Same (NHB Modern Plays)
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About this ebook
Deborah Bruce's Same was commissioned as part of the 2014 National Theatre Connections Festival and premiered by youth theatres across the UK. Originally written for young actors, but with roles from teens to eighties, Same can be performed by groups of any age.
Deborah Bruce
Deborah Bruce is a writer and theatre director. Her plays include: Dixon and Daughters (Clean Break/National Theatre, 2023); Raya (Hampstead Theatre, 2021); The House They Grew Up In (Minerva Theatre, Chichester, 2017); The Distance (Orange Tree Theatre and Sheffield Crucible, 2014; a finalist for the 2012-13 Susan Smith Blackburn Prize); Same (National Theatre Connections Festival 2014); and Godchild (Hampstead Theatre, 2013).
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Book preview
Same (NHB Modern Plays) - Deborah Bruce
Deborah Bruce
SAME
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Title Page
Original Production
Dedication
Characters and Note on the Text
Same
About the Author
Copyright and Performing Rights Information
Same was commissioned as part of the 2014 National Theatre Connections Festival and premiered by youth theatres across the UK, including a performance at the National Theatre in July 2014.
Each year the National Theatre asks ten writers to create new plays to be performed by young theatre companies all over the country. From Scotland to Cornwall and Northern Ireland to Norfolk, Connections celebrates great new writing for the stage – and the energy, commitment and talent of young theatremakers.
www.nationaltheatre.org.uk/connections
For my grandmothers,
Pru Bruce and Paula Barnett, and their great-grandchildren,
Barney and Nell Herrin
Characters
EMMA, sixteen
FAY, Emma’s sister, fifteen
YOUNG HARRY, Emma’s brother, thirteen
SARAH, Emma’s cousin, fourteen
CALLUM, Sarah’s brother, twelve
JO-JO, Emma’s cousin, thirteen
CLARE, late seventies
MARION, Clare’s sister, eighty
SADIE, late seventies
ALF, eighties
EDDIE eighties
GRACE, seventies
JOSIE
HARRY
Note on the Text
The action takes place in an old people’s home in a small town.
Depending on the number of actors, there can be doubling between the young and old characters. Or not.
The older characters were originally written to be played by teenagers with the intention that it enables the audience to see the young person inside the old. I strongly encourage actors and directors to steer well clear of any ‘old person’ acting.
A forward slash (/) in the middle of a line denotes an overlap in dialogue, so that the next person to speak starts speaking before the first person has finished speaking.
Scene One
A bedroom in an old people’s home. Half-packed up. Boxes on the floor, some of the pictures taken down and leaning against the wall. No sheets on the bed.
There are six teenagers in the room.
EMMA, FAY and YOUNG HARRY sit on the bed. SARAH stands by the door. CALLUM sits on the floor playing on a Nintendo DS, and JO-JO sits on a stool at a dressing table.
They are all looking at screens except YOUNG HARRY.
Silence.
FAY. Aaw, thanks for liking my picture, Jo-Jo.
JO-JO. You’re welcome. Thank you for liking mine.
EMMA. Have you changed your profile picture?
JO-JO. No –
FAY. Is it that one with your hair tonged?
JO-JO. The one with my friend’s puppy.
FAY / EMMA. Aaaaw –
FAY. Oh my God, that was so sweet.
YOUNG HARRY. Get off Facebook.
FAY. Sarah. Are you logged in?
SARAH. I’m talking to my friend.
FAY. On Facebook?
SARAH. On WhatsApp.
FAY. I’ve just sent you a message on Facebook.
SARAH. Saying what?
FAY. Go on it.
SARAH. Okay.
Pause.
Aaaw. Sweet.
EMMA. What is it?
YOUNG HARRY. What’d’you send her a message for? She’s right there.
SARAH. I’ve liked it.
EMMA. Let’s see.
FAY shows her her phone screen.
YOUNG HARRY. Get off