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The Portrait of Mr W H: 'Ah! that is quite a different matter''
The Portrait of Mr W H: 'Ah! that is quite a different matter''
The Portrait of Mr W H: 'Ah! that is quite a different matter''
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The Portrait of Mr W H: 'Ah! that is quite a different matter''

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Oscar Fingal O'Flahertie Wills Wilde was born on the 16th October 1854 in Dublin, Ireland. The son of Dublin intellectuals Oscar proved himself an outstanding classicist at Trinity College and then at Oxford.

LanguageEnglish
Release dateJan 1, 2023
ISBN9781803547664
The Portrait of Mr W H: 'Ah! that is quite a different matter''
Author

Oscar Wilde

Oscar Fingal O'Flahertie Wills Wilde was born on the 16th October 1854 and died on the 30th November 1900. He was an Irish playwright, poet, and author of numerous short stories and one novel. Known for his biting wit, he became one of the most successful playwrights of the late Victorian era in London, and one of the greatest celebrities of his day. Several of his plays continue to be widely performed, especially The Importance of Being Earnest.

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    The Portrait of Mr W H - Oscar Wilde

    The Portrait of Mr W H by Oscar Wilde

    The Author, An Introduction

    Oscar Fingal O'Flahertie Wills Wilde was born on the 16th October 1854 in Dublin, Ireland.  The son of Dublin intellectuals Oscar proved himself an outstanding classicist at Trinity College and then at Oxford.

    Wilde then moved to London and its fashionable cultural and social circles.  With his biting wit, flamboyant dress, and glittering conversation, Wilde became one of the most well-known personalities of his day.

    His only novel, ‘The Picture of Dorian Gray’ was published in 1890 and he then moved on to writing for the stage with ‘Salome’ in 1891.  His society comedies were enormous hits and turned him into one of the most successful writers of late Victorian London.

    Whilst his masterpiece, ‘The Importance of Being Earnest’, was on stage in London, Wilde had the Marquess of Queensberry, the father of his lover, Lord Alfred Douglas, prosecuted for libel.  The trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency. He was convicted and imprisoned for two years hard labour. It was to break him.

    On release he left for France. There he wrote his last work, ‘The Ballad of Reading Gaol’ in 1898.  He died destitute in Paris at the age of forty-six sipping champagne a friend had brought with the line ‘Alas I am dying beyond my means’.

    The Portrait of Mr W H

    I

    I had been dining with Erskine in his pretty little house in Birdcage Walk, and we were sitting in the library over our coffee and cigarettes, when the question of literary forgeries happened to turn up in conversation. I cannot at present remember how it was that we struck upon this somewhat curious topic, as it was at that time, but I know that we had a long discussion about Macpherson, Ireland, and Chatterton, and that with regard to the last I insisted that his so-called forgeries were merely the result of an artistic desire for perfect representation; that we had no right to quarrel with an artist for the conditions under which he chooses to present his work; and that all Art being to a certain degree a mode of acting, an attempt to realise one's own personality on some imaginative plane out of reach of the trammelling accidents and limitations of real life, to censure an artist for a forgery was to confuse an ethical with an aesthetical problem.

    Erskine, who was a good deal older than I was, and had been listening to me with the amused deference of a man of forty, suddenly put his hand upon my shoulder and said to me 'What would you say about a young man who had a strange theory about a certain work of art, believed in his theory, and committed a forgery in order to prove it?'

    'Ah! that is quite a different matter,' I answered.

    Erskine remained silent for a few moments, looking at the thin grey threads of smoke that were rising from his cigarette. 'Yes,' he said, after a pause, 'quite different.'

    There was something in the tone of his voice, a slight touch of bitterness perhaps, that excited my curiosity. 'Did you ever know anybody who did that?' I cried.

    'Yes,' he answered, throwing his cigarette into the fire,—'a great friend of mine, Cyril Graham. He was very fascinating, and very foolish, and very heartless. However, he left me the only legacy I

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