.
(Into phone.) She’ll wear it if it gets here in ten – five! Oh they are not boycotting, they just say that shit to look like they’ve a conscience – and it’s the conference centre right, not the hotel, we got rerouted. Half the team’s stuck across town. Yeah, real shit show.
She glances at GEORGES and SOPHIA.
Gotta go.
She hangs up.
No one seems to have noticed HELEN for the moment.
GEORGES. What did they say?
SANDY. They’re sending something.
GEORGES. I mean about the –
He points to the blood on SOPHIA’s dress.
SANDY. Animal blood.
GEORGES (shocked). No!
SANDY. They’ll run some more tests but she’s not itching or coughing. (To SOPHIA.) No difficulty breathing?
SOPHIA shakes her head.
GEORGES. Who would do such a thing?
SANDY. Ask your President.
The sound of glass shattering behind.
They turn.
GEORGES. Hélène!
HELEN. Sorry. Lost my grip. /
SANDY. How did you get up here?
HELEN. I – walked.
SANDY. Walked! Like –
HELEN. On two legs, yes.
GEORGES (rushing over). But you are okay? The blood –
HELEN. Yes, yes I’m fine. Didn’t get near me, I was lucky.
She looks at SOPHIA, genuine.
Are you alright?
SOPHIA nods.
What a terrible thing.
SANDY’s on her phone.
SANDY. Okay someone’s put it up but it’s grainy.
GEORGES rushes over to look. SOPHIA seems anxious.
GEORGES. A photograph?
SANDY. Film.
GEORGES. But the press were not permitted at the restaurant.
SANDY. But the protesters all have phones. Some don’t have asylum in most of Europe but they got phones. (To HELEN, dry.) Bet your husband’s glad he took a million.
A young CATERING ASSISTANT comes to the door, looks inside tentative.
CATERING ASSISTANT. Est-ce que quelqu’un veut du café?
SANDY. How did she get up here?
SANDY’s about to have words with security.
GEORGES. We requested some towels. (To the CATERING ASSISTANT.) Nous avons demandé des serviettes de toilette.
The CATERING ASSISTANT looks confused.
CATERING ASSISTANT.… Serviettes? Mais je m’occupe de la restauration /
GEORGES (urgent). Rapidement, s’il vous plaît.
The CATERING ASSISTANT rushes off.
(To SANDY, explaining.) She is in catering so –
SANDY. We have a serious security situation, we can’t just have people –
GEORGES. We bring the catering staff from Paris. They are all very highly screened.
SANDY looks unconvinced.
SANDY. Are there showers in this place?
GEORGES. Fourth floor.
SANDY. That’s something.
She keeps texting as she goes to the window –
And they’re gonna clear that street over there, right?
HELEN (alarmed). Why?
SANDY. Seriously?
HELEN. Well they’ve been arrested, haven’t they? And you’ve got snipers on every roof across town. I mean –
SANDY. No one’s gonna get shot today, okay. That would not be a good look right now.
HELEN darts an irritated glance at GEORGES, before turning to SOPHIA.
HELEN. Why don’t you sit down?
SOPHIA. I am fine.
The CATERING ASSISTANT comes back with a small towel.
She holds it out, tentative.
CATERING ASSISTANT. J’ai trouvé… ça.
HELEN points to SOPHIA.
HELEN. Pour elle, s’il vous plaît.
GEORGES snatches the towel off the CATERING ASSISTANT.
GEORGES. Donnez-les moi.
He grandly presents it to SOPHIA, all smiles.
For you, madame.
SOPHIA takes the towel coolly, starts to carefully wipe her dress.
SOPHIA. Thank you.
GEORGES points to the shattered glass on the floor.
GEORGES (to the CATERING ASSISTANT, curt). Et nettoyez tout ça.
CATERING ASSISTANT (nervous). Je dois aller chercher la pelle.
GEORGES eyes-rolls, impatient.
GEORGES. Vite alors! /
The CATERING ASSISTANT rushes out. SANDY’s on the phone.
SANDY. Rudy, hi, what are we doing about these protesters?
GEORGES (trying to get her attention). I will speak to our security /
SANDY (into phone). Only another couple hundred. But we gotta get to a dinner later and it’s basically a scene from Carrie here, only no one’s going to the prom.
HELEN (to GEORGES, irritated). They’re allowed to protest.
Something buzzes in SANDY’s pocket.
Another phone. She takes it out.
SANDY (into phone). Oh shit, it’s headlining –
SOPHIA looks up, alarmed.
(Into phone.) I gotta come down there. (To SOPHIA, curt.) You okay for a minute?
SOPHIA. I –
SANDY. Great.
SANDY heads out. As she leaves –
We’ll send the dress as soon as it gets here. (To SOPHIA.) Maybe try to look over that speech yeah, might relax you – (To GEORGES.) and no else is allowed up here, okay, great see you in a sec.
And she’s gone.
HELEN looks at SOPHIA.
HELEN.… She’s soothing.
She notices GEORGES heading for the